Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Check Out Our New Arts Discounts Page
We have exciting news! The ArtsAVL website has a new feature: a discounts page!
At any time, you can head on over to artsavl.org/discounts to see special discount offers our members are offering.
View Offerings
The Event Support Grant covers qualifying City of Asheville fees for free nonprofit events held on city-owned public property, providing a competitive process for organizations to receive financial support. Grants typically range from $3,000-$10,000 but may fall outside of that range depending on the event. Proposals that increase exposure to the arts and promote a high quality of life for residents will receive special consideration. This is the second year ArtsAVL will facilitate the grant after unanimous approval from City Council. The application opens September 9 and closes October 14.
ASAP (Appalachian Sustainable Agriculture Project) has released a survey to learn more about how people in Western North Carolina shop for food and why they choose the food they do. The survey, part of a three-year project by ASAP’s Local Food Research Center, is for any resident of Western North Carolina over the age of 18, no matter where or how they shop for food. It can be completed online at surveymonkey.com/r/WNCFoodASAP or over the phone by calling ASAP at 828-236-1282. It should take approximately 8 to 12 minutes to complete and will be open through Oct. 31, 2024. Respondents are encouraged to share the survey widely with families, friends, and co-workers.
“By completing this survey, you are helping local farmers understand and connect with consumers,” said Amy Marion, ASAP Associate Director and lead researcher. “The challenges of our food system are constantly evolving. Improving it requires active participation from all community members. With this research we can better understand consumer values and the barriers they face, and help farmers and food producers improve communications with their customers and their communities.”
The survey is part of a three-year research project, “Connections in Direct Markets: Assessing the feedback loop between consumer values and farmers’ marketing strategies,” which will examine and improve communication and alignment between farmers and consumers in Western North Carolina. The research phase will also employ consumer focus groups, farmer interviews and case studies, and more targeted surveying. The broad consumer survey provides an update to the last consumer survey conducted by the Local Food Research Center in 2014. Results from the current research project will be shared in 2025.
ASAP founded the Local Food Research Center in 2011 to study the economic, environmental, and social impacts of localizing food systems. From its inception, ASAP’s programs and services have been grounded in research and evaluation, adjusting based on a strong feedback loop and observation of current conditions in the food system.
This project is supported in part by the National Institute of Food and Agriculture, U.S. Department of Agriculture, under award number 2022-38640-37488 through the Southern Sustainable Agriculture Research and Education program under subaward number LS23-382. USDA is an equal opportunity employer and service provider.
Whenever you want!
Supplies available at
2 Sulphur Springs Road
If you need to request supplies for the same or next day, please call 828-254-1776.
Organizing a litter cleanup with your friends, neighbors, co-workers, or other community members is easier than you may think! Asheville GreenWorks provides cleanup supplies and safety information, and will coordinate trash pick up as needed. Available supplies include safety vests, gloves, trash grabbers, trash bags, and SHARPs containers (upon request).
Review the attached guides for instructions and safety information.
Need to know
Please review the attached documents and contact [email protected] with any questions. Your supplies will be available for pickup on the date you’ve requested at Asheville GreenWorks’ office at 2 Sulphur Springs Road, Asheville, NC 28806.
All cleanups should be reported using the online form and supplies should be returned after your cleanup.
Dolly Parton’s Imagination Library impacts the pre-literacy skills and school readiness of children under the age of 5 in Buncombe County. The program mails a new, free, age-appropriate book to registered children each month until they turn five years old. Dolly Parton’s Imagination Library creates a home library of up to 60 books and instills a love of books and reading from an early age. If you have any questions about the program, please send an email to [email protected].
A national panel of educators selects the Imagination Library titles, which include: The Little Engine that Could, Last Stop on Market Street, Violet the Pilot, As an Oak Tree Grows, The Tale of Peter Rabbit, Llama Llama Red Pajama, Look Out Kindergarten, here I come, and many more (take a look at all the titles).
Register your child now!
Program Launch and Expansions
Literacy Together became a Dolly Parton’s Imagination Library affiliate in November 2015 with support from the Buncombe Partnership for Children. Through this program, registered children in Buncombe County receive a free book in the mail each month. Their parents also have the opportunity to attend workshops to learn how to build their children’s early literacy skills. Parents in need of literacy assistance are encouraged to receive tutoring through Literacy Together’s adult programming.
The program served 200 children during the 2015/16 fiscal year. The program expanded to serve 400 children in July 2016, and 600 in August 2017. In July 2018, capacity increased to 1,900 thanks to a special allocation in the North Carolina state budget. We’re now serving 4,600 kids in Buncombe County.
The Event Support Grant covers qualifying City of Asheville fees for free nonprofit events held on city-owned public property, providing a competitive process for organizations to receive financial support. Grants typically range from $3,000-$10,000 but may fall outside of that range depending on the event. Proposals that increase exposure to the arts and promote a high quality of life for residents will receive special consideration. This is the second year ArtsAVL will facilitate the grant after unanimous approval from City Council. The application opens September 9 and closes October 14.
Join us on Sunday, October 13th, 2024, for the 5th Annual Black Bear Half Marathon and 8k presented by Hunter Subaru!
The Black Bear Half Marathon & 8k is an exhilarating fall event that beckons both seasoned athletes and recreational runners alike. Nestled within the charm and beauty of Hendersonville, North Carolina, this race offers participants a unique opportunity to challenge their limits while immersing themselves in the splendor of the autumn season. Whether conquering the half marathon’s 13.1-mile stretch or embracing the spirited atmosphere of the 8k, participants love supportive community vibe, scenic course, and post-race festivities.
Both courses are USATF Sanctioned and Certified.
The 43rd annual Western North Carolina Parade of Homes, on the weekends of October 12-13 and October 19-20, is a free, self-guided showcase of new and renovated homes by builders in such areas as Asheville, Hendersonville, Brevard, Black Mountain, Fairview, and Clyde. You can tour homes in person or virtually. For information, visit wncparadeofhomes.com.
Our mission is to bring joy to our community by cultivating folk and social dance and music traditions.
Our vision is of people coming together to experience the joy of dance and music.
The Wooftop Party is a fun yappy hour for dog owners. With sweater weather here, it’s the perfect time for guests & their pups to enjoy The Roof. Botanical Bones will offer dog treats to keep tails wagging all night, and Mountain Pet Rescue will have adoptable dogs in search of their forever homes.
ASAP (Appalachian Sustainable Agriculture Project) has released a survey to learn more about how people in Western North Carolina shop for food and why they choose the food they do. The survey, part of a three-year project by ASAP’s Local Food Research Center, is for any resident of Western North Carolina over the age of 18, no matter where or how they shop for food. It can be completed online at surveymonkey.com/r/WNCFoodASAP or over the phone by calling ASAP at 828-236-1282. It should take approximately 8 to 12 minutes to complete and will be open through Oct. 31, 2024. Respondents are encouraged to share the survey widely with families, friends, and co-workers.
“By completing this survey, you are helping local farmers understand and connect with consumers,” said Amy Marion, ASAP Associate Director and lead researcher. “The challenges of our food system are constantly evolving. Improving it requires active participation from all community members. With this research we can better understand consumer values and the barriers they face, and help farmers and food producers improve communications with their customers and their communities.”
The survey is part of a three-year research project, “Connections in Direct Markets: Assessing the feedback loop between consumer values and farmers’ marketing strategies,” which will examine and improve communication and alignment between farmers and consumers in Western North Carolina. The research phase will also employ consumer focus groups, farmer interviews and case studies, and more targeted surveying. The broad consumer survey provides an update to the last consumer survey conducted by the Local Food Research Center in 2014. Results from the current research project will be shared in 2025.
ASAP founded the Local Food Research Center in 2011 to study the economic, environmental, and social impacts of localizing food systems. From its inception, ASAP’s programs and services have been grounded in research and evaluation, adjusting based on a strong feedback loop and observation of current conditions in the food system.
This project is supported in part by the National Institute of Food and Agriculture, U.S. Department of Agriculture, under award number 2022-38640-37488 through the Southern Sustainable Agriculture Research and Education program under subaward number LS23-382. USDA is an equal opportunity employer and service provider.
Whenever you want!
Supplies available at
2 Sulphur Springs Road
If you need to request supplies for the same or next day, please call 828-254-1776.
Organizing a litter cleanup with your friends, neighbors, co-workers, or other community members is easier than you may think! Asheville GreenWorks provides cleanup supplies and safety information, and will coordinate trash pick up as needed. Available supplies include safety vests, gloves, trash grabbers, trash bags, and SHARPs containers (upon request).
Review the attached guides for instructions and safety information.
Need to know
Please review the attached documents and contact [email protected] with any questions. Your supplies will be available for pickup on the date you’ve requested at Asheville GreenWorks’ office at 2 Sulphur Springs Road, Asheville, NC 28806.
All cleanups should be reported using the online form and supplies should be returned after your cleanup.
The Event Support Grant covers qualifying City of Asheville fees for free nonprofit events held on city-owned public property, providing a competitive process for organizations to receive financial support. Grants typically range from $3,000-$10,000 but may fall outside of that range depending on the event. Proposals that increase exposure to the arts and promote a high quality of life for residents will receive special consideration. This is the second year ArtsAVL will facilitate the grant after unanimous approval from City Council. The application opens September 9 and closes October 14.
ASAP is conducting research on why people in our community choose the food they do. We want to know where you shop, what you value most when purchasing food, and what factors motivate or discourage you from purchasing locally grown food. Whether you buy locally grown food or not, you can help farmers understand and connect with consumers—which creates a stronger local food system!
The survey can be completed online or by calling ASAP at 828-236-1282. It should take 8–12 minutes to complete and will be open until Oct. 31, 2024. You must be over the age of 18 and a resident of Western North Carolina.
Please share with families, friends, and co-workers!
This year’s election will be won by mobilizing voters who want to preserve our democracy and protect the rights of our citizens. Our phone bankers will be reaching out to likely supporters in your precincts who don’t vote on a regular basis. We will also be making separate calls in your precincts to recruit more volunteers for our efforts.
IF YOU HAVE A LAPTOP, PLEASE BE SURE TO BRING IT TO THE PHONE BANK. If you don’t have one, just be sure you bring your personal email login information (User ID & password) and you can use one of our Chromebooks. If you’ve canvassed or phone banked for Democrats in the past, you likely have an Action ID account, so please be sure to bring that login information as well. Of course, you will also need your cell phone.
Phone banking remains one of the best practices for winning elections and our phone banks are designed to reach those voters who rarely pick up their calls. We’ll leave a message on their voice mail, then also text them the same message. When someone does pick up their call, you’ll possibly have a lively conversation because we are targeting supporters!
This year’s election will be won by mobilizing voters who want to preserve our democracy and protect the rights of our citizens. Our phone bankers will be reaching out to likely supporters in your precincts who don’t vote on a regular basis. We will also be making separate calls in your precincts to recruit more volunteers for our efforts.
IF YOU HAVE A LAPTOP, PLEASE BE SURE TO BRING IT TO THE PHONE BANK. If you don’t have one, just be sure you bring your personal email login information (User ID & password) and you can use one of our Chromebooks. If you’ve canvassed or phone banked for Democrats in the past, you likely have an Action ID account, so please be sure to bring that login information as well. Of course, you will also need your cell phone.
Phone banking remains one of the best practices for winning elections and our phone banks are designed to reach those voters who rarely pick up their calls. We’ll leave a message on their voice mail, then also text them the same message. When someone does pick up their call, you’ll possibly have a lively conversation because we are targeting supporters!
Pieces made from nylon fabric ripstop, which keeps tears from spreading, invite viewers into created, fantastical worlds, only to highlight the complex—even impossible—architectures of their construction. Before the pandemic, Adrian primarily focused on personal experiences and interrogations of queerness, identity, and sexuality. Since then, the work has zoomed out in its scope, still centering identity but placed in larger infrastructure and surveillance systems that mediate, manipulate, and control desire.
Adrian counts queer fiber art, BDSM and kink culture, theatre, camp horror, puppetry, and drag among his many influences. Works in RIPSTOP, like the modernist bounce house sculpture A Fallible Complex (2021), evoke spaces for play, beckoning visitors in through their alluring aesthetic and then blocking their entrance or revealing structural instabilities, like missing floors. Others, like The Sensational Inflatable Furry Divines (2017-19), use sensual materials, like faux fur, spandex, and pleather, which connect to theatrical performance and counterculture. The materials “play on people’s initial associations and serve as a gateway into greater conversations about identity construction, performance, desire, and technology,” he shares.Pieces also nod to the history of quilting, including the AIDS Memorial Quilt, another influence on Adrian’s work. “Even when pieces aren’t explicitly making quilt references, I want the history of quilting and sewing-based craft to be part of the conversation of the work,” he says. “Craft is so much about the processes and histories behind materials. It’s about connecting with communities of people who practice those techniques. It’s about material and technique being a doorway into a greater relationship with an object.”
Themes of transformation—of structures, identities, and bodies—run throughout the show. “What I love about drag and puppetry is the sense of transformation and play, specifically with bodies,” Adrian says. “Within these art forms, a body can become mutable and capable of performing and becoming in unexpected states.” The sculptures also transform throughout viewers’ experiences, going through stages of inflation and deflation and existing in many different states.
RIPSTOP’s constant interplay between surface and depth, assumption and reality, are all a part of what Adrian describes as “looking behind the curtain,” which they trace back to the theatre. “When I’m thinking about systems, and the systems desire fits into, I’m thinking of stage construction, the backstage, the things that go on behind the show, and performance of our desires,” they explain.
As a craft artist, Adrian’s philosophy “comes down to having an intentional relationship with material, process, and technique,” he says. “Those aspects of art making are just as – if not more – important than an intellectualized concept being illustrated by an artwork.”
“Broadened definitions of craft that highlight communities of practice are foundational for the Center for Craft’s new strategic direction,” explains Executive Director Stephanie Moore. “Max Adrian’s work in RIPSTOP exemplifies the expansive and meaningful forms craft can take.” The Center for Craft is an institution Adrian credits for their professional growth. “The Center for Craft has felt like such a supporting institution for me specifically and for so many other craft artists I know,” they note. “To be able to bring this amount of work to Asheville is pretty cool.”
See Max Adrian: RIPSTOP at the Center for Craft Beginning July 26. A reception will be held on August 15. RIPSTOP is organized by Houston Center for Contemporary Craft and curated by Sarah Darro.
Welcome to our weekly community contra dance in West Asheville! The Monday Night Dance has been around for decades, and we are carrying the torch forward! We are a loving, kind, and safe dance community and highly encourage masking during the dance. No derogatory comments in relation to masking will be tolerated! We encourage non-maskers to mask while partnering with a dancer wearing a mask, or to at least ask if the person would like them to mask while they dance with them.
Practicalities
Time: Contra dancing 8:15–10:30pm, with a beginner lesson starting at 7:45 and a waltz session ending the evening.
Location: St. George’s Center for Art and Spirit, 1 School Rd., Asheville, NC 28806
Cost: $12–$45 sliding scale, CASH ONLY. Please pay as much as you can afford to cover the cost of the wonderful live music, the caller, sound person, rent, and other expenses! ATMs are available at banks on Patton Ave., as well as cash back options at local gas stations and grocery stores.
Requirements: Face masks and sign-in agreeing to the dance’s Safety Guidelines.
Please enter through the front red doors to the sanctuary. Extra parking available in the lots between Moore’s Foot and Ankle and St. George’s (please avoid parking in front of their practice.) This is a scent-free dance. Please bring your own water and water bottle. Beginners are encouraged to attend! Beginner-friendly dances start the contra dancing in lieu of a lesson.
Community Focus
The Monday Night Dance is more than just a dance; the community is deeply rooted. Folks are welcome to sell their wares, like jewelry, dance shoes, dance clothes, pottery, etc. They are also welcome to leave business cards and help wanted or work needed ads. Additionally, the Take Some Leave Some Closet is a new feature of the MND. You can take any clothes, food, produce, feminine products or first aid supplies that we have, and as you are able you can also leave some to replenish. Private times to receive from the closet can also be arranged during the week depending on to the dance organizer’s availability.
Safety
We emphasize safety here at the MND. Mask wearing is strongly encouraged, and courtesy to those choosing to mask is required. No discrimination to those wearing masks will be tolerated! In addition, this is a family and LGBTQ-friendly dance and a safe event for ALL races, ethnicities, genders, ages, shapes, and sizes. Accordingly, no discrimination, inappropriate sexually predatory behavior, racist or discriminatory comments, bullying, or verbal or physical abuse of ANY kind will be tolerated. See our Safety Guidelines for more info.
Volunteers and Donations
Ours is a dance built on volunteerism, and we need your help to survive! Please consider volunteering or becoming a patron by giving a monetary gift. Opening, door and closing help are some of the volunteer jobs available. Those completing their entire shift dance free! Email [email protected] for more info and to sign up.
Finally, please follow, like and join us on Facebook!
Thanks so much and see you on the dance floor!
We have exciting news! The ArtsAVL website has a new feature: a discounts page!
At any time, you can head on over to artsavl.org/discounts to see special discount offers our members are offering.
View Offerings
ASAP is conducting research on why people in our community choose the food they do. We want to know where you shop, what you value most when purchasing food, and what factors motivate or discourage you from purchasing locally grown food. Whether you buy locally grown food or not, you can help farmers understand and connect with consumers—which creates a stronger local food system!
The survey can be completed online or by calling ASAP at 828-236-1282. It should take 8–12 minutes to complete and will be open until Oct. 31, 2024. You must be over the age of 18 and a resident of Western North Carolina.
Please share with families, friends, and co-workers!
Pieces made from nylon fabric ripstop, which keeps tears from spreading, invite viewers into created, fantastical worlds, only to highlight the complex—even impossible—architectures of their construction. Before the pandemic, Adrian primarily focused on personal experiences and interrogations of queerness, identity, and sexuality. Since then, the work has zoomed out in its scope, still centering identity but placed in larger infrastructure and surveillance systems that mediate, manipulate, and control desire.
Adrian counts queer fiber art, BDSM and kink culture, theatre, camp horror, puppetry, and drag among his many influences. Works in RIPSTOP, like the modernist bounce house sculpture A Fallible Complex (2021), evoke spaces for play, beckoning visitors in through their alluring aesthetic and then blocking their entrance or revealing structural instabilities, like missing floors. Others, like The Sensational Inflatable Furry Divines (2017-19), use sensual materials, like faux fur, spandex, and pleather, which connect to theatrical performance and counterculture. The materials “play on people’s initial associations and serve as a gateway into greater conversations about identity construction, performance, desire, and technology,” he shares.Pieces also nod to the history of quilting, including the AIDS Memorial Quilt, another influence on Adrian’s work. “Even when pieces aren’t explicitly making quilt references, I want the history of quilting and sewing-based craft to be part of the conversation of the work,” he says. “Craft is so much about the processes and histories behind materials. It’s about connecting with communities of people who practice those techniques. It’s about material and technique being a doorway into a greater relationship with an object.”
Themes of transformation—of structures, identities, and bodies—run throughout the show. “What I love about drag and puppetry is the sense of transformation and play, specifically with bodies,” Adrian says. “Within these art forms, a body can become mutable and capable of performing and becoming in unexpected states.” The sculptures also transform throughout viewers’ experiences, going through stages of inflation and deflation and existing in many different states.
RIPSTOP’s constant interplay between surface and depth, assumption and reality, are all a part of what Adrian describes as “looking behind the curtain,” which they trace back to the theatre. “When I’m thinking about systems, and the systems desire fits into, I’m thinking of stage construction, the backstage, the things that go on behind the show, and performance of our desires,” they explain.
As a craft artist, Adrian’s philosophy “comes down to having an intentional relationship with material, process, and technique,” he says. “Those aspects of art making are just as – if not more – important than an intellectualized concept being illustrated by an artwork.”
“Broadened definitions of craft that highlight communities of practice are foundational for the Center for Craft’s new strategic direction,” explains Executive Director Stephanie Moore. “Max Adrian’s work in RIPSTOP exemplifies the expansive and meaningful forms craft can take.” The Center for Craft is an institution Adrian credits for their professional growth. “The Center for Craft has felt like such a supporting institution for me specifically and for so many other craft artists I know,” they note. “To be able to bring this amount of work to Asheville is pretty cool.”
See Max Adrian: RIPSTOP at the Center for Craft Beginning July 26. A reception will be held on August 15. RIPSTOP is organized by Houston Center for Contemporary Craft and curated by Sarah Darro.
Susan is a native of the coal mining village of Shady Spring, West Virginia. As a child, she watched her mother, Mae Alice Taylor, weave functional baskets. In 2002, after back surgery limited Mae’s mobility, it was time for mother to pass to daughter her precious knowledge of the art of basket weaving. Susan describes that time as “finally coming home”. The combination of fibers and artistry had opened a new avenue of self-discovery for her. Susan’s baskets are known for their quality, attention to detail, and visual excitement. A ‘natural’ in 3-dimensional arts, Susan also enjoys pottery, gourd projects, jewelry making, beadwork, wood turning, and felting wool.
Join us for weekly workdays in the Sand Hill native tree nursery. Tasks vary and often include repotting, weeding, mulching, and other special projects to improve infrastructure and function.
Need to know
Please come dressed in work clothes with close toed shoes. Bring water and sun protection. All other gear and supplies are provided.
Join us every Tuesday for some sweet sweet deals as a way for us to thank you and all of our fellow service industry friends!
ASAP (Appalachian Sustainable Agriculture Project) has released a survey to learn more about how people in Western North Carolina shop for food and why they choose the food they do. The survey, part of a three-year project by ASAP’s Local Food Research Center, is for any resident of Western North Carolina over the age of 18, no matter where or how they shop for food. It can be completed online at surveymonkey.com/r/WNCFoodASAP or over the phone by calling ASAP at 828-236-1282. It should take approximately 8 to 12 minutes to complete and will be open through Oct. 31, 2024. Respondents are encouraged to share the survey widely with families, friends, and co-workers.
“By completing this survey, you are helping local farmers understand and connect with consumers,” said Amy Marion, ASAP Associate Director and lead researcher. “The challenges of our food system are constantly evolving. Improving it requires active participation from all community members. With this research we can better understand consumer values and the barriers they face, and help farmers and food producers improve communications with their customers and their communities.”
The survey is part of a three-year research project, “Connections in Direct Markets: Assessing the feedback loop between consumer values and farmers’ marketing strategies,” which will examine and improve communication and alignment between farmers and consumers in Western North Carolina. The research phase will also employ consumer focus groups, farmer interviews and case studies, and more targeted surveying. The broad consumer survey provides an update to the last consumer survey conducted by the Local Food Research Center in 2014. Results from the current research project will be shared in 2025.
ASAP founded the Local Food Research Center in 2011 to study the economic, environmental, and social impacts of localizing food systems. From its inception, ASAP’s programs and services have been grounded in research and evaluation, adjusting based on a strong feedback loop and observation of current conditions in the food system.
This project is supported in part by the National Institute of Food and Agriculture, U.S. Department of Agriculture, under award number 2022-38640-37488 through the Southern Sustainable Agriculture Research and Education program under subaward number LS23-382. USDA is an equal opportunity employer and service provider.
Whenever you want!
Supplies available at
2 Sulphur Springs Road
If you need to request supplies for the same or next day, please call 828-254-1776.
Organizing a litter cleanup with your friends, neighbors, co-workers, or other community members is easier than you may think! Asheville GreenWorks provides cleanup supplies and safety information, and will coordinate trash pick up as needed. Available supplies include safety vests, gloves, trash grabbers, trash bags, and SHARPs containers (upon request).
Review the attached guides for instructions and safety information.
Need to know
Please review the attached documents and contact [email protected] with any questions. Your supplies will be available for pickup on the date you’ve requested at Asheville GreenWorks’ office at 2 Sulphur Springs Road, Asheville, NC 28806.
All cleanups should be reported using the online form and supplies should be returned after your cleanup.
ASAP is conducting research on why people in our community choose the food they do. We want to know where you shop, what you value most when purchasing food, and what factors motivate or discourage you from purchasing locally grown food. Whether you buy locally grown food or not, you can help farmers understand and connect with consumers—which creates a stronger local food system!
The survey can be completed online or by calling ASAP at 828-236-1282. It should take 8–12 minutes to complete and will be open until Oct. 31, 2024. You must be over the age of 18 and a resident of Western North Carolina.
Please share with families, friends, and co-workers!
The Artist’s Way
Wednesday’s 9am-12pm Oct 16-Jan 22
Still Point Wellness
Asheville, NC $480
Instructors: Robin Fann-Costanzo and Samata DeCori
The Artist’s Way course is an immersive and transformative journey designed to unleash and nourish your inner creativity. Developed by renowned author and creativity expert Julia Cameron, this course offers a structured and supportive framework to help individuals from all walks of life rediscover their artistic passions, overcome creative blocks, and foster a deeper connection with their creative selves.
Pieces made from nylon fabric ripstop, which keeps tears from spreading, invite viewers into created, fantastical worlds, only to highlight the complex—even impossible—architectures of their construction. Before the pandemic, Adrian primarily focused on personal experiences and interrogations of queerness, identity, and sexuality. Since then, the work has zoomed out in its scope, still centering identity but placed in larger infrastructure and surveillance systems that mediate, manipulate, and control desire.
Adrian counts queer fiber art, BDSM and kink culture, theatre, camp horror, puppetry, and drag among his many influences. Works in RIPSTOP, like the modernist bounce house sculpture A Fallible Complex (2021), evoke spaces for play, beckoning visitors in through their alluring aesthetic and then blocking their entrance or revealing structural instabilities, like missing floors. Others, like The Sensational Inflatable Furry Divines (2017-19), use sensual materials, like faux fur, spandex, and pleather, which connect to theatrical performance and counterculture. The materials “play on people’s initial associations and serve as a gateway into greater conversations about identity construction, performance, desire, and technology,” he shares.Pieces also nod to the history of quilting, including the AIDS Memorial Quilt, another influence on Adrian’s work. “Even when pieces aren’t explicitly making quilt references, I want the history of quilting and sewing-based craft to be part of the conversation of the work,” he says. “Craft is so much about the processes and histories behind materials. It’s about connecting with communities of people who practice those techniques. It’s about material and technique being a doorway into a greater relationship with an object.”
Themes of transformation—of structures, identities, and bodies—run throughout the show. “What I love about drag and puppetry is the sense of transformation and play, specifically with bodies,” Adrian says. “Within these art forms, a body can become mutable and capable of performing and becoming in unexpected states.” The sculptures also transform throughout viewers’ experiences, going through stages of inflation and deflation and existing in many different states.
RIPSTOP’s constant interplay between surface and depth, assumption and reality, are all a part of what Adrian describes as “looking behind the curtain,” which they trace back to the theatre. “When I’m thinking about systems, and the systems desire fits into, I’m thinking of stage construction, the backstage, the things that go on behind the show, and performance of our desires,” they explain.
As a craft artist, Adrian’s philosophy “comes down to having an intentional relationship with material, process, and technique,” he says. “Those aspects of art making are just as – if not more – important than an intellectualized concept being illustrated by an artwork.”
“Broadened definitions of craft that highlight communities of practice are foundational for the Center for Craft’s new strategic direction,” explains Executive Director Stephanie Moore. “Max Adrian’s work in RIPSTOP exemplifies the expansive and meaningful forms craft can take.” The Center for Craft is an institution Adrian credits for their professional growth. “The Center for Craft has felt like such a supporting institution for me specifically and for so many other craft artists I know,” they note. “To be able to bring this amount of work to Asheville is pretty cool.”
See Max Adrian: RIPSTOP at the Center for Craft Beginning July 26. A reception will be held on August 15. RIPSTOP is organized by Houston Center for Contemporary Craft and curated by Sarah Darro.
This year’s election will be won by mobilizing voters who want to preserve our democracy and protect the rights of our citizens. Our phone bankers will be reaching out to likely supporters in your precincts who don’t vote on a regular basis. We will also be making separate calls in your precincts to recruit more volunteers for our efforts.
IF YOU HAVE A LAPTOP, PLEASE BE SURE TO BRING IT TO THE PHONE BANK. If you don’t have one, just be sure you bring your personal email login information (User ID & password) and you can use one of our Chromebooks. If you’ve canvassed or phone banked for Democrats in the past, you likely have an Action ID account, so please be sure to bring that login information as well. Of course, you will also need your cell phone.
Phone banking remains one of the best practices for winning elections and our phone banks are designed to reach those voters who rarely pick up their calls. We’ll leave a message on their voice mail, then also text them the same message. When someone does pick up their call, you’ll possibly have a lively conversation because we are targeting supporters!