Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

It is Christmas Eve and Clara and her brother, Fritz, are excited for the evening’s festivities to begin.  Family and friends arrive in Greenville by train and admire the sights and sounds of beautiful Main Street.  Clara’s magician Godfather, Herr Drosselmeyer, arrives and brings gifts for everyone.  For Clara, he has a very special nutcracker.  The celebration continues as all enjoy an evening of laughter and dancing.  As one of the maids joins in on the dancing, she bonks Herr Drosselmeyer on the head in her excitement and he is knocked unconscious.

A magical star enters to guide Herr Drosselmeyer on a beautiful journey of Clara’s future.  After all the guests have left, a lonely maid tidies up the room.  She screams in fright as mice invade from every direction.  The nutcracker doll, now life-sized, comes to save the day with an army of soldiers.  A fierce battle between the mice and soldiers ensues.  The Mouse King has The Nutcracker cornered, but Clara strikes the rodent and saves her Nutcracker who is transformed into a handsome prince. Herr Drosselmeyer’s journey continues with visions of beautiful angels and the well known Mice on Main in downtown Greenville.  The city’s rich culture appears through Spanish, Arabian, Chinese, and Candy dancers as well.

Herr Dosselmeyer’s glimpse into Clara’s future happens upon her Debutante Ball complete with elegant waltzing dancers. The loving Godfather has watched his precious Clara’s coming of age and finds himself on her wedding day.  The grown-up Clara is a beautiful bride and marries her dashing Nutcracker Cavalier.  The magical wedding is one only dreams are made of.  Or is it just a dream?

Music by Pyotr Ilyich Tchaikovsky(1840-1893)

The libretto is adapted from E.T.A Hoffmann’s story The Nutcracker and the Mouse King. Choreography by Hernan Justo is based on the original Marius Petipa and Lev Ivanov. Additional choreography by Anita Pacylowski Justo

Get ready to embrace the spirit of Christmas with Elf: The Musical, a heartwarming and hilarious adaptation of the beloved 2003 holiday film. This enchanting musical follows the journey of Buddy, a human raised by elves at the North Pole who embarks on a journey to New York City to find his real father. Through catchy, uplifting songs and zany comedic antics, Elf: The Musical serves a healthy dose of holiday cheer, laughter, and life lessons about identity, family, and the true meaning of Christmas. It’s a magical, festive spectacle guaranteed to light up the holiday season for all ages!

A talkback with the cast & crew of Elf: The Musical will be held following the performances on December 3rd and 10th.

Jack of the Wood : Sunday-Irish Session 

Sundays

1 till who knows when?

Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.

Jack of the Wood

95 Patton ave

Asheville, NC 28801

(828) 252.5445

http://www.jackofthewood.com/

Christmas Program: Featuring Music Club Members and Friends

The Weaverville Music Study Club is now organized under the direction of a Board with a niece of the late Mrs. Clark, Harriet Holcombe Burnette serving as President. The Music Study Club along with area businesses and organizations sponsor music programs throughout the year. Offerings received at these programs provide scholarships for area high school students who wish to pursue music studies.

Jesse Sykes w/ Phil Wandscher

Come join us for an evening of Jigs, Reels, and Song. No need to travel to Ireland! It’s right here, every Monday night, along with fine brews at Trailside.

Sarah Brightman, the world’s best-selling Soprano and UNESCO Artist for Peace Ambassador, has amassed sales of more than 30 million, receiving awards in over 40 countries and garnering over 1 billion streams worldwide. She originated the role of Christine Daaé in the world-renowned The Phantom of the Opera on both West End and Broadway stages and has performed at such prestigious events as the Concert for Diana, The Kennedy Center Honors, and the Barcelona and Beijing Olympic Games.

Sarah’s albums Eden, La Luna, Harem, Symphony, and Dreamchaser were each chart-topping Billboard hits and were all accompanied by world tours. Her most recent full-length studio album HYMN was released in 2018 and debuted at #1 on the Classical and Classical Crossover Billboard charts. The HYMN World Tour began in South America in September 2018 and concluded in her hometown of London, England in November 2019.

Brightman has been recognized for her outstanding contribution to music and theatre with a ‘STAR’ on the world-renowned, majestic Hollywood Walk of Fame, in addition to receiving an Honorary Doctor of Arts (Hon DArt). In 2022, Sarah entertained her first exclusive 3-night Las Vegas engagement at The Venetian Resort^® with “A Starlight Symphony…An Evening with Sarah Brightman” before taking her holiday tour A Christmas Symphony internationally to Japan and Southeast Asia. Now an annual tradition, Sarah’s 2023 A Christmas Symphony tour will come to Greenville, SC for an enchanting show this December.

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

LEAF isn’t just for kids! Join us in the Mezzanine while you wait for your youth to finish their class or just to hang out!

The Governor’s School Wind Ensemble and Sinfonia Chamber Orchestra will present their Fall concert!

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

Join us at Keynote Speechcrafters and

Discover the
Joy of
Public Speaking!

It’s natural to enjoy things you do well,
and you will get good at this.

Our members are committed to meeting each week because

steady progress
requires
steady practice.

Our motto:

When you show up
You speak
Every meeting
Every week

So come join us at the South Buncombe Library on Wednesday evenings and prepare to become a better you.

Please Click here to let us know you are coming.

Guests are always welcome. We look forward to speaking with you!

Paul McCartney and Wings’ Band on the Run

Featuring special guest Erik Mattox

The December 6 event is a listening party and discussion focusing on Band on the Run, the classic, Grammy-winning 1973 album from Paul McCartney and Wings.

The fraught circumstances under which the album was made stand in contrast to the power and accessibility of the music. McCartney endured the sudden departure of nearly half his band, armed robbery, accusations of cultural appropriation and – though he didn’t know it at the time – the potential of contracting cholera. But along with wife Linda and band mate Denny Laine, he rallied, creating what today is looked upon as a height – possibly the pinnacle – of his post-Beatles creative output. The album featured three hit singles: “Jet,” “Helen Wheels” and the title track, but the rest of the album is superb as well, showcasing the qualities that have made McCartney one of the most successful songwriters of all time.

On the occasion of the 50^th anniversary of Paul McCartney and Wings’ iconic Band on the Run album, Bill Kopp’s Music to Your Ears takes an opportunity to explore this groundbreaking and massively successful album, one that helped get McCartney’s career back on track, setting him up for the globetrotting Wings Over the World Tour just a year and a half later.

Joined by special co-host (and fellow McCartney fanatic) Erik Mattox, Bill Kopp will play key tracks from Band on the Run along with other relevant recordings, helping to place the album in its historical and pop-cultural context. The evening is the latest installment of the popular Music to Your Ears discussion series, hosted by Asheville Guitar Bar and sponsored by AshevilleFM.

ABOUT THE DISCUSSION SERIES
Music to Your Ears is Bill Kopp’s monthly discussion series hosted by Asheville Guitar Bar and sponsored by AshevilleFM. On the first Wednesday of each month, music enthusiasts gather to discuss an important album, artist or musical movement. An interactive evening, Music to Your Ears isn’t a lecture; it’s a discussion led by experts and designed to enrich the listening experience. The character of each session is defined by the participants (that’s you). The conversation goes where the attendees take it: the person seated next to you might have attended Woodstock or seen The Beatles in concert. The insights of everyone in the room are what make each and every Music to Your Ears a unique experience.

ABOUT BILL KOPP
With over 500 bylines in Western North Carolina publications (Mountain Xpress, Bold Life, WNC Magazine and more), Asheville-based author and music journalist is an acknowledged expert on popular music. Author of two books – Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon and Disturbing the Peace: 415 Records and the Rise of New Wave – Bill Kopp writes for publications across the country and abroad. A contributing editor at Goldmine Magazine and contributing writer at GRAMMY.com, he has authored more than 30 album liner note essays and conducted more than 1000 interviews. He regularly hosts lecture/discussions on artists and albums of historical importance, and is a frequent guest on music-focused radio programs and podcasts.

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

Invoke your imagination and dawn your most creaturely costumes at the Mischief Moon Gala! This evening of ceremony, interactive art, empowered movement, and connection is coming Thursday, December 7th, to the Asheville Masonic Temple. Head to https://www.fireflygathering.org/event/mischief-moon-gala for tickets, and see below for more details!

The Mischief Moon Gala: Thursday, December 7th from 5 – 11 pm at the Asheville Masonic Temple

Join us as we celebrate the power of creativity and community with live music from beloved artists like Holy River, Sarah Louise, and Wild Roots Rising; a community waltz with a live band (waltz class beforehand!); traditional Cherokee foods from Bigwitch Wisdom Initiative, and an entire evening of beautifully bizarre performances, installations, and offerings.

This year, we are delving into the wide world of weird, with an emphasis on the bizarre iterations of creation. Start creating your most captivating costumes as you, The Wanderer, have many adventures into the underworld and beyond soon to come!

Begin your journey in The Underworld, where we’ve curated an assortment of oddities to entertain you, including the Fae Cleaning Crew and the FerryMan. When you need to revive your spirits, journey up the Haunted Staircase to sojourn in the Realm of the Fae, where ethereal music, poetry and the Otherworldly Art Gallery & Cantina await you.

All proceeds for the Gala go toward supporting artists and fundraise for Firefly Gathering’s year-round work to empower the people of the Southeast through earthskills workshops, the Annual Firefly Gathering, and community-building events.

Queer Music Exploration – Students will explore guitar, bass, drums, singing and piano with a focus on learning music by artists from the LGBTQ+ community. Students will have the chance to interact with their peers and share their experiences through music.

Join us for Jazz Jam Thursday every Thursday from 7-10. There is a suggested donation of $10 and local craft beer and wine for sale. Come as you are or bring an instrument! Open jam starts at 8 after a House Band set guaranteed to fill your soul with groove and joy.
Public parking is available at Marjorie Street, across from Packs Tavern.

Steve Simon & The Kings of Jazz are Brevard’s newest and most exciting and entertaining jazz band with a sound that combines the funkiness of George Benson, the soulfulness of Ray Charles and the smoothness of Diana Krall all wrapped together in big Count Basie style arrangements of American and Latin jazz classics. If you are looking for an amazing live jazz experience then check out the hottest jazz band in the coolest city in North Carolina performing every Thursday at The DFR Lounge from 7pm to 9pm

– ALL AGES

– STANDING ROOM ONLY

LYDIA LOVELESS
Endings are messy. Falling in love is messy. Change is messy. Perhaps, change is the messiest of them all. Especially when eyes are on you; when you blast out of adolescence onto stages across the country, then into your twenties, onto more stages and, finally, into your thirties—all on those same stages. The stages that Lydia Loveless has sung her heart out on, has collapsed on, and laughed on, all mirror the stages of her life thus far for the world to see. When Loveless released her first album over a decade ago, she was still a teenager whose songs of debauchery, guzzling alcohol and doing cocaine were an audio wet dream for a certain type of listener who not only wear their music tastes on their (tattooed) sleeve, but in the lifestyle that they emulate: “outlaw” music with brains – akin to Steve Earle, Drive-By Truckers and Lucinda Williams, vintage country heart with a heartland rock soul.

In the end, the music industry is still sadly a man’s world and, as such, Loveless grew up in the spotlight (or perhaps, more accurately, the bar lights) while she was placed on a pedestal. Her voicemail greeting is a tongue-in-cheek ode to this: “Hi, this is Lydia Loveless, savior of cowpunk. Please leave a message and I will get back to you.”

The time between their late adolescence to now is defined by a shelf full of records, hundreds of thousands of miles on the road, and a ribbon of heartbreaks pockmarking their trail. Loveless is a fiercely brave writer who bluntly assesses their life in song: their struggles with alcohol and depression, and the uncertainty of not only the future, but what piecing together the past will mean for the present.

In 2020, they put out their excellent fourth full-length Daughter on their own label, Honey, You’re Gonna Be Late Records, with encouragement from their friend Jason Isbell, but could not tour behind it; the one consistent throughline in Loveless’ life was impossible due to the pandemic. They were living in North Carolina with their boyfriend at the time, stuck, away from the stages they grew up on, isolated from their family, and going stir-crazy. As the world came undone and then back together again, Loveless returned to Columbus, where their career first began. Starting anew, Loveless found part-time work at a recording studio (Secret Studios) and began processing the last two years of their life. The title of their new album, Nothing’s Gonna Stand In My Way Again, came easy—like a mantra from the heavens.

REESE McHENRY

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

The Asheville Art Museum is thrilled to announce a captivating December Live Music Series, bringing a harmonious fusion of art and music to the galleries. This unique series showcases Western North Carolina-based musicians Jessie Meltz, Monique Pinelli, and Laura Boswell. Audience members are invited to immerse themselves in an unparalleled cultural experience as our galleries transform into an intimate setting for these exceptional live performances. “The December Live Music Series aims to create an ambiance where visual and auditory senses intertwine, providing a memorable and enriching experience for all attendees,” says Adult Programs and Community Outreach Manager Magdalena Van Thienen. Harpist Jessie Meltz will kick off the series and play a wide repertoire to provide audiences with an eclectic musical experience. Monique Pinelli will perform a diverse set of holiday and classical music on the violin. The series will conclude with an enchanting folk-classical performance on the guitar by Laura Boswell. The December Live Music Series is free for Museum Members or included in Museum admission. Tickets are available for purchase in advance but are not required. December Live Music Series Schedule: Jessie Meltz Friday, December 8 • 1–5pm Jessie Meltz performs far more than classical music and often surprises those listening with songs ranging from familiar classical standards to pop and rock and roll favorites. Meltz will perform in the Perspective Café and the Western North Carolina Glass exhibition.

Wanna hear the best local music ​and​ drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.

Get ready to embrace the spirit of Christmas with Elf: The Musical, a heartwarming and hilarious adaptation of the beloved 2003 holiday film. This enchanting musical follows the journey of Buddy, a human raised by elves at the North Pole who embarks on a journey to New York City to find his real father. Through catchy, uplifting songs and zany comedic antics, Elf: The Musical serves a healthy dose of holiday cheer, laughter, and life lessons about identity, family, and the true meaning of Christmas. It’s a magical, festive spectacle guaranteed to light up the holiday season for all ages!

A talkback with the cast & crew of Elf: The Musical will be held following the performances on December 3rd and 10th.

Three chords and the truth

It’s country music’s famous, straight-to-the-bone foundation, and the core of countess iconic hits. But as a new generation of artists emerge, it can sometimes feel like a relic. … Then there’s Columbia Nashville’s Kameron Marlowe. For him, three chords and the truth isn’t just a motto, it’s the only way he knows to make music. Fusing steel-toed toughness with a visceral approach to songwriting, it’s the truth itself that guides his hard-to-pin-down mix. And with his debut album, We Were Cowboys, he confronts it head on.

“This is me and this is what I wanna show the world,” Marlowe explains. “I’ve really tried to fight for this record in a way that it doesn’t sound like everybody else. … Basically, I tried to make it my own.”

About two years in the making, the project marks a creative arrival for the Kannapolis, North Carolina native. Wielding a high-voltage vocal and a country style to match, Marlowe’s sound is built around edgy electric twang, shades of gritty rock and a touch of bluesy tenderness, living comfortably in the darker corners of the honky tonk. With a self-made background, Marlowe grew up singing and started a high-school band, inspired by everything from ‘70s and ‘80s country to Stevie Ray Vaughn, Ray Charles and Kings of Leon. A family-first kind of guy with a strong connection to his grandparents, the youngster grew to appreciate things that last, and by soaking up the music of his elders along with current hits, created a unique vocal mix that evident early on: Classic sincerity and modern swagger. He carried on singing for fun in college, but he left school after one semester to help support his family after his mother was injured. The young talent took a desk job selling car parts for General Motors instead but still shared performance videos via social media. This is where he was discovered by a producer for The Voice – singing “Tennessee Whiskey” by Chris Stapleton – and landed a coveted spot directly in the show’s live auditions. Though his stint on The Voice was short-lived, Marlowe returned to his love of songwriting and jumped into his music headfirst after the end of a long-term relationship.

“I was 19 years old and head over heels for this girl,” he explains. “So I got a ring, I had a house I was looking at, and I was just super pumped. It was like, ‘This is where life starts for me.’”

As it turns out, he was right about that. Two weeks before Marlowe was planning to propose, his girlfriend abruptly broke off the relationship, and in frustration Marlowe turned back to his first love. Writing the first pieces of what became “Giving You Up” – a raw, razor sharp ballad whose deep wounds were overcome by a powerful sense of self-respect – the track laid Marlowe’s broken heart bare for the first time and sent him down a new path. Soon the young singer-songwriter was making the seven-hour drive to Nashville three times a week, joining random co-writes and always sharing his solo-penned “Giving You Up” with the group. He was told over and over it needed work, yet Marlowe stuck to his guns. He knew above all, the song was true.

“A lot of writers were like, ‘Man, it’s good – but it’s not great,’” he recalls. “That took the wind outta my sails a little bit, but then I ended up putting it out, and it became my first Gold single.”

“Giving You Up” was released independently in 2019, racking up millions of streams. Meanwhile Marlowe continued traveling back and forth between Nashville and North Carolina – booking Broadway gigs at Ole Red and once he didn’t even have gas money to make it to, unless the venue could give him an advance. They knew his voice was more than worth the investment, and the up-and-comer usually left with a pocket full of tips. “Giving You Up” ultimately landed him an artist deal with Sony Music Nashville/Columbia Nashville and a publishing deal with Sony Music Publishing. Marlowe kept writing and released a self-titled EP in 2020, sending the torchy “Burn ‘Em All” into Billboard’s Hot Country Top 40 and opening massive shows for Brad Paisley, Riley Green, Morgan Wallen and more. Now the story continues, with his full-length album debut putting him fully in the spotlight – and this time he’s not looking for anyone’s approval. Produced by ACM/CMA winner Dann Huff and GRAMMY-nominated Brad Hill (“Giving You Up,” “Burn ‘Em All”), We Were Cowboys features a massive, 16-song track list and a bold, take-me-as-I-come spirit. Marlowe had a hand in writing 10 of those tracks, and says he was committed to holding nothing back.

“It’s not in a cocky way,” he cautions. “It’s more like I want to be true to myself.”

Right from the top, his approach hits home. “We Were Cowboys” was co-written with Tyler Farr and Wyatt McCubbin on a last-minute trip to Wyoming and ended up capturing Marlowe’s artistic essence. A nostalgic tribute to childhood with a Western, epic feel, rough-riding vocals and vivid, lived-in details, the track became the jumping off point of the whole album.

“It felt special when we wrote it, and I haven’t really had a song that’s been that special to me since ‘Giving You Up,’” he says. “It really is my story. The ‘93 Silverado, the corduroy couch and John Wayne movies. It’s all a part of me.”

The same is true of tracks like “Country Boy’s Prayer,” which turns the bench seat of that Silverado into a church pew. And with the gravel-road rocker “This Old Town,” Marlowe finds the blink-and-you’ll-miss-it beauty of his rural upbringing – rootsy and refreshing with an upbeat accordion-and-fiddle melody. Meanwhile, romantic anthems like the soul-stinging “Ain’t Enough Whiskey” rekindle the pain of “Giving You Up,” and the hot-blooded “Girl On Fire” finds love flaming up in a summer fling. The blues rocker “Money Ain’t $hit” knows the value of straight talk and a strong character – values with playfully potency on “Grandma’s Got a Garden (for G’maw Jan)” – and the angelic “Steady Heart” kneels before a woman’s amazing grace. It’s all true to Marlowe’s world, and in typical fashion, it was even recorded with blunt honesty. Cutting vocals in live takes, Marlowe would simply sing the whole song a few times through, and then pick his favorite version. Grabbing quick, in-the-moment takes, the approach highlighted the best of Marlowe’s talent and kept all the all-natural character of his voice intact, but it’s not as easy as it sounds. It’s a music-making style that offers no place to hide – and as a result, almost no one does it anymore, especially on a debut album. But then again, Kameron Marlowe is no typical artist.

“We wanted to keep it organic and real and a little bit looser,” he explains. “What it came down to is not wanting to sound like any other record, and I hope people get to know me out of this.”

ROND has been playing their brand of humorous Rock n Roll in one incarnation or another around Asheville for the last 20 years.
The ROND live show aims to be chock full of danceable, knee-slapping anthems about some of life’s most embarrassing, human-type-situations.
Their high energy, self-deprecating original songs often end in rousing audience sing-a-longs, leaving their fans both sweaty and smiling.
ROND is looking forward to their annual holiday show at Fleetwoods complete with a local neighborhood feel and several special guest performances.
8pm doors $10 cover