Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

Benefitting TrapKing Humane Cat Solutions
Fundraiser & Silent Auction, Music
Performances, Cat Clicker-Training, & More!
Join us for the purrfect, cat-filled evening!

Join us for our 2024 Kickoff! We will be gathering to celebrate the beginning of the 2024 election season with live music, good food, friends & fellowship!

Get Tickets

Whether you sponsor or buy one ticket to this fun evening event, your generosity will help ensure our success at the polls and safeguard the future of our democracy. BCDP volunteers are the grassroots organizing power behind every Democratic victory, and your support allows us to pay for printing, canvassing and Get Out The Vote materials, as well as access to our data software. It also helps us maintain our headquarters, which is already bustling with activity! Sponsors will receive special recognition during the event and candidate sponsors will have the option of having their information included in our presentation (email [email protected] for details).

With your ticket or sponsorship, you will enjoy a buffet dinner from Mamacita’s Taqueria — a locally-owned family business, serving up fresh, made-from-scratch Mexican cuisine. You’ll also receive a free drink ticket for beer or wine (additional tickets will be available for purchase).

Discounted tickets are available for those under 35 years old, as well as our dedicated teachers and first responders. If you aren’t able to pay the full or discounted amount for a ticket to this event, please contact BCDP Chair Kathie Kline at [email protected].

Who should attend: Democrats and left-leaning unaffiliated voters in Buncombe and surrounding counties.

TFAC’s popular event, Chase Away the Blues, returns to January in 2024 to brighten up the winter nights! Get ready! The VIP Blues Lounge opens at 5:30 PM with live music open bar and food provided by Tryon Resort in the Pavilion. All are sure to get your feet stomping…

Attire: Dress to impress in your favorite sparkly and colorful party clothes!

What’s Happening: A performance at 6:30pm with appearances from current and former PGS students and staff.

Other Details: A performance, activities for kids, drinks and snacks will be provided. Adult Beverages from Highlands Brewery will be available for purchase. All children must be accompanied by an adult for the evening.

– ALL AGES
– SEATED SHOW
– LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE

FOY VANCE
Foy Vance is a singer and songwriter hailing from the land of Bangor, Northern Ireland. Deeply rooted in the rich musical history and aesthetic of the Southern United States, Foy independently released his debut album Hope in 2007, quickly garnering acclaim from fans and fellow musicians alike. Foy released his second full-length album, Joy of Nothing, in 2013 on Glassnote Records which led to further critical praise and star-studded invites on tours worldwide from the likes of Ed Sheeran, Bonnie Raitt, Marcus Foster, Snow Patrol and Sir Elton John.

Foy was only the second artist signing to Gingerbread Man Records, Ed Sheeran’s label division within Atlantic Records. Foy’s debut recording on Gingerbread Man Records, The Wild Swan, was Executive Produced by Sir Elton John and released in 2016. His music video for the lead single “She Burns” featured “Pretty Little Liars” and People’s Choice Award winner Lucy Hale. His music video for “Coco” featured the inspiration for the song title, Coco Arquette, the daughter of Courteney Cox and David Arquette, and was directed by Cox as well.

Foy’s recent collaborations include “Moonshine” with Kacey Musgraves, the end credits track from Ben Affleck’s film “Live By Night,” four tracks including “Galway Girl” on Ed Sheeran’s latest album ÷, as well as cuts on recent releases by Miranda Lambert, Plan B and Rudimental.

Foy has headlined globally to sell-out crowds and splits his time between London and the hills of Aberfeldy, Scotland with his family.

BONNIE BISHOP

The first thing that registers about Bonnie Bishop’s stirring album The Walk is that the seasoned Grammy winner is no longer trying to outrun herself; she owns whatever has come her way, good wind or ill. It’s an uplifting confessional that she dedicates ‘to all who wander’ – laying down searing, emotionally-charged variations to award-winning producer Steve Jordan’s (Robert Cray, John Mayer, Buddy Guy) powerhouse production. She does so in a voice that aches and arches and grabs and never lets go.

Blessed with an authentically resounding range, a blistering lyrical gift, and OK – she admits it – a couple of inherent vices that any God-fearing Americana/country/soul artist must wrestle with after years of bringing it live and in-color, Bishop has now broken free from the bust-boom mentality of Nashville to walk a line of her own making. The recipe may sound oversimplified, but it’s a frank, funny, ferocious, insightful Bonnie Bishop we encounter on this path; a recharged singer/songwriter full of grace. Her determination to put one foot in front of the other and find the road to reclamation shifted into overdrive when she left Nashville for her native Texas in 2017. Since then, she’s never looked back. The Walk soars as her most honest effort to date. It’s a groove-laden, lyrical lightning bolt from which the tonic of self-revelation pours forth on songs such as the grateful “Every Happiness Under The Sun” and the gut-wrenching “I Don’t Like To Be Alone.” The album’s euphoric closer, “Song Don’t Fail Me Now,” is Bonnie’s most heartfelt testament to date that music absolutely can still heal the spirit.

Hendersonville Theatre is proud to launch its 2024 Hometown Sound Music Series with Asheville favorite, Empire Stikes Brass! This unforgettable performance is not to be missed.

This brass, funk, and rock band has a lot to say with a big sound. Chock-full of serious groove from a thumping rhythm section and lush horn arrangements, the band’s compositional roots as well as its creative and collaborative soul contribute lots of depth to their original tunes and covers.

Founded in 2012, ESB has grown from a party band of friends playing New Orleans-originated or inspired second-line and funk tunes with elements of rock and jam. Now, it consists of a collective of players, singers, songwriters, and producers who have found an original sound that fuses their musical influences with fresh ideas while still holding to their foundation.

Featuring rich group and lead vocals from several members including Grammy Award-winning artist Debrissa McKinney (Secret Agent 23 Skidoo), keyboardist/producer Lenny Pettinelli, drummer Nik Hope, bassist JP Furnas, guitarist Chris Porter, trumpet Alex Bradley, trombone Kyle Snuffer, saxophone Pauly Juhl, and keyboard/percussion Sean Donnelly. Since their conception, they have been a constant fixture at various festivals throughout the USA. Empire has also co-billed with some of the biggest names in funk and soul.

When Empire Strikes Brass comes together, whether live or in the studio, the sound is undeniably solid. The band’s debut album was recorded at Asheville’s own renowned Echo Mountain Recording Studio, and released in 2017. Entitled Theme For A Celebration, it was tapped as one of the year’s top 100 releases by WNCW 88.7 radio. ESB’s newest release Brassterpiece Theatre (2019), also recorded at Echo, was a fierce follow-up and both albums are available through all major music distribution streaming, sales, and listening platforms. As they continue to tour and captivate audiences, Empire Strikes Brass is diligently working on their highly anticipated third studio album. Between shows, they are crafting and mastering new sounds that will undoubtedly leave their fans craving for more.

Janna Hymes, conductor
Joshua Roman, cellist
Adam Schoenberg: Bounce
Camille Saint-Saëns: Cello Concerto No. 1
Maurice Ravel: Ma mère l’oye (Mother Goose Suite)
Paul Hindemith: Symphonic Metamorphosis of Themes by Carl Maria von Weber

Saint-Saëns got it right with his first cello concerto, widely believed to be one of the greatest ever written for the instrument, even by tough critics like Shostakovich and Rachmaninoff. The success of this piece catapulted the composer to stardom, and it’s only fitting that our audience should hear it performed by a major star: Joshua Roman.
Pair that with the dreamy playfulness of Ravel’s Ma mère l’Oye or “Mother Goose Suite,” written in 1910 for six-year-old Mimi and seven-year-old Jean, the children of the composer’s close friends. The piece has been featured regularly in popular culture, on albums, in television series, and movies.
Paul Hindemith and his wife loved playing piano duets by Classical period composer Carl Maria von Weber, and it was these pieces that inspired his ambitious Symphonic Metamorphosis of Themes by Carl Maria von Weber. Beloved by orchestras for its sumptuous harmonies and technical challenges, you’ll be amazed when you hear and see the artistry our Greenville Symphony musicians bring to this metamorphosis.

CLICK TO LEARN MORE ABOUT THE CONDUCTOR & GUEST ARTIST

A career spanning twenty five years has brought this Canadian guitarist multiple accolades including a coveted Acoustic Guitar Magazine ‘Player’s Choice Silver Award’, eleven Juno Award nominations (he won for 2001’s ‘Free Fall’), a Gemini Award and, most impressively, ten platinum and gold studio albums.

Moreover, he has sold out concert halls the world over, produced five PBS television specials and five live CD’s. Not a bad legacy for a guy who never planned to release an album.

“If you had asked me at age 22, I would have said that I would never, never make music for the public,” Jesse Cook says with a laugh. “I would have told you that the public is much too fickle — they may love you one minute and forget you the next. Well, it turns out I did the thing I said I’d never do, and somehow it’s worked out.”

That’s an understatement. Since launching his career with 1995’s Tempest, Cook has blazed an incredible trail. Along with being a global-guitar virtuoso, he’s honed his skills as a composer, producer, arranger, performer and, more recently, filmmaker and cultural ambassador. Surprisingly, he started down many of those paths before he even started school.

As a child he was introduced to flamenco while spending summers at his father’s house in the Camargue region of southern France. John Cook’s neighbour happened to be Nico Reyes, guitarist for The Gypsy Kings. Meanwhile his mother, Heather Cook, with whom he lived, enrolled him in Toronto’s prestigious Eli Kassner Guitar Academy.

Cook’s musical education continued at the world renowned Royal Conservatory, Toronto’s York University and the esteemed Berklee College in Boston. He set his sights on a career as a composer. That was until an Ontario cable TV company aired his music on the listings channel.

“Their switchboard got flooded with calls,” he recalls. “People even got my number somehow and started phoning me at home and asking for a CD. And I was saying, ‘I don’t have a CD, I’m a background composer guy. I don’t make records.’ “

This proved to be a critical turning point leading Cook to self-produce Tempest at home using an eight-track recorder and one microphone. Then he delivered the initial run of 1,000 CDs from the plant to the distributor in his car. Those humble beginnings quickly sparked a mighty international career.

Canadian television appearances followed and so too did important gigs in the US. If he must point to one it was the 1995 Catalina Jazz Festival where his playing earned a 10-minute standing ovation, sparked mob scenes — “It was like being The Beatles,” he marvels — and prompted one store to order enough copies of Tempest to land it at No.14 in Billboard.

In Poland, his 2004 live album Montreal took the country by storm. In India, he gained fame after one of his songs was plagiarized for a major Bollywood movie. (“In India, that’s allowed,” he explains. “They call it cultural appropriation — it obviously doesn’t mean the same thing there.”) In Iraq, his instrumentals score the nightly news. Elsewhere, they’ve accompanied gymnastics and skating routines at the Olympics.

“In Torino, the Japanese skater and the Russian skater both competed using the same song (Mario Takes A Walk). One of them won. I think I should have got bronze,” he says laughing.

It’s no wonder Cook also jokes that his music “has had a way more interesting life” than he’s had. But lately, that international appeal — reflected in a compositional style that mixes flamenco with everything from classical and jazz to Zydeco, blues and Brazilian samba — has become something he takes more seriously.

“If music can come from around the world and interconnect so beautifully to create this beautiful tapestry, maybe there’s something that music can teach us.”

Over the course of his first twenty -five years making award winning music for a global audience Cook could be forgiven should he contemplate retiring or, as he puts it,  ‘hanging out at my cottage dipping my toes in the water.”  But the fact is he loves creating music. And, there’s also the matter of some unfinished business interrupted by the pandemic.

“Tempest 25’ the reissue of his debut album (released 25 years prior) had been amongst those pre-Covid plans. So too had been another world tour in support of its release.  Cook, like most of us, found himself house bound due to travel restrictions.

“The first year with no touring since my career began. I needed a mountain to climb” Cook quips.

So, Cook got to work producing 23 (and counting) extraordinary solo YouTube videos of his favourite songs in which he played all the instruments, recorded, and filmed himself. The collection is called “Love in the Time of Covid” Not only have they pleased his existing fan base but this YouTube video collection has expanded his worldwide audience who are now craving that soon to be announced world tour.

Jesse Cook, clearly, has many more years of memorable performances ahead of him.

A career spanning twenty five years has brought this Canadian guitarist multiple accolades including a coveted Acoustic Guitar Magazine ‘Player’s Choice Silver Award’, eleven Juno Award nominations (he won for 2001’s ‘Free Fall’), a Gemini Award and, most impressively, ten platinum and gold studio albums.

Moreover, he has sold out concert halls the world over, produced five PBS television specials and five live CD’s. Not a bad legacy for a guy who never planned to release an album.

“If you had asked me at age 22, I would have said that I would never, never make music for the public,” Jesse Cook says with a laugh. “I would have told you that the public is much too fickle — they may love you one minute and forget you the next. Well, it turns out I did the thing I said I’d never do, and somehow it’s worked out.”

That’s an understatement. Since launching his career with 1995’s Tempest, Cook has blazed an incredible trail. Along with being a global-guitar virtuoso, he’s honed his skills as a composer, producer, arranger, performer and, more recently, filmmaker and cultural ambassador. Surprisingly, he started down many of those paths before he even started school.

As a child he was introduced to flamenco while spending summers at his father’s house in the Camargue region of southern France. John Cook’s neighbour happened to be Nico Reyes, guitarist for The Gypsy Kings. Meanwhile his mother, Heather Cook, with whom he lived, enrolled him in Toronto’s prestigious Eli Kassner Guitar Academy.

Cook’s musical education continued at the world renowned Royal Conservatory, Toronto’s York University and the esteemed Berklee College in Boston. He set his sights on a career as a composer. That was until an Ontario cable TV company aired his music on the listings channel.

“Their switchboard got flooded with calls,” he recalls. “People even got my number somehow and started phoning me at home and asking for a CD. And I was saying, ‘I don’t have a CD, I’m a background composer guy. I don’t make records.’ “

This proved to be a critical turning point leading Cook to self-produce Tempest at home using an eight-track recorder and one microphone. Then he delivered the initial run of 1,000 CDs from the plant to the distributor in his car. Those humble beginnings quickly sparked a mighty international career.

Canadian television appearances followed and so too did important gigs in the US. If he must point to one it was the 1995 Catalina Jazz Festival where his playing earned a 10-minute standing ovation, sparked mob scenes — “It was like being The Beatles,” he marvels — and prompted one store to order enough copies of Tempest to land it at No.14 in Billboard.

In Poland, his 2004 live album Montreal took the country by storm. In India, he gained fame after one of his songs was plagiarized for a major Bollywood movie. (“In India, that’s allowed,” he explains. “They call it cultural appropriation — it obviously doesn’t mean the same thing there.”) In Iraq, his instrumentals score the nightly news. Elsewhere, they’ve accompanied gymnastics and skating routines at the Olympics.

“In Torino, the Japanese skater and the Russian skater both competed using the same song (Mario Takes A Walk). One of them won. I think I should have got bronze,” he says laughing.

It’s no wonder Cook also jokes that his music “has had a way more interesting life” than he’s had. But lately, that international appeal — reflected in a compositional style that mixes flamenco with everything from classical and jazz to Zydeco, blues and Brazilian samba — has become something he takes more seriously.

“If music can come from around the world and interconnect so beautifully to create this beautiful tapestry, maybe there’s something that music can teach us.”

Over the course of his first twenty -five years making award winning music for a global audience Cook could be forgiven should he contemplate retiring or, as he puts it,  ‘hanging out at my cottage dipping my toes in the water.”  But the fact is he loves creating music. And, there’s also the matter of some unfinished business interrupted by the pandemic.

“Tempest 25’ the reissue of his debut album (released 25 years prior) had been amongst those pre-Covid plans. So too had been another world tour in support of its release.  Cook, like most of us, found himself house bound due to travel restrictions.

“The first year with no touring since my career began. I needed a mountain to climb” Cook quips.

So, Cook got to work producing 23 (and counting) extraordinary solo YouTube videos of his favourite songs in which he played all the instruments, recorded, and filmed himself. The collection is called “Love in the Time of Covid” Not only have they pleased his existing fan base but this YouTube video collection has expanded his worldwide audience who are now craving that soon to be announced world tour.

Jesse Cook, clearly, has many more years of memorable performances ahead of him.

Jack’s Bluegrass Brunch kicks off every Sunday at 12 noon — with lively bluegrass tunes courtesy of The Jack of the Wood Bluegrass Brunch Boys from 1-3pm. Sip a Bloody Mary or Mimosa or a warm Irish coffee. Tasty brunch specials alongside our regular menu and 18 taps of rotating craft brews! Sláinte, y’all!

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

Janna Hymes, conductor
Joshua Roman, cellist
Adam Schoenberg: Bounce
Camille Saint-Saëns: Cello Concerto No. 1
Maurice Ravel: Ma mère l’oye (Mother Goose Suite)
Paul Hindemith: Symphonic Metamorphosis of Themes by Carl Maria von Weber

Saint-Saëns got it right with his first cello concerto, widely believed to be one of the greatest ever written for the instrument, even by tough critics like Shostakovich and Rachmaninoff. The success of this piece catapulted the composer to stardom, and it’s only fitting that our audience should hear it performed by a major star: Joshua Roman.
Pair that with the dreamy playfulness of Ravel’s Ma mère l’Oye or “Mother Goose Suite,” written in 1910 for six-year-old Mimi and seven-year-old Jean, the children of the composer’s close friends. The piece has been featured regularly in popular culture, on albums, in television series, and movies.
Paul Hindemith and his wife loved playing piano duets by Classical period composer Carl Maria von Weber, and it was these pieces that inspired his ambitious Symphonic Metamorphosis of Themes by Carl Maria von Weber. Beloved by orchestras for its sumptuous harmonies and technical challenges, you’ll be amazed when you hear and see the artistry our Greenville Symphony musicians bring to this metamorphosis.

CLICK TO LEARN MORE ABOUT THE CONDUCTOR & GUEST ARTIST

Jack’s long-running Traditional Irish Music Session is the perfect way to enjoy the Celtic-influenced sounds of talented pluckers from all over WNC & further afield! Stop in to enjoy a pint or afternoon Irish coffee with the music! Sláinte!

“Sing your heart out every Sunday with Lyric Jones at our laidback basement bar. Whether you’re a classic crooner or want to relive your glam metal glory days, find your moment to shine between 8pm and 11pm. Remember: what happens at karaoke night, stays at karaoke night.

People in the biz get half off select appetizers and burgers all night!”

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

ALT ASO

The Asheville Symphony joins forces with “mesmerizing” guitarist, JIJI, for this cross-genre performance that includes everything from classical Spanish guitar to Led Zeppelin to Prince and more.
FULLY SEATED

PHONE RINGS, DOOR CHIMES, IN COMES COMPANY.

Winner of 5 Tony Awards including Best Revival of a Musical, COMPANY “strikes like a lightning bolt. It’s brilliantly conceived and funny as hell” (Variety).  Three-time Tony^® Award-winning director Marianne Elliott (War Horse, The Curious Incident of the Dog in the Night-Time, Angels in America) helms this revelatory new production of Stephen Sondheim and George Furth’s groundbreaking musical comedy, at once boldly sophisticated, deeply insightful, and downright hilarious.

It’s Bobbie’s 35^th birthday party, and all her friends keep asking, Why isn’t she married? Why can’t she find the right man and isn’t it time to settle down and start a family? As Bobbie searches for answers, she discovers why being single, being married, and being alive in the 21^st-century could drive a person crazy.

COMPANY features Sondheim’s award-winning songs “You Could Drive a Person Crazy,” “The Ladies Who Lunch,” “Side by Side by Side” and the iconic “Being Alive”. Let’s all drink to that!

“Dazzling! So vibrant, so alive!” – Hollywood Reporter

“GLORIOUSLY TRANSFORMATIVE. A GODSEND.” – The New York Times

“HANDS DOWN THE BEST MUSICAL PRODUCTION OF THE SEASON!” – New York Post

Official Website

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

Sing with our Choir at a progressive church

Come join us! Contact Mark Acker for more information ([email protected]).

Rehearsals on Wednesday’s, 3:30-4:45

Beginning & Intermediate youth music classes on traditional and ol’ time instruments including but not limited to, fiddle, mandolin, banjo and guitar. Students will attend 40 minutes of music enrichment, including multiple flat-footing sessions led by Alice Kexel, story-telling, visits from guest musicians, as well as learn about the heritage of the music and the region. They will have 40 minutes of group music classes, and 40 minutes of singing or JAM rehearsal.

Advanced students will have 40 minutes of group instrument lessons, followed by 30 minutes of advanced singing including harmony and shape-note singing, and finish with 50 minutes of coached, small-ensemble rehearsal.

Classes are $15/session, for a total of $210 for the first student, and a 20% discount of $168 for each additional sibling. Parents may choose to split payments when registering. Inquire with Julie Moore at [email protected] or 864-420-6407 about scholarships.

Youth Classes

Wednesdays, 4-6 pm

Weekly mountain music JAM with
players in a round, where the session is focused on regional fiddle tunes and songs, You are welcome to come and listen or to
learn and join in. This event supports the Henderson County Junior Appalachian Musician (JAM) Kids Program, Free but
donations are accepted.