Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Carl Sandburg wrote countless words in an array of different genres, including poetry, children’s stories, journal articles, as well as a biography and autobiography! He wrote of love and nature, dreams and struggles. This year’s theme of “Memory” is echoed in much of his works. ““Under the summer roses, when the flagrant crimson, lurks in the dusk, Of the wild red leaves, Love, with little hands, comes and touches you with a thousand memories, and asks you beautiful, unanswerable questions.” Carl Sandburg
Poems submitted for the 2024 contest should reflect the theme of “Memory.” By definition, “the process or power of recallling something learned or experienced from the past” Note: Poems do NOT need to be titled Memory, as long as the poem itself relates to the theme.
Students are invited to submit a poem to Carl Sandburg Home National Historic Site’s annual Student Poetry Contest. The contest encourages youth to explore writing their own poetry and is open to students nationwide!
- Submissions are accepted from grades 3-12 and must be submitted by email by Monday March 4, 2024. See below for submission rules.
- Winners will be notified by April 7, 2024, and will be invited to participate in a virtual celebration program on Sunday, April 28.
Carl Sandburg wrote countless words in an array of different genres, including poetry, children’s stories, journal articles, as well as a biography and autobiography! He wrote of love and nature, dreams and struggles. This year’s theme of “Memory” is echoed in much of his works. ““Under the summer roses, when the flagrant crimson, lurks in the dusk, Of the wild red leaves, Love, with little hands, comes and touches you with a thousand memories, and asks you beautiful, unanswerable questions.” Carl Sandburg
Poems submitted for the 2024 contest should reflect the theme of “Memory.” By definition, “the process or power of recallling something learned or experienced from the past” Note: Poems do NOT need to be titled Memory, as long as the poem itself relates to the theme.
Students are invited to submit a poem to Carl Sandburg Home National Historic Site’s annual Student Poetry Contest. The contest encourages youth to explore writing their own poetry and is open to students nationwide!
- Submissions are accepted from grades 3-12 and must be submitted by email by Monday March 4, 2024. See below for submission rules.
- Winners will be notified by April 7, 2024, and will be invited to participate in a virtual celebration program on Sunday, April 28.
Mark your calendars, auditions for our 2024 season will take place on January 20-21, 2024 at The Mountain Heritage Center (Across the street from Parkway Playhouse)!
Our audition schedule this year is…
Saturday, January 20th, 2024
– Experienced Auditioners: 10am-12pm
– Less-Experienced Auditioners: 12pm-2pm
Sunday, January 21st, 2024
– Less-Experienced Auditioners: 1pm-3pm
– Experienced Auditioners: 3pm-5pm
Experienced Auditioners: Please come prepared with a resume, headshot, and a one-minute monologue if you have them. If you plan to audition for the musical, please also prepare 16-32 bars of a song and bring sheet music or prerecorded tracks. You may also be asked to read sides at the auditions.
Less-Experienced Auditioners: If you’re new to auditioning, and you don’t have the items above prepared, we’ll provide sides for you to read at auditions. Sides are excerpts from the script. If you’d like to audition for the musical you can prepare part of a song without accompaniment.
If you wish to submit a video audition, please send an acting reel or filmed monologue, your headshot, your resume, and 16-32 bars of song (if auditioning for Ordinary Days) to [email protected] by January 21, 2024.
*Please note that we are unable to provide housing for our 2024 season.
We have three opportunities for you to help Connect Beyond AND see some music! We need volunteers to assist with wristbands for three shows this summer at Harrah’s Cherokee Center – Asheville in Downtown Asheville, N.C. Shifts are roughly (3) hours and all participating volunteers will also receive (1) free ticket to stay after and watch the show. The following dates and shows are available:
- February 16-18: Billy Strings
- May 16: Amon Amarth
- May 20 & 22: Noah Kahan
- August 30: King Gizzard and the Lizard Wizard
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Located within the wildly-popular and botanically beautiful Southern Appalachian Mountains, The North Carolina Arboretum offers more than 10 miles of hiking trails that connect to many other area attractions such as Lake Powhatan, the Pisgah National Forest and the Blue Ridge Parkway. Visitors of all ages and abilities can enjoy their hiking experience at the Arboretum as trail options include easy, moderate, and difficult challenge levels. All trails are dog-friendly and visitors are asked to adhere to the proper waste disposing procedures for pets.
Part of a running group that would like to use the Arboretum as a starting point or parking location? Please review our Running Group Guidance and email [email protected] with any questions.
Guests visiting the WNC Nature Center this spring and summer have seen many new animals! Over the past six months, 19 animals representing seven species have been born or brought to the Nature Center.
Come and See
In late April, the WNC Nature Center announced the birth of a large litter of critically endangered red wolf puppies. Six females (Babs, Bonnie, Ruby, Rufina, Sienna, and Toto)and one male (Tony) have grown up in front of guests and visitors and are now almost indistinguishable in size from their parents, Gloria and Oak. The WNC Nature Center anticipates that the red wolf pups will remain in Asheville for the next two years.
On the heels of the red wolf births came two coyote pups, Cal and Walker. They were also born in April and came to the Nature Center in late July from Izzie’s Pond Sanctuary in South Carolina. While Cal and Walker are not biological brothers, they were introduced to each other at a very young age, so they have bonded and will be companions. These coyotes are incredibly shy and are usually spotted by guests behind their open den shelter.
Quickly becoming a guest-favorite, bobcat kitten Tufts joined the Nature Center in early August. He came from the May Wildlife Rehabilitation Center in Banner Elk, North Carolina, and was named after Edgar Tufts, the founder of Lees-McRae College. The latest bobcat addition was Kohana in late November, a female bobcat who was found in the wild by the West Virginia Department of Natural Resources, she was born around the same time as Tufts, and the two will
be non-breeding companions.
Raccoons Grace and Frankie came to the WNC Nature Center in late September from Appalachian Wildlife Refuge. These kits have acclimated quickly with their curious behaviors and tactile foraging skills.
In our Care
To say the least, animal keepers and the veterinary care team at the WNC Nature Center have been busy keeping up with vaccines and immunizations, introducing the animals to their new habitats, and encouraging behaviors that will help with their care as they grow into adulthood.
“When you visit and see our animals, it’s important to understand why they are here with us,” says Erin Oldread. Animal Curator at the Nature Center. “Sometimes they were born under human care, like our red wolves. Other animals were permanently injured in the wild and need ongoing veterinary care. In the case of our new coyotes, bobcats, and raccoons, they were found to be unreleasable by the sanctuaries who received them. Oftentimes when you are rehabilitating a very young animal and feeding them from a bottle, they very quickly become dependent on and overly comfortable around humans. It can be harmful to them and humans if they were released back into the wild, so the WNC Nature Center is happy to give them a home.”
In the case of WNC Nature Center’s last collection of baby animals, sometimes the Center serves as a holding ground as animals develop and prepare to be released back into the wild. Appalachian Station, the Nature Center’s indoor exhibit for reptiles and amphibians, is currently housing two baby box turtles and two baby snapping turtles, all four of which are overwintering and will be released in spring 2024.
Also joining the WNC Nature Center this year are adult animals, Suli the Black Vulture and Morticia the Turkey Vulture. Suli was born in the wild but came under human care after a wing injury. She came to the Nature Center in late March from the NC Aquarium at Pine Knolls Shores. Morticia arrived from Hershey Park Zoo/Zoo America in October and joined the habitat next to Buzz, the longest living resident at the Nature Center at 33 years, in December.
Great time for a visit
Typically, the WNC Nature Center sees less crowds as Asheville enters the colder weather seasons. However, the animals who call the Nature Center home are generally more active during this time of year, and visitors can enjoy watching all the new additions encounter their first winter in Western North Carolina.
Check out the WNC Nature Center’s holiday gift guide at wildwnc.org/gift-guide to see all the ways you can support the animals who call the Nature Center home, including symbolic adoptions and purchasing items from the Animal Wishlist and Holiday Giving Tree.
About the Friends
The Friends of the WNC Nature Center are a vital partner with the WNC Nature Center. With their donors and members, the Friends enrich the Nature Center’s mission to connect people with the plants and animals of the Southern Appalachian Mountains. As a conservation organization, the Friends inspires a passion to know more, care more, and do more for the wildlife of the Southern Appalachian Mountains. They advance the critical work of the WNC Nature Center by supporting its growth and development through fundraising, membership, outreach education, marketing, and volunteer services.
About the WNC Nature Center
The Nature Center connects people of all ages with the plants and animals of the Southern Appalachian Mountains. Asheville’s wildlife park is located on 42 acres and is home to more than 60 species of animals, including red pandas, river otters, black bears, red and gray wolves, and bobcats. For more information, please visit www.wildwnc.org.
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
Do you have a rising kindergartner and questions about what it means to be “ready for kindergarten”?
This drop-in event is intended to provide families with an opportunity to meet representatives from local schools and ask any questions pertaining to the registration process as well as specifics about each school. We encourage anyone with a rising kindergartener for the current academic year to attend and chat with friendly staff about your school options. Participants will have an opportunity to receive free resources and materials to support their children’s transition to kindergarten.
If you have a child who will be 4 by August 31, 2024, you may also attend to get information on eligibilty for Buncombe Pre-K options.
The Dolly Llama Waffles Master, combining ice cream and waffles since 2017, opens tomorrow, Jan 20th, at Biltmore Park Town Square! With roots in LA, their newest location here at The Park is the first one in North Carolina! Serving up both traditional and vegan dairy-free ice cream, there is ice cream and waffles for everyone who comes through and greets Dolly!
The Dolly Llama has its unique take on the Bubble Waffle, in addition to Dolly Llama Shakes, Waffle Sticks, and OG Liege Waffles, and continues to prove that all waffles don’t need syrup.
Event: Jan 20th, 12-5 pm
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First 50 guests get a free giveaway bag
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Enter to Win opportunities all day
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- Stop by and get a pic with real llamas from 1-3PM
See the WNC Nature Center like never before – behind the scenes! During the tour, we’ll explore how we feed and care for our animals, experience an animal enrichment session, and have the opportunity to meet with some of our keepers. Ticket includes admission to the Nature Center for the day and a 10% discount coupon for the Gift Shop valid only for the day of the event.
The tour is for ages 16 and up.
*Cancellation policy: Cancellations must be made 1 week prior to the event for a full refund. If the event is cancelled due to weather concerns, full refunds will be issued to all participants.
L. Frank Baum’s beloved story of a young girl’s adventure in a magical land has been entertaining audiences for over a century. MGM’s blockbuster 1939 film adaptation, featuring the timeless songs of Harold Arlen and E.Y. Harburg, along with the brilliant instrumental music of Herbert Stothart, elevated the popular novel to even greater heights. This stage adaptation, featuring the characters and celebrated songs from the film, brings the wondrous Land of Oz to life.
Join Dorothy and her loyal companion, Toto, as they “Follow the Yellow Brick Road” through the Land of Oz, determined to reach the Emerald City, where the great and powerful Wizard of Oz will help them get home. Of course, along the way, Dorothy encounters witches (both good and bad), Munchkins, talking trees and winged monkeys. But most importantly, she befriends three unique characters: a Scarecrow with no brain, a Tin Man with no heart, and a Lion with no nerve. Their journey to happiness – and self-awareness – is a glowing testament to friendship, understanding and hope in a world filled with both beauty and ugliness.
Asheville Junior Theater is kicking this show up a notch with a bluegrass/Appalachian/Asheville adaptation of the original. It’s the classic story with a creative twist in a very familiar setting. Asheville, you are going to love this! Featuring local Bluegrass band, The Well Drinkers, who combine traditional roots of their Appalachian region with progressive instrumentation and songwriting, this show will knock your socks off!!
*Show length is approximately 75 minutes and is suitable for audiences of all ages.
Benefitting TrapKing Humane Cat Solutions
Fundraiser & Silent Auction, Music
Performances, Cat Clicker-Training, & More!
Join us for the purrfect, cat-filled evening!
Join us for our 2024 Kickoff! We will be gathering to celebrate the beginning of the 2024 election season with live music, good food, friends & fellowship!
Whether you sponsor or buy one ticket to this fun evening event, your generosity will help ensure our success at the polls and safeguard the future of our democracy. BCDP volunteers are the grassroots organizing power behind every Democratic victory, and your support allows us to pay for printing, canvassing and Get Out The Vote materials, as well as access to our data software. It also helps us maintain our headquarters, which is already bustling with activity! Sponsors will receive special recognition during the event and candidate sponsors will have the option of having their information included in our presentation (email [email protected] for details).
With your ticket or sponsorship, you will enjoy a buffet dinner from Mamacita’s Taqueria — a locally-owned family business, serving up fresh, made-from-scratch Mexican cuisine. You’ll also receive a free drink ticket for beer or wine (additional tickets will be available for purchase).
Discounted tickets are available for those under 35 years old, as well as our dedicated teachers and first responders. If you aren’t able to pay the full or discounted amount for a ticket to this event, please contact BCDP Chair Kathie Kline at [email protected].
Who should attend: Democrats and left-leaning unaffiliated voters in Buncombe and surrounding counties.
L. Frank Baum’s beloved story of a young girl’s adventure in a magical land has been entertaining audiences for over a century. MGM’s blockbuster 1939 film adaptation, featuring the timeless songs of Harold Arlen and E.Y. Harburg, along with the brilliant instrumental music of Herbert Stothart, elevated the popular novel to even greater heights. This stage adaptation, featuring the characters and celebrated songs from the film, brings the wondrous Land of Oz to life.
Join Dorothy and her loyal companion, Toto, as they “Follow the Yellow Brick Road” through the Land of Oz, determined to reach the Emerald City, where the great and powerful Wizard of Oz will help them get home. Of course, along the way, Dorothy encounters witches (both good and bad), Munchkins, talking trees and winged monkeys. But most importantly, she befriends three unique characters: a Scarecrow with no brain, a Tin Man with no heart, and a Lion with no nerve. Their journey to happiness – and self-awareness – is a glowing testament to friendship, understanding and hope in a world filled with both beauty and ugliness.
Asheville Junior Theater is kicking this show up a notch with a bluegrass/Appalachian/Asheville adaptation of the original. It’s the classic story with a creative twist in a very familiar setting. Asheville, you are going to love this! Featuring local Bluegrass band, The Well Drinkers, who combine traditional roots of their Appalachian region with progressive instrumentation and songwriting, this show will knock your socks off!!
*Show length is approximately 75 minutes and is suitable for audiences of all ages.
TFAC’s popular event, Chase Away the Blues, returns to January in 2024 to brighten up the winter nights! Get ready! The VIP Blues Lounge opens at 5:30 PM with live music open bar and food provided by Tryon Resort in the Pavilion. All are sure to get your feet stomping…
Attire: Dress to impress in your favorite sparkly and colorful party clothes!
What’s Happening: A performance at 6:30pm with appearances from current and former PGS students and staff.
Other Details: A performance, activities for kids, drinks and snacks will be provided. Adult Beverages from Highlands Brewery will be available for purchase. All children must be accompanied by an adult for the evening.
– ALL AGES
– SEATED SHOW
– LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE
FOY VANCE
Foy Vance is a singer and songwriter hailing from the land of Bangor, Northern Ireland. Deeply rooted in the rich musical history and aesthetic of the Southern United States, Foy independently released his debut album Hope in 2007, quickly garnering acclaim from fans and fellow musicians alike. Foy released his second full-length album, Joy of Nothing, in 2013 on Glassnote Records which led to further critical praise and star-studded invites on tours worldwide from the likes of Ed Sheeran, Bonnie Raitt, Marcus Foster, Snow Patrol and Sir Elton John.
Foy was only the second artist signing to Gingerbread Man Records, Ed Sheeran’s label division within Atlantic Records. Foy’s debut recording on Gingerbread Man Records, The Wild Swan, was Executive Produced by Sir Elton John and released in 2016. His music video for the lead single “She Burns” featured “Pretty Little Liars” and People’s Choice Award winner Lucy Hale. His music video for “Coco” featured the inspiration for the song title, Coco Arquette, the daughter of Courteney Cox and David Arquette, and was directed by Cox as well.
Foy’s recent collaborations include “Moonshine” with Kacey Musgraves, the end credits track from Ben Affleck’s film “Live By Night,” four tracks including “Galway Girl” on Ed Sheeran’s latest album ÷, as well as cuts on recent releases by Miranda Lambert, Plan B and Rudimental.
Foy has headlined globally to sell-out crowds and splits his time between London and the hills of Aberfeldy, Scotland with his family.
The first thing that registers about Bonnie Bishop’s stirring album The Walk is that the seasoned Grammy winner is no longer trying to outrun herself; she owns whatever has come her way, good wind or ill. It’s an uplifting confessional that she dedicates ‘to all who wander’ – laying down searing, emotionally-charged variations to award-winning producer Steve Jordan’s (Robert Cray, John Mayer, Buddy Guy) powerhouse production. She does so in a voice that aches and arches and grabs and never lets go.
Blessed with an authentically resounding range, a blistering lyrical gift, and OK – she admits it – a couple of inherent vices that any God-fearing Americana/country/soul artist must wrestle with after years of bringing it live and in-color, Bishop has now broken free from the bust-boom mentality of Nashville to walk a line of her own making. The recipe may sound oversimplified, but it’s a frank, funny, ferocious, insightful Bonnie Bishop we encounter on this path; a recharged singer/songwriter full of grace. Her determination to put one foot in front of the other and find the road to reclamation shifted into overdrive when she left Nashville for her native Texas in 2017. Since then, she’s never looked back. The Walk soars as her most honest effort to date. It’s a groove-laden, lyrical lightning bolt from which the tonic of self-revelation pours forth on songs such as the grateful “Every Happiness Under The Sun” and the gut-wrenching “I Don’t Like To Be Alone.” The album’s euphoric closer, “Song Don’t Fail Me Now,” is Bonnie’s most heartfelt testament to date that music absolutely can still heal the spirit.
NASCAR NIGHT
- Special Jersey
Hendersonville Theatre is proud to launch its 2024 Hometown Sound Music Series with Asheville favorite, Empire Stikes Brass! This unforgettable performance is not to be missed.
This brass, funk, and rock band has a lot to say with a big sound. Chock-full of serious groove from a thumping rhythm section and lush horn arrangements, the band’s compositional roots as well as its creative and collaborative soul contribute lots of depth to their original tunes and covers.
Founded in 2012, ESB has grown from a party band of friends playing New Orleans-originated or inspired second-line and funk tunes with elements of rock and jam. Now, it consists of a collective of players, singers, songwriters, and producers who have found an original sound that fuses their musical influences with fresh ideas while still holding to their foundation.
Featuring rich group and lead vocals from several members including Grammy Award-winning artist Debrissa McKinney (Secret Agent 23 Skidoo), keyboardist/producer Lenny Pettinelli, drummer Nik Hope, bassist JP Furnas, guitarist Chris Porter, trumpet Alex Bradley, trombone Kyle Snuffer, saxophone Pauly Juhl, and keyboard/percussion Sean Donnelly. Since their conception, they have been a constant fixture at various festivals throughout the USA. Empire has also co-billed with some of the biggest names in funk and soul.
When Empire Strikes Brass comes together, whether live or in the studio, the sound is undeniably solid. The band’s debut album was recorded at Asheville’s own renowned Echo Mountain Recording Studio, and released in 2017. Entitled Theme For A Celebration, it was tapped as one of the year’s top 100 releases by WNCW 88.7 radio. ESB’s newest release Brassterpiece Theatre (2019), also recorded at Echo, was a fierce follow-up and both albums are available through all major music distribution streaming, sales, and listening platforms. As they continue to tour and captivate audiences, Empire Strikes Brass is diligently working on their highly anticipated third studio album. Between shows, they are crafting and mastering new sounds that will undoubtedly leave their fans craving for more.
Janna Hymes, conductor
Joshua Roman, cellist
Adam Schoenberg: Bounce
Camille Saint-Saëns: Cello Concerto No. 1
Maurice Ravel: Ma mère l’oye (Mother Goose Suite)
Paul Hindemith: Symphonic Metamorphosis of Themes by Carl Maria von Weber
Saint-Saëns got it right with his first cello concerto, widely believed to be one of the greatest ever written for the instrument, even by tough critics like Shostakovich and Rachmaninoff. The success of this piece catapulted the composer to stardom, and it’s only fitting that our audience should hear it performed by a major star: Joshua Roman.
Pair that with the dreamy playfulness of Ravel’s Ma mère l’Oye or “Mother Goose Suite,” written in 1910 for six-year-old Mimi and seven-year-old Jean, the children of the composer’s close friends. The piece has been featured regularly in popular culture, on albums, in television series, and movies.
Paul Hindemith and his wife loved playing piano duets by Classical period composer Carl Maria von Weber, and it was these pieces that inspired his ambitious Symphonic Metamorphosis of Themes by Carl Maria von Weber. Beloved by orchestras for its sumptuous harmonies and technical challenges, you’ll be amazed when you hear and see the artistry our Greenville Symphony musicians bring to this metamorphosis.
CLICK TO LEARN MORE ABOUT THE CONDUCTOR & GUEST ARTIST
A career spanning twenty five years has brought this Canadian guitarist multiple accolades including a coveted Acoustic Guitar Magazine ‘Player’s Choice Silver Award’, eleven Juno Award nominations (he won for 2001’s ‘Free Fall’), a Gemini Award and, most impressively, ten platinum and gold studio albums.
Moreover, he has sold out concert halls the world over, produced five PBS television specials and five live CD’s. Not a bad legacy for a guy who never planned to release an album.
“If you had asked me at age 22, I would have said that I would never, never make music for the public,” Jesse Cook says with a laugh. “I would have told you that the public is much too fickle — they may love you one minute and forget you the next. Well, it turns out I did the thing I said I’d never do, and somehow it’s worked out.”
That’s an understatement. Since launching his career with 1995’s Tempest, Cook has blazed an incredible trail. Along with being a global-guitar virtuoso, he’s honed his skills as a composer, producer, arranger, performer and, more recently, filmmaker and cultural ambassador. Surprisingly, he started down many of those paths before he even started school.
As a child he was introduced to flamenco while spending summers at his father’s house in the Camargue region of southern France. John Cook’s neighbour happened to be Nico Reyes, guitarist for The Gypsy Kings. Meanwhile his mother, Heather Cook, with whom he lived, enrolled him in Toronto’s prestigious Eli Kassner Guitar Academy.
Cook’s musical education continued at the world renowned Royal Conservatory, Toronto’s York University and the esteemed Berklee College in Boston. He set his sights on a career as a composer. That was until an Ontario cable TV company aired his music on the listings channel.
“Their switchboard got flooded with calls,” he recalls. “People even got my number somehow and started phoning me at home and asking for a CD. And I was saying, ‘I don’t have a CD, I’m a background composer guy. I don’t make records.’ “
This proved to be a critical turning point leading Cook to self-produce Tempest at home using an eight-track recorder and one microphone. Then he delivered the initial run of 1,000 CDs from the plant to the distributor in his car. Those humble beginnings quickly sparked a mighty international career.
Canadian television appearances followed and so too did important gigs in the US. If he must point to one it was the 1995 Catalina Jazz Festival where his playing earned a 10-minute standing ovation, sparked mob scenes — “It was like being The Beatles,” he marvels — and prompted one store to order enough copies of Tempest to land it at No.14 in Billboard.
In Poland, his 2004 live album Montreal took the country by storm. In India, he gained fame after one of his songs was plagiarized for a major Bollywood movie. (“In India, that’s allowed,” he explains. “They call it cultural appropriation — it obviously doesn’t mean the same thing there.”) In Iraq, his instrumentals score the nightly news. Elsewhere, they’ve accompanied gymnastics and skating routines at the Olympics.
“In Torino, the Japanese skater and the Russian skater both competed using the same song (Mario Takes A Walk). One of them won. I think I should have got bronze,” he says laughing.
It’s no wonder Cook also jokes that his music “has had a way more interesting life” than he’s had. But lately, that international appeal — reflected in a compositional style that mixes flamenco with everything from classical and jazz to Zydeco, blues and Brazilian samba — has become something he takes more seriously.
“If music can come from around the world and interconnect so beautifully to create this beautiful tapestry, maybe there’s something that music can teach us.”
Over the course of his first twenty -five years making award winning music for a global audience Cook could be forgiven should he contemplate retiring or, as he puts it, ‘hanging out at my cottage dipping my toes in the water.” But the fact is he loves creating music. And, there’s also the matter of some unfinished business interrupted by the pandemic.
“Tempest 25’ the reissue of his debut album (released 25 years prior) had been amongst those pre-Covid plans. So too had been another world tour in support of its release. Cook, like most of us, found himself house bound due to travel restrictions.
“The first year with no touring since my career began. I needed a mountain to climb” Cook quips.
So, Cook got to work producing 23 (and counting) extraordinary solo YouTube videos of his favourite songs in which he played all the instruments, recorded, and filmed himself. The collection is called “Love in the Time of Covid” Not only have they pleased his existing fan base but this YouTube video collection has expanded his worldwide audience who are now craving that soon to be announced world tour.
Jesse Cook, clearly, has many more years of memorable performances ahead of him.
A career spanning twenty five years has brought this Canadian guitarist multiple accolades including a coveted Acoustic Guitar Magazine ‘Player’s Choice Silver Award’, eleven Juno Award nominations (he won for 2001’s ‘Free Fall’), a Gemini Award and, most impressively, ten platinum and gold studio albums.
Moreover, he has sold out concert halls the world over, produced five PBS television specials and five live CD’s. Not a bad legacy for a guy who never planned to release an album.
“If you had asked me at age 22, I would have said that I would never, never make music for the public,” Jesse Cook says with a laugh. “I would have told you that the public is much too fickle — they may love you one minute and forget you the next. Well, it turns out I did the thing I said I’d never do, and somehow it’s worked out.”
That’s an understatement. Since launching his career with 1995’s Tempest, Cook has blazed an incredible trail. Along with being a global-guitar virtuoso, he’s honed his skills as a composer, producer, arranger, performer and, more recently, filmmaker and cultural ambassador. Surprisingly, he started down many of those paths before he even started school.
As a child he was introduced to flamenco while spending summers at his father’s house in the Camargue region of southern France. John Cook’s neighbour happened to be Nico Reyes, guitarist for The Gypsy Kings. Meanwhile his mother, Heather Cook, with whom he lived, enrolled him in Toronto’s prestigious Eli Kassner Guitar Academy.
Cook’s musical education continued at the world renowned Royal Conservatory, Toronto’s York University and the esteemed Berklee College in Boston. He set his sights on a career as a composer. That was until an Ontario cable TV company aired his music on the listings channel.
“Their switchboard got flooded with calls,” he recalls. “People even got my number somehow and started phoning me at home and asking for a CD. And I was saying, ‘I don’t have a CD, I’m a background composer guy. I don’t make records.’ “
This proved to be a critical turning point leading Cook to self-produce Tempest at home using an eight-track recorder and one microphone. Then he delivered the initial run of 1,000 CDs from the plant to the distributor in his car. Those humble beginnings quickly sparked a mighty international career.
Canadian television appearances followed and so too did important gigs in the US. If he must point to one it was the 1995 Catalina Jazz Festival where his playing earned a 10-minute standing ovation, sparked mob scenes — “It was like being The Beatles,” he marvels — and prompted one store to order enough copies of Tempest to land it at No.14 in Billboard.
In Poland, his 2004 live album Montreal took the country by storm. In India, he gained fame after one of his songs was plagiarized for a major Bollywood movie. (“In India, that’s allowed,” he explains. “They call it cultural appropriation — it obviously doesn’t mean the same thing there.”) In Iraq, his instrumentals score the nightly news. Elsewhere, they’ve accompanied gymnastics and skating routines at the Olympics.
“In Torino, the Japanese skater and the Russian skater both competed using the same song (Mario Takes A Walk). One of them won. I think I should have got bronze,” he says laughing.
It’s no wonder Cook also jokes that his music “has had a way more interesting life” than he’s had. But lately, that international appeal — reflected in a compositional style that mixes flamenco with everything from classical and jazz to Zydeco, blues and Brazilian samba — has become something he takes more seriously.
“If music can come from around the world and interconnect so beautifully to create this beautiful tapestry, maybe there’s something that music can teach us.”
Over the course of his first twenty -five years making award winning music for a global audience Cook could be forgiven should he contemplate retiring or, as he puts it, ‘hanging out at my cottage dipping my toes in the water.” But the fact is he loves creating music. And, there’s also the matter of some unfinished business interrupted by the pandemic.
“Tempest 25’ the reissue of his debut album (released 25 years prior) had been amongst those pre-Covid plans. So too had been another world tour in support of its release. Cook, like most of us, found himself house bound due to travel restrictions.
“The first year with no touring since my career began. I needed a mountain to climb” Cook quips.
So, Cook got to work producing 23 (and counting) extraordinary solo YouTube videos of his favourite songs in which he played all the instruments, recorded, and filmed himself. The collection is called “Love in the Time of Covid” Not only have they pleased his existing fan base but this YouTube video collection has expanded his worldwide audience who are now craving that soon to be announced world tour.
Jesse Cook, clearly, has many more years of memorable performances ahead of him.
Carl Sandburg wrote countless words in an array of different genres, including poetry, children’s stories, journal articles, as well as a biography and autobiography! He wrote of love and nature, dreams and struggles. This year’s theme of “Memory” is echoed in much of his works. ““Under the summer roses, when the flagrant crimson, lurks in the dusk, Of the wild red leaves, Love, with little hands, comes and touches you with a thousand memories, and asks you beautiful, unanswerable questions.” Carl Sandburg
Poems submitted for the 2024 contest should reflect the theme of “Memory.” By definition, “the process or power of recallling something learned or experienced from the past” Note: Poems do NOT need to be titled Memory, as long as the poem itself relates to the theme.
Students are invited to submit a poem to Carl Sandburg Home National Historic Site’s annual Student Poetry Contest. The contest encourages youth to explore writing their own poetry and is open to students nationwide!
- Submissions are accepted from grades 3-12 and must be submitted by email by Monday March 4, 2024. See below for submission rules.
- Winners will be notified by April 7, 2024, and will be invited to participate in a virtual celebration program on Sunday, April 28.
Mark your calendars, auditions for our 2024 season will take place on January 20-21, 2024 at The Mountain Heritage Center (Across the street from Parkway Playhouse)!
Our audition schedule this year is…
Saturday, January 20th, 2024
– Experienced Auditioners: 10am-12pm
– Less-Experienced Auditioners: 12pm-2pm
Sunday, January 21st, 2024
– Less-Experienced Auditioners: 1pm-3pm
– Experienced Auditioners: 3pm-5pm
Experienced Auditioners: Please come prepared with a resume, headshot, and a one-minute monologue if you have them. If you plan to audition for the musical, please also prepare 16-32 bars of a song and bring sheet music or prerecorded tracks. You may also be asked to read sides at the auditions.
Less-Experienced Auditioners: If you’re new to auditioning, and you don’t have the items above prepared, we’ll provide sides for you to read at auditions. Sides are excerpts from the script. If you’d like to audition for the musical you can prepare part of a song without accompaniment.
If you wish to submit a video audition, please send an acting reel or filmed monologue, your headshot, your resume, and 16-32 bars of song (if auditioning for Ordinary Days) to [email protected] by January 21, 2024.
*Please note that we are unable to provide housing for our 2024 season.
We have three opportunities for you to help Connect Beyond AND see some music! We need volunteers to assist with wristbands for three shows this summer at Harrah’s Cherokee Center – Asheville in Downtown Asheville, N.C. Shifts are roughly (3) hours and all participating volunteers will also receive (1) free ticket to stay after and watch the show. The following dates and shows are available:
- February 16-18: Billy Strings
- May 16: Amon Amarth
- May 20 & 22: Noah Kahan
- August 30: King Gizzard and the Lizard Wizard
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Located within the wildly-popular and botanically beautiful Southern Appalachian Mountains, The North Carolina Arboretum offers more than 10 miles of hiking trails that connect to many other area attractions such as Lake Powhatan, the Pisgah National Forest and the Blue Ridge Parkway. Visitors of all ages and abilities can enjoy their hiking experience at the Arboretum as trail options include easy, moderate, and difficult challenge levels. All trails are dog-friendly and visitors are asked to adhere to the proper waste disposing procedures for pets.
Part of a running group that would like to use the Arboretum as a starting point or parking location? Please review our Running Group Guidance and email [email protected] with any questions.
Jack’s Bluegrass Brunch kicks off every Sunday at 12 noon — with lively bluegrass tunes courtesy of The Jack of the Wood Bluegrass Brunch Boys from 1-3pm. Sip a Bloody Mary or Mimosa or a warm Irish coffee. Tasty brunch specials alongside our regular menu and 18 taps of rotating craft brews! Sláinte, y’all!