Calendar of Events

Join the Community Reparations Commission, the City of Asheville, Buncombe County Government, and UNC Asheville’s Department of Education and Africana Studies program for a Community Reparations Summit.

Monday, October 2nd: Screening of Black in Asheville, followed by a Q&A with the Filmmaker, Todd Gragg. Hosted at the Mullen & James Humanities Hall, UNC Asheville from 5:00 – 8:30 pm. Locally black-owned food trucks will be available to attendees from 5:00-6:15 pm. Not all food trucks accept card payments, so please remember to bring some cash if you’re interested in food at this event. Doors open at 5:45 pm. Parking is available at no charge.

Thursday, October 5th: Screening of The Big Payback. Hosted at the Mullen & James Humanities Hall, UNC Asheville from 5:00 – 8:15 pm. Locally black-owned food trucks will be available to attendees from 5:00-6:15 pm. Not all food trucks accept card payments, so please remember to bring some cash if you’re interested in food at this event. Doors open at 5:45 pm. Parking is available at no charge.

Saturday, October 7th: The Community Reparations Summit program features attorney George Fatheree who helped return Bruce’s Beach, a property in Manhattan Beach (California), to the Black family who owned and lost it in the 1920s. Summit attendees will hear updates from the Community Reparations Commission’s Impact Focus Areas and in turn, provide feedback on their proposed recommendations. Attendance is limited, and registration is required. Breakfast and lunch will be provided to attendees, and parking is available at no charge. The Summit will be hosted at the Sherrill Center and Kimmel Arena, UNC Asheville Campus from 10:00 am – 3:00 pm. Doors open at 9:00 am.

Join the Community Reparations Commission, the City of Asheville, Buncombe County Government, and UNC Asheville’s Department of Education and Africana Studies program for a Community Reparations Summit.

Monday, October 2nd: Screening of Black in Asheville, followed by a Q&A with the Filmmaker, Todd Gragg. Hosted at the Mullen & James Humanities Hall, UNC Asheville from 5:00 – 8:30 pm. Locally black-owned food trucks will be available to attendees from 5:00-6:15 pm. Not all food trucks accept card payments, so please remember to bring some cash if you’re interested in food at this event. Doors open at 5:45 pm. Parking is available at no charge.

Thursday, October 5th: Screening of The Big Payback. Hosted at the Mullen & James Humanities Hall, UNC Asheville from 5:00 – 8:15 pm. Locally black-owned food trucks will be available to attendees from 5:00-6:15 pm. Not all food trucks accept card payments, so please remember to bring some cash if you’re interested in food at this event. Doors open at 5:45 pm. Parking is available at no charge.

Saturday, October 7th: The Community Reparations Summit program features attorney George Fatheree who helped return Bruce’s Beach, a property in Manhattan Beach (California), to the Black family who owned and lost it in the 1920s. Summit attendees will hear updates from the Community Reparations Commission’s Impact Focus Areas and in turn, provide feedback on their proposed recommendations. Attendance is limited, and registration is required. Breakfast and lunch will be provided to attendees, and parking is available at no charge. The Summit will be hosted at the Sherrill Center and Kimmel Arena, UNC Asheville Campus from 10:00 am – 3:00 pm. Doors open at 9:00 am.

The International Fly Fishing Film Festival (IF4), the world’s leading fly-fishing film event, is a curated collection of stories showcasing the pursuit of wild spaces and peaceful places where fish seem most willing, the water appears in its purest form and our community connects. Proceeds from ticket sales benefit Trout Unlimited

Still from McCall’s Bauhaus Dances, Formentanz (Form Dance), photo by Debra McCall.

The Lecture and Film: Bauhaus Dances

As Master of the Theater Workshop at the Dessau Bauhaus in the 1920s, Oskar Schlemmer delivered a series of avant-garde lecture dances on the body in space, his lifelong opus. Schlemmer’s revolutionary ideas for a humanistic theater in the new technology age were transported to the US  with the arrival of Bauhauslers Josef and Anni Albers and Xanti Schawinsky, a Theater Workshop performer, to Black Mountain. Their ideas impacted the work of Robert Rauschenberg, John Cage, and Merce Cunningham at Black Mountain, who in turn disseminated Schlemmer’s emphasis on  pedestrian movement and “chance composition” to shape work of the Judson Dance Theater and New York’s downtown performance scene.

Believing Schlemmer’s Bauhaus lecture dances to be the tabula rosa of avant-garde performance art and dance of the late 1960s-70s, Debra McCall set out to East and West Germany in 1981 in search  of Schlemmer’s original notes and sketches for the dances, and to walk the stage of the then recently restored Bauhaus. She was challenged to complete these two tasks by the only surviving performer of Schlemmer’s pieces at the time, Andreas Weininger, and by Ise Gropius, Bauhaus founder Walter Gropius’s widow, who insisted McCall could only understand the architectonic nature of Schlemmer’s work by walking the stage Gropius designed for him. A series of fortuitous and occasionally harrowing events led to the premiere of her reconstructions, “Oskar Schlemmer’s 1920s  Bauhaus Dances,” at The Kitchen in New York in 1982. With the addition of more reconstructions, a second premiere occurred at New York’s Solomon R. Guggenheim Museum in conjunction with  the exhibition, “Kandinsky: Russian and Bauhaus Years 1915-1933.” Critical acclaim and sold-out houses led to tours of major museums and venues in the US, Europe, and Japan, including the first International Biennale de la Dance in Lyon, France, and a return to the original Dessau Bauhaus stage in 1994.

A narrative within a narrative, McCall will present the story of her reconstruction followed by a screening of a film of the reconstructions, premiered at New York’s Goethe House in 1987, featured  in American Dance Festival’s First International Festival of Film and Video Dance, and presently  residing at the New York Public Library for the Performing Arts at Lincoln Center.

Debra McCall is a dance historian, choreographer, Certified Movement Analyst, and performer best  known for her reconstructions of Oskar Schlemmer’s 1920s Bauhaus Dances. Recipient of  fellowships from the National Endowment for the Arts and the National Endowment for the  Humanities, she also received the Rome Prize in Design from the American Academy in Rome and a Fulbright-Nehru Professional and Academic Excellence Award for her documentation of medieval  reliefs of sacred dancers at the Thillai Nataraja Temple in Chidambaram, Tamil Nadu. McCall served  on the graduate faculties of New York University and Pratt Institute where she was Mellon Lecturer. Her Bauhaus work has been presented in a variety of venues including Performa 09, Artissima 17  Torino, and Harvard University’s “The Bauhaus and Harvard: 100 years.” She also directs  Performing Matters (www.performingmaters.org), an organization dedicated to the preservation of  endangered dance and dancers’ rights.

Watch a recording: vimeo.com/142663982

https://www.blackmountaincollege.org/film_screening/bauhaus_dances/

The World Trails Film Festival is a unique event showcasing the best short and feature films centering the stories of trails from around the globe. Join us as we bring it to UNC Asheville (premiering for the first time on the East Coast of the United States) to celebrate why trails matter.

This community-building event will support trails locally and globally by fundraising equally for two leading trail organizations, the first of which is the Southern Appalachian Wilderness Stewards, a local nonprofit equipping people to steward our wild landscapes, and the World Trails Ambassadors, a program of the World Trails Network.

Doors open at 6 pm, Program begins at 7pm and entry will be limited after 7:15 pm, during the screening. Program will include an intermission and ends at 9:30 pm.

This film screening and discussion is in commemoration of the 85th Anniversary of Kristallnacht.

The evening begins with a pre-movie discussion by the organizers and a panel of local history professionals. Then we will screen the movie: Farewell Mr Haffmann.

PARIS 1941. François Mercier is an ordinary man whose only goal is to start a family with Blanche, the woman he loves. François works for Mr. Haffmann, a talented Jewish jeweler. Under the German occupation, the employer and employee are forced to strike a deal which, over the following months, will upend the fate of all concerned.

Farewell Mr Haffmann is in French with English subtitles.

The latest in the series is THE STONES AND BRIAN JONES, a brand-new documentary chonicling the life and work of Rolling Stones founder Brian Jones. Made with the cooperaiton of those closest to him (including Stones bassist Bill Wyman) the film presents an even-handed look at the troubled musician’s younger days, influences, challenges and creative triumphs. Details are in the attached press release; more info at http://musoscribe.com/movies

“The Notebook” is a captivating and deeply romantic film directed by Nick Cassavetes, based on the best-selling novel by Nicholas Sparks. Released in 2004, this epic love story is set against the backdrop of the 1940s and follows the enduring love between Noah Calhoun (played by Ryan Gosling) and Allie Hamilton (played by Rachel McAdams).

The film begins in a nursing home, where an elderly man, Noah, reads a love story from his notebook to an Alzheimer’s-stricken woman, Allie. As he narrates their poignant tale, we are transported back in time to a small coastal town in South Carolina. Noah and Allie, two individuals from very different backgrounds, meet and fall deeply in love during the summer of 1940. Their love story is passionate and all-consuming, but societal pressures and the outbreak of World War II force them apart.

Despite the passage of time and the challenges that life throws their way, Noah and Allie’s love endures. “The Notebook” beautifully captures the essence of true love, commitment, and the idea that love can transcend time and circumstance. It’s a heartfelt and touching portrayal of the power of love, memory, and the importance of holding onto the things that matter most in life. This timeless film has resonated with audiences around the world and remains a beloved classic in the realm of romantic cinema.

Join us for the November Love Story Film Series movie, The Notebook.  In 1940s South Carolina, mill worker Noah Calhoun (Ryan Gosling) and rich girl Allie (Rachel McAdams) are desperately in love. But her parents don’t approve. When Noah goes off to serve in World War II, it seems to mark the end of their love affair. In the interim, Allie becomes involved with another man (James Marsden). But when Noah returns to their small town years later, on the cusp of Allie’s marriage, it soon becomes clear that their romance is anything but over.

Doors open at 6:30 p.m. and the film starts at 7:00 p.m. Concessions will be available.

Join us for an exciting in-person event at The Main Event on South Main Street in Hendersonville, NC, USA. We are thrilled to present an exclusive screening of Far Haven, a captivating film that will leave you on the edge of your seat.

By attending this event, you will not only have the opportunity to enjoy this remarkable movie, but you will also be supporting the Henderson County Heroes. These local heroes work tirelessly to make our community a better place, and your contribution will help them continue their incredible work.

Don’t miss out on this extraordinary evening filled with entertainment and the chance to make a difference. Mark your calendars and be part of this exclusive screening of Far Haven at The Main Event in Hendersonville, NC, USA.

Mountainfilm on Tour is coming to Asheville, bringing a selection of culturally rich, adventure-packed and inspiring documentary films curated from the Mountainfilm festival held every Memorial Day weekend in Telluride, Colorado.

Held at New Belgium Brewing Company on Saturday, November 18, 2023, the shows will explore themes connected to Mountainfilm’s mission: to use the power of film, art and ideas to inspire audiences to create a better world.

Mountainfilm on Tour in Asheville is hosted by Muddy Sneakers, a 501(c)(3) not-for-profit outdoor science education program serving North Carolina’s fifth-grade public school students.

Silent Films, Loud Music is a screening of silent short films, accompanied by local bands providing live music. This will be a night of silliness, collaboration, and expressions of queer joy! Proceeds will support Fierce Flix programs for 2024. Come listen to original music, enjoy films by awesome local filmmakers and show support trans queer and femme youth! Doors at 7:30, show at 8!

MountainTrue and New Belgium Brewing Co. are proud to invite you to No Man’s Land Film Festival (NMLFF) – the premier all-women adventure film festival featuring environmentally-focused documentary shorts – at New Belgium Brewing’s Brewhouse in Asheville, NC, on November 28 (Giving Tuesday!). NMLFF is free to attend, and the event will also be available virtually for those who cannot attend in person. The NMLFF in-person screening is first come first serve – be sure to arrive early to get your seat(s)!

Learn more about NMLFF here.

FREE | All ages

Take a stroll under festive lights and enjoy a movie on the big screen with light refreshments.

Music Movie Mondays:
A Hard Day’s Night
For Immediate Release: The feature film debut from The Beatles,
A Hard Day’s Night captures the humor, exuberance and musical
genius of The group at the height of the Beatlemania
phenomenon. A special December 11 screening as part of the
Music Movie Mondays series at Grail Movie House will be
hosted by Asheville author and music journalist Bill Kopp.
In 1964, pop music wasn’t taken especially seriously (Nor, it should
be emphasized, were pop musicians). Such things were considered
ephemeral. Difficult as it might be to imagine, even The Beatles were
seen as something of a flash in the proverbial pan. Even they thought
so: asked in an interview how long they predicted it would be until
the bubble burst, one of them replied, “Five years.” But as we now know, although The Beatles broke up in 1969, their impact
upon music, pop culture and culture-in-general endures.
Canny observers must have had some sense of all this even in 1964, when The Beatles broke through globally. So it was that the
four – all of them in their twenties – were signed to a motion picture deal. No actors among them, The Beatles were nonetheless
seen as the perfect group to star in a film. And while said film could easily have been a teen-exploitation reel, The Beatles’ film
debut had the good fortune to have been written and directed by people who actually got it.
Screenwriter Alun Owen went so far as to travel with the group from gig to gig, picking up ideas from the whirlwind lives that
John, Paul, George and Ringo were living at the peak of Beatlemania. And director Richard Lester had no interest in making an
empty-headed film. Add to that the fact that the four Beatles – especially drummer Ringo Starr – seemed remarkably natural in
front of the camera. So it was that a classic was made: A Hard Day’s Night.
A Hard Day’s Night manages to be funny, clever, coherent and possessing of an almost documentary level of accuracy with
regard to what Beatlemania was like. But above all, it’s fun. A rousing critical success, the black-and-white film made on a
modest budget quickly became a major box-office hit. Nearly 60 years after its release, A Hard Day’s Night continues to delight
audiences. And this special screening of The Beatles’ first feature film also presents a chance to watch the film with fellow
Beatles fans. And a post-screening discussion led by author and music journalist Bill Kopp provides an opportunity to share
thoughts and insight on the film.
As part of the Music Movie Mondays series, Grail Moviehouse in Asheville hosts a special one-night-only showing of the film.
Presented by Asheville-based speaker, author and music journalist Bill Kopp, the evening will include a screening of the film
followed by an interactive discussion.

“Going to the movies has always been a kind of communal
experience,” says Kopp, host of Music Movie Mondays.
“Especially in this post-lockdown era, the opportunity to not only
watch a film but then to discuss it with others is something even
more special. And music-related films lend themselves
remarkably well to this shared, interactive experience.”
Music Movie Mondays is a monthly series moderated by Bill Kopp, hosted by Grail Movie House
and sponsored by AshevilleFM. Music Movie Mondays presents a special screening of A Hard
Day’s Night on Monday, Dec. 11 @ 7 pm. The program will feature a brief introduction. Then we’ll watch the film together;
afterward, we’ll engage in a moderated discussion.
The one-night-only screening of A Hard Day’s Night is the latest in the ongoing popular series of Music Movie Mondays at
Grail Moviehouse. Every month, we’ll watch and discuss new releases, classics and cult favorites.

Join us for a winter afternoon screening of The Chronicles of Narnia: The Lion, The Witch, and the Wardrobe (2005). An adaptation of C.S. Lewis’ beloved childrens book, the magical 2005 adaptation is the highest grossing film from Walden Media Productions and has won several awards, including an Academy Award. The film is rated PG and the runtime is 2 hours and 30 minutes.

Light refreshments will be served.

Join Bold Rock Mills River for a cinematic experience like no other at the Holiday Movie
Series on Friday nights in December leading up to Christmas! Santa’s helper is coming to town as we show the family-friendly classic
“Elf”. You can expect delicious Bold Rock ciders and hot cocoa to enjoy during the screenings, along with fresh popcorn & great
company to share a night of cinematic fun! Admission is free, RSVP if possible, seating is first-come, first-served, so arrive early to
grab the best spots. https://taprooms.boldrock.com/bold-rock-mills-river-cidery-2ae3940fde74

A new documentary film shines a light on four behind-
the-scenes L.A. musicians who were responsible for helping make much of the

era’s best music. A special January 8 screening of Immediate Family is the latest
entry in the popular Music Movie Mondays series hosted by author and music
journalist at Grail Moviehouse.
In the early 1970s music scene of Southern California, you couldn’t get a better bunch
of players than the four musicians who wold come to be known collectively as The
Section. Together and on their own, guitarists Danny “Kootch” Kortchmar and Waddy
Wachtel, bassist Leland Sklar and drummer extraordinaire Russ Kunkel played on a
staggering number of recordings made in that era. And an astounding number of those
songs would become hits.
Playing for and with the likes of Carole King, James Taylor, Stevie Nicks, Don
Henley, Keith Richards, Linda Ronstadt, Stevie Nicks and other well-known names,
that tightly-knit group of musicians would be responsible for the sound of an era. And today those four are the core of a popular
recording and performing unit, the Immediate Family.
Filmmaker Denny Tedesco (The Wrecking Crew) has dug into the collective history of these important musicians, and the result
is a new motion picture documentary, Immediate Family. Drawing from archival footage and contemporary interview with the
musicians (and the artists for whom they provided their expertise), Immediate Family fills in the blanks of an important – yet
often overlooked part of American popular music history.
And a post-screening discussion led by author and music journalist Bill Kopp provides an opportunity to share thoughts and
insight on the film.
As part of the Music Movie Mondays series, Grail Movie House in Asheville hosts a special one-night-only showing of the
film. Presented by Asheville-based speaker, author and music journalist Bill Kopp, the evening will include a screening of the
film followed by an interactive discussion.

“The End of the Affair” is a poignant and passionate drama film released in 1999, directed by Neil Jordan. Set in London during and after World War II, the film explores the complex and intense love affair between Maurice Bendrix (played by Ralph Fiennes), a writer, and Sarah Miles (played by Julianne Moore), the wife of a civil servant.