Calendar of Events

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community. The first weekly Coffee is Saturday, August 20 at 9 am. No RSVP needed, just drop by! Free parking available on Melrose Avenue, behind and alongside TFAC.

Ben, a struggling filmmaker, lives in Berkeley, California, with his girlfriend, Miko, who works for a local Asian American film festival. When he’s not managing an arthouse movie theater as his day job, Ben spends his time obsessing over unavailable blonde women, watching Criterion Collection DVDs, and eating in diners with his best friend Alice, a queer grad student with a serial dating habit. When Miko moves to New York for an internship, Ben is left to his own devices, and begins to explore what he thinks he might want.

Tickets for the August 19, 1:15 screening of SHORTCOMING will be available on the Grail website in the coming week. Advance tickets are recommended. We’ll Meetup at Grail at 1:00. As always, we will gather at Wedge Brewery next door for post-screening conversation.

Silverado’s, located between Swannanoa and Black Mountain at 2898 U.S. 70, is hosting Family Movie Night under the stars every Monday night through August 21. Tickets are $5 per person, and are only available for purchase on the day of the movie. All movie nights are dependent on weather.

Bring your friends and family, and enjoy a blockbuster outdoor movie on a 24 foot screen. Concessions will be available for purchase. For more info, check the Events tab on the Silverado’s Facebook page.

Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community. The first weekly Coffee is Saturday, August 20 at 9 am. No RSVP needed, just drop by! Free parking available on Melrose Avenue, behind and alongside TFAC.

The Friends of the Black Mountain Library and the White Horse Black Mountain join with filmmaker Carolyn Crowder for a local showing of her feature length documentary At the River: Struggle and Grace in the Segregated South on Sunday, August 27 at 3 PM. Carolyn, a Black Mountain resident, grew up in the segregated Deep South in a racist family and culture. Later in life she learned of a few young southern Presbyterian ministers took a stand against segregation through their sermons, community organizing and participation in marches and protests. They faced dangerous, hate-filled consequences for these actions. Carolyn wondered why they dared. To find out she travelled throughout the Southeast interviewing ministers, now in their 80’s and 90’s, and family members about their experiences and what it took to go against the racist currents within their local communities and congregations.
At The River chronicles their lives and their decisions, as well as director Carolyn Crowder’s first-hand experience as a young white southern girl from Montgomery, Alabama. During those mean and turbulent times these ministers, through their love and example, had a huge impact on her life in helping her overcome her southern racist brainwashing.

The Friends of the Black Mountain Library and the White Horse join with filmmaker Carolyn Crowder for a local showing of her feature length documentary At The River: Struggle and Grace in the Segregated South on Sunday, August 27 at 3 PM.

At The River is a feature length documentary about a certain time and place in the deep south. In the Civil Rights era of the 50’s and 60’s most Presbyterian ministers stood on the banks of the cultural river of segregation and white supremacy. They opted not to stir the waters in their congregations and communities by speaking out. However, a few young southern Presbyterian ministers did brave those currents through their sermons, community organizing and participating in marches and protests. They faced dangerous, hate-filled consequences for these actions.

At The River chronicles their lives and their decisions, as well as director Carolyn Crowder’s first-hand experience as a young white southern girl from Montgomery, Alabama. During those mean and turbulent times these ministers, through their love and example, had a huge impact on her life in helping her overcome her southern racist brainwashing.

Director’s Statement:

I fled the south and lived 40 years out west and found that many people were skeptical about my stories of the young ministers who challenged my racial cultural brainwashing. When I moved back to the south several years ago, I realized that I lived in an area surrounded by Presbyterian ministers who had “fought the good fight” during the Civil Rights Era. Most of them had never told their stories in public and in many cases their grown children did not even know what they had been through. These men were modest and unpretentious about their strong stands during those hard times.

This is a story told from my perspective as white southerner who grew up in a racist family and culture with limited exposure to the suffering and inequalities around me. What started out as a small oral history project interviewing the ministers I knew as a teenager, grew into this feature length documentary. We traveled extensively throughout the southeast, interviewing over 60 ministers and family members, amassing over 100 hours of material.

As a psychologist I’ve always been interested in early memories and how they impact later behavior. So I asked these men about when they realized as children that what they were being taught about race was wrong.

The music in the film consists of old Presbyterian Scottish and English hymns mostly from the 17th, 18th and 19th centuries – the music that the ministers and I grew up with. These traditional hymns provide historical context, setting the mood and giving the film emotional depth.

It was a disgraceful chapter in (Southern) Presbyterian Church history. This movie is a document, however, of those white ministers who tried to do the right thing when the right thing was difficult and dangerous to do. Their modeling changed me and other teenagers who were watching.

DIRECTOR:

Carolyn Crowder, Ph.D. is a retired psychologist who specialized in parent education and published three parenting books, one of which was a NY Times national bestseller. She appeared on Today, 20/20, Dateline, and NPR.

She has produced three documentaries: SISTER DON’T WEEP is an art piece about being raised Southern and female; SOMEWHERE TO LAY MY HEAD is about the history of a Southern Black community in rural Arizona, as told by the elders; and, RUBY, an exploration of the life of Ruby Prevo who worked for the Crowder family for over 20 years.

PRODUCER, CAMERA, EDITOR:

Rod Murphy has won 14 awards for his first three documentary features, including Best of Fest, Best Documentary, and Audience Award. He directs and produces video for commercial and non-profit clients, including Outward Bound, American Express, New Belgium Brewing, Habitat for Humanity, and Industries for the Blind. His work has screened internationally at festivals and on cable. Website: Collective Projects

MUSIC DIRECTOR

Aaron Price has been making music in Asheville since 1997. He played in the Appalachian State University jazz band and began writing songs. After college Aaron moved to Asheville where he opened Collapsible Recording Studio. He has directed music for numerous regional musical theater productions and serves as Music Director at Black Mountain Presbyterian Church.

CLICK HERE TO LEARN MORE ABOUT THE FILM

Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community. The first weekly Coffee is Saturday, August 20 at 9 am. No RSVP needed, just drop by! Free parking available on Melrose Avenue, behind and alongside TFAC.

Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.

Our mission is to bring together, in small, intimate settings, authors, readers of all ages, novice writers, listeners, and learners. We are a festival of readers who appreciate discussing the ideas in literature.

We do not see ourselves as an academic festival, thou

Telling Our Own Story: Cherokee Self-Representation in Contemporary Media

Historically in film, literature, galleries, and textbooks, Native stories have been told by non-Native voices. In this panel, we’ll hear from citizens of the Eastern Band of Cherokee Indians (EBCI), North Carolina’s only federally recognized tribe, who are contributing to the international movement for Indigenous self-representation in media through writing, podcasting, visual art, and cultural perpetuation.

Annette Saunooke Clapsaddle (Eastern Band Cherokee)

Award-winning Author of Even as We Breathe

Annette Saunooke Clapsaddle (Eastern Band Cherokee) lives in Qualla, NC and is the author of Even As We Breathe. She sits on the Board of Directors for the Museum of the Cherokee Indian and is President of the North Carolina Writers Network. She is also an Appalachian Futures Series editor for the University Press of Kentucky.

Shana Bushyhead Condill (Eastern Band of Cherokee Indians)

Museum of the Cherokee Indian Executive Director

Shana Bushyhead Condill (Eastern Band of Cherokee) has worked in the museum and cultural field for over twenty years. As Executive Director of the Museum of the Cherokee Indian, Condill furthers a career-spanning commitment to cultivating Native representation and self-representation in public spaces, advocating for the intentional combining of mainstream best practices with Native best practices in cultural preservation.

Nola Pina (Eastern Band of Cherokee Indians)

Museum of the Cherokee Indian Lead Cultural Specialist

Nola Pina (Eastern Band Cherokee) grew up and still currently resides in the on the Qualla Boundary. As a Lead Cultural Specialist at the Museum of the Cherokee Indian, Nola enjoys demonstrating and teaching finger-weaving (she is a first-generation finger weaver herself), as well as storytelling and leading tours through the permanent exhibit.

Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo)

Visual artist

Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo) employs printmaking, digital design, and basketry techniques in creating her artist’s books, prints, and paper weavings. Both of her Tribal heritages, cultures, and lineages are manifested in her two- and three-dimensional artworks that range in size from a few inches to a few feet.

Sheyahshe Littledave (Eastern Band Cherokee)

Writer/podcaster

Sheyahshe Littledave (Eastern Band Cherokee) is passionate about storytelling and writing to highlight the Indigenous experience. Her work includes publication in National Geographic, NPR, and writing children’s books. In 2021, she became the co-host of “We are Resilient: An MMIW True Crime Podcast,” dedicated to telling the untold stories of Missing & Murdered Indigenous Women.gh we seek to advance authors of literary quality.  Nor are we a book fair in which the primary objective is to sell books.

One of our goals is to raise awareness of works of literary significance from smaller presses.  We do focus on regional writers, though not exclusively.  But overall, our aspiration is to create a little literary community which is in dialog with readers, aspiring writers, and established authors about craft and ideas of sustaining merit.

Another goal is to make sure our authors are having good time.  In the best scenario, authors leave the festival feeling renewed and rededicated to their work.  So frequently when an author writes in isolation, it is hard to believe that his/her work is making an impact on people and society.  But situating authors and readers together in close quarters, as our festival does, it is possible for authors to hear stories of how their work has influenced people.  It’s not just signing a book, it’s making a human connection.

We hope the Carolina Mountains Literary Festival inspires people to read more, write more, and contribute positively to society through the literary arts.

Our Pecularities

No outside vendors have booths at our festival.  In fact, we don’t even sell any litfest paraphernalia. In an attempt to support our quaint downtown, attendees are encouraged to buy souvenirs at the many local shops that host readings. Authors are not tied down to a table all day, but are free to roam the town, attend other sessions, or gab with other authors in more sequestered areas.  Some authors spend a full two days attending others’ readings.  As festival planners, we thoroughly enjoy this contribution.  However, some chose to leave after their sessions, which is equally acceptable.
Our events are spread all over our small town— in galleries, small stores, the Town Center, library, nearby churches, and other various venues.  Only a few used primarily for workshops are not within walking distance.
Events are scheduled simultaneously.  As many as five different events may be occurring at any one time.  (We know that it can be difficult to choose, but we make every attempt to have each author present at least twice during the weekend.) We have a festival bookseller (Malaprop’s) who sells all festival author books – authors do not sell their books on their own.  (Therefore, if book sales are high on your list of priorities or you enjoy pitching your books, you may not find this event to your liking—and vice versa.)
Authors gather for morning and afternoon-session book-signings as a group.  No individual authors will have their own signings. Author presentations are limited to two consecutive years.  Exceptions may be made if an author has a new, significant work.  At the same time, we welcome past participants as attendees, or to assist us as session moderators or introducers if they wish.

FOR WORKSHOPS: 2023 Schedule – cmlitfest.org

Our mission is to bring together, in small, intimate settings, authors, readers of all ages, novice writers, listeners, and learners. We are a festival of readers who appreciate discussing the ideas in literature.

We do not see ourselves as an academic festival, thou

Telling Our Own Story: Cherokee Self-Representation in Contemporary Media

Historically in film, literature, galleries, and textbooks, Native stories have been told by non-Native voices. In this panel, we’ll hear from citizens of the Eastern Band of Cherokee Indians (EBCI), North Carolina’s only federally recognized tribe, who are contributing to the international movement for Indigenous self-representation in media through writing, podcasting, visual art, and cultural perpetuation.

Annette Saunooke Clapsaddle (Eastern Band Cherokee)

Award-winning Author of Even as We Breathe

Annette Saunooke Clapsaddle (Eastern Band Cherokee) lives in Qualla, NC and is the author of Even As We Breathe. She sits on the Board of Directors for the Museum of the Cherokee Indian and is President of the North Carolina Writers Network. She is also an Appalachian Futures Series editor for the University Press of Kentucky.

Shana Bushyhead Condill (Eastern Band of Cherokee Indians)

Museum of the Cherokee Indian Executive Director

Shana Bushyhead Condill (Eastern Band of Cherokee) has worked in the museum and cultural field for over twenty years. As Executive Director of the Museum of the Cherokee Indian, Condill furthers a career-spanning commitment to cultivating Native representation and self-representation in public spaces, advocating for the intentional combining of mainstream best practices with Native best practices in cultural preservation.

Nola Pina (Eastern Band of Cherokee Indians)

Museum of the Cherokee Indian Lead Cultural Specialist

Nola Pina (Eastern Band Cherokee) grew up and still currently resides in the on the Qualla Boundary. As a Lead Cultural Specialist at the Museum of the Cherokee Indian, Nola enjoys demonstrating and teaching finger-weaving (she is a first-generation finger weaver herself), as well as storytelling and leading tours through the permanent exhibit.

Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo)

Visual artist

Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo) employs printmaking, digital design, and basketry techniques in creating her artist’s books, prints, and paper weavings. Both of her Tribal heritages, cultures, and lineages are manifested in her two- and three-dimensional artworks that range in size from a few inches to a few feet.

Sheyahshe Littledave (Eastern Band Cherokee)

Writer/podcaster

Sheyahshe Littledave (Eastern Band Cherokee) is passionate about storytelling and writing to highlight the Indigenous experience. Her work includes publication in National Geographic, NPR, and writing children’s books. In 2021, she became the co-host of “We are Resilient: An MMIW True Crime Podcast,” dedicated to telling the untold stories of Missing & Murdered Indigenous Women.gh we seek to advance authors of literary quality.  Nor are we a book fair in which the primary objective is to sell books.

One of our goals is to raise awareness of works of literary significance from smaller presses.  We do focus on regional writers, though not exclusively.  But overall, our aspiration is to create a little literary community which is in dialog with readers, aspiring writers, and established authors about craft and ideas of sustaining merit.

Another goal is to make sure our authors are having good time.  In the best scenario, authors leave the festival feeling renewed and rededicated to their work.  So frequently when an author writes in isolation, it is hard to believe that his/her work is making an impact on people and society.  But situating authors and readers together in close quarters, as our festival does, it is possible for authors to hear stories of how their work has influenced people.  It’s not just signing a book, it’s making a human connection.

We hope the Carolina Mountains Literary Festival inspires people to read more, write more, and contribute positively to society through the literary arts.

Our Pecularities

No outside vendors have booths at our festival.  In fact, we don’t even sell any litfest paraphernalia. In an attempt to support our quaint downtown, attendees are encouraged to buy souvenirs at the many local shops that host readings. Authors are not tied down to a table all day, but are free to roam the town, attend other sessions, or gab with other authors in more sequestered areas.  Some authors spend a full two days attending others’ readings.  As festival planners, we thoroughly enjoy this contribution.  However, some chose to leave after their sessions, which is equally acceptable.
Our events are spread all over our small town— in galleries, small stores, the Town Center, library, nearby churches, and other various venues.  Only a few used primarily for workshops are not within walking distance.
Events are scheduled simultaneously.  As many as five different events may be occurring at any one time.  (We know that it can be difficult to choose, but we make every attempt to have each author present at least twice during the weekend.) We have a festival bookseller (Malaprop’s) who sells all festival author books – authors do not sell their books on their own.  (Therefore, if book sales are high on your list of priorities or you enjoy pitching your books, you may not find this event to your liking—and vice versa.)
Authors gather for morning and afternoon-session book-signings as a group.  No individual authors will have their own signings. Author presentations are limited to two consecutive years.  Exceptions may be made if an author has a new, significant work.  At the same time, we welcome past participants as attendees, or to assist us as session moderators or introducers if they wish.

FOR WORKSHOPS: 2023 Schedule – cmlitfest.org

Our mission is to bring together, in small, intimate settings, authors, readers of all ages, novice writers, listeners, and learners. We are a festival of readers who appreciate discussing the ideas in literature.

We do not see ourselves as an academic festival, thou

Telling Our Own Story: Cherokee Self-Representation in Contemporary Media

Historically in film, literature, galleries, and textbooks, Native stories have been told by non-Native voices. In this panel, we’ll hear from citizens of the Eastern Band of Cherokee Indians (EBCI), North Carolina’s only federally recognized tribe, who are contributing to the international movement for Indigenous self-representation in media through writing, podcasting, visual art, and cultural perpetuation.

Annette Saunooke Clapsaddle (Eastern Band Cherokee)

Award-winning Author of Even as We Breathe

Annette Saunooke Clapsaddle (Eastern Band Cherokee) lives in Qualla, NC and is the author of Even As We Breathe. She sits on the Board of Directors for the Museum of the Cherokee Indian and is President of the North Carolina Writers Network. She is also an Appalachian Futures Series editor for the University Press of Kentucky.

Shana Bushyhead Condill (Eastern Band of Cherokee Indians)

Museum of the Cherokee Indian Executive Director

Shana Bushyhead Condill (Eastern Band of Cherokee) has worked in the museum and cultural field for over twenty years. As Executive Director of the Museum of the Cherokee Indian, Condill furthers a career-spanning commitment to cultivating Native representation and self-representation in public spaces, advocating for the intentional combining of mainstream best practices with Native best practices in cultural preservation.

Nola Pina (Eastern Band of Cherokee Indians)

Museum of the Cherokee Indian Lead Cultural Specialist

Nola Pina (Eastern Band Cherokee) grew up and still currently resides in the on the Qualla Boundary. As a Lead Cultural Specialist at the Museum of the Cherokee Indian, Nola enjoys demonstrating and teaching finger-weaving (she is a first-generation finger weaver herself), as well as storytelling and leading tours through the permanent exhibit.

Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo)

Visual artist

Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo) employs printmaking, digital design, and basketry techniques in creating her artist’s books, prints, and paper weavings. Both of her Tribal heritages, cultures, and lineages are manifested in her two- and three-dimensional artworks that range in size from a few inches to a few feet.

Sheyahshe Littledave (Eastern Band Cherokee)

Writer/podcaster

Sheyahshe Littledave (Eastern Band Cherokee) is passionate about storytelling and writing to highlight the Indigenous experience. Her work includes publication in National Geographic, NPR, and writing children’s books. In 2021, she became the co-host of “We are Resilient: An MMIW True Crime Podcast,” dedicated to telling the untold stories of Missing & Murdered Indigenous Women.gh we seek to advance authors of literary quality.  Nor are we a book fair in which the primary objective is to sell books.

One of our goals is to raise awareness of works of literary significance from smaller presses.  We do focus on regional writers, though not exclusively.  But overall, our aspiration is to create a little literary community which is in dialog with readers, aspiring writers, and established authors about craft and ideas of sustaining merit.

Another goal is to make sure our authors are having good time.  In the best scenario, authors leave the festival feeling renewed and rededicated to their work.  So frequently when an author writes in isolation, it is hard to believe that his/her work is making an impact on people and society.  But situating authors and readers together in close quarters, as our festival does, it is possible for authors to hear stories of how their work has influenced people.  It’s not just signing a book, it’s making a human connection.

We hope the Carolina Mountains Literary Festival inspires people to read more, write more, and contribute positively to society through the literary arts.

Our Pecularities

No outside vendors have booths at our festival.  In fact, we don’t even sell any litfest paraphernalia. In an attempt to support our quaint downtown, attendees are encouraged to buy souvenirs at the many local shops that host readings. Authors are not tied down to a table all day, but are free to roam the town, attend other sessions, or gab with other authors in more sequestered areas.  Some authors spend a full two days attending others’ readings.  As festival planners, we thoroughly enjoy this contribution.  However, some chose to leave after their sessions, which is equally acceptable.
Our events are spread all over our small town— in galleries, small stores, the Town Center, library, nearby churches, and other various venues.  Only a few used primarily for workshops are not within walking distance.
Events are scheduled simultaneously.  As many as five different events may be occurring at any one time.  (We know that it can be difficult to choose, but we make every attempt to have each author present at least twice during the weekend.) We have a festival bookseller (Malaprop’s) who sells all festival author books – authors do not sell their books on their own.  (Therefore, if book sales are high on your list of priorities or you enjoy pitching your books, you may not find this event to your liking—and vice versa.)
Authors gather for morning and afternoon-session book-signings as a group.  No individual authors will have their own signings. Author presentations are limited to two consecutive years.  Exceptions may be made if an author has a new, significant work.  At the same time, we welcome past participants as attendees, or to assist us as session moderators or introducers if they wish.

FOR WORKSHOPS: 2023 Schedule – cmlitfest.org

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community. The first weekly Coffee is Saturday, August 20 at 9 am. No RSVP needed, just drop by! Free parking available on Melrose Avenue, behind and alongside TFAC.

Have You Got It Yet?
The Story of Syd Barrett and Pink Floyd
For Immediate Release: A new documentary explores the mystery of
what happened to the founder and leader of one of rock music/s most
legendary bands. A special September 11 one-night screening as part
of the Music Movie Mondays series at Grail Moviehouse will be hosted
by Asheville speaker, author, music journalist and Pink Floyd authority
Bill Kopp.
When Pink Floyd released their debut single, 1967’s “Arnold Layne,” it
marked the beginning of a momentous chapter in music. The song
showcased not only the psychedelic quality of the four-man group from
Cambridge and London, but the songwriting prowess and unique vision of the
band’s leader, Syd Barrett.
Guitarist and front man Roger Keith “Syd” Barrett was a promising artist,
creating unique songs that both captured the zeitgeist of the burgeoning
psychedelic movement and captured a particular kind of English whimsy, informed as much by poetry and fantasy as by
LSD. The band’s first album, The Piper at the Gates of Dawn featured a bounty of songs that displayed Barrett’s unique
and inimitable musical vision.
But little more than nine months after that album’s release, Barrett was gone from the group he had founded. Save for two
erratic and deeply idiosyncratic solo albums and a handful of unfinished recordings, that would be the last the world would
hear from the uniquely creative songwriter and musician. Completely leaving music behind, he went on to live a quiet life
in Cambridge, finally passing away in 2006, nearly 40 years after leaving (or being dismissed from) Pink Floyd.
What happened? Did Syd suffer a mental breakdown? Did he succumb to the effects of too many LSD trips? Did he
simply want to step out of the machinery of the music business? Or is the real story some combination of all of those
things and more? Until now, Syd’s life has been the subject of speculation and conjecture. But with the cooperation of
Barrett’s family and former band mates, director Roddy Bogawa explores the fascinating mystery that is the life and music
of Syd Barrett.
Have You Got It Yet? The Story of Syd Barrett and Pink Floyd is a new authorized documentary that digs deep into
the mystery that is Syd Barrett. As part of the Music Movie Mondays series, Grail Moviehouse in Asheville hosts a special
one-night-only showing of the film. Presented by Asheville-based speaker, author and music journalist Bill Kopp (author of
Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon) the evening will include a screening of the film
followed by an interactive discussion.

Hosted by author, speaker and music journalist Bill Kopp,
the evening will feature a screening of the film followed by
an interactive discussion. Have You Got It Yet? is the latest
in Grail Moviehouse’s popular series, Music Movie
Mondays.

“Going to the movies has always been a kind of communal experience,” says Kopp, host of
Music Movie Mondays. “Especially in this post-lockdown era, the opportunity to not only watch
a film but then to discuss it with others is something even more special. And music-related
films lend themselves remarkably well to this shared, interactive experience.”
Music Movie Mondays is sponsored by AshevilleFM. Hosted by Asheville-based author and music journalist Bill Kopp,
Grail Moviehouse presents a special screening of Have You Got It Yet? on Monday, Sep. 11 @ 7 pm. Sponsored by
AshevilleFM, the evening will feature a brief introduction. Then we’ll watch the film together; afterward, we’ll engage in a
moderated discussion.
The one-night-only screening of Have you Got It Yet? The Story of Syd Barrett and Pink Floyd is the latest in the
ongoing popular series of Music Movie Mondays at Grail Moviehouse. Every month, we’ll watch and discuss new
releases, classics and cult favorites.

Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.

The oldest and most common advice poets hear is “show don’t tell.” But what does that mean, exactly? What is the difference between showing and telling? Why is “showing” better? Most of us write poems to tell readers something, to share our ideas. Many poets—from as far back as John Donne to as recent as Stephen Dunn–do a lot of telling in their poems. So why are we always advised not to tell? In this workshop we will discuss these questions. In the process, we will look at a few well-known poems to see how–or if—they show rather than tell, and we will do some writing exercises that may help us arrive at some conclusions about this persistent advice.

This workshop is open to writers of all skill levels and is a fun way to find inspiration from a new prompt or revise current work. It is hosted by the Friends of Carl Sandburg at Connemara and will use Microsoft Teams for the virtual connection. Sign up to attend the workshop at workshop link

Eric Nelson’s most recent poetry collection, Horse Not Zebra, won both a Da Vinci Eye Award for cover art and an Honorable Mention in Poetry from the 2023 Eric Hoffer Book Awarda. His poems have appeared in many journals, including Poetry, The Sun, The Oxford American, and The Missouri Review. Among his awards are the 2014 Gival Press Poetry Book Award for Some Wonder; the 2004 X.J. Kennedy Poetry Award for Terrestrials, chosen by Maxine Kumin; the Arkansas Poetry Award for The Interpretation of Waking Life (1991); the Split Oak Press Chapbook Award for The Twins (2009); the Georgia Author of the Year Award (2005), and fellowships to the Hambidge Center for the Arts and the Virginia Center for Creative Arts. He taught writing and literature courses at Georgia Southern University for twenty-six years before retiring in 2015 and moving to Asheville, where he lives with his wife, Stephanie Tames, and teaches in the Great Smokies Writing Program. www.ericnelsonpoet.com.

Poet Donika Kelly and memoirist Melissa Febos will present a reading at 7 p.m. on Thursday, Sept. 14 in UNC Asheville’s Highsmith Union, Blue Ridge Room.

Donika Kelly is the author of “The Renunciations,” winner of the Anisfield-Wolf book award in poetry, and Bestiary, the winner of the 2015 Cave Canem Poetry Prize, a Hurston/Wright Legacy Award, and a Kate Tufts Discovery Award. A recipient of a fellowship from the National Endowment for the Arts, she is a Cave Canem graduate fellow and founding member of the collective Poets at the End of the World. Her poems have been published in The New Yorker, The Atlantic, The Paris Review, and elsewhere. She is an assistant professor in the English Department at the University of Iowa, where she teaches creative writing.

Melissa Febos is the bestselling author of four books, including “Girlhood,” which won the National Book Critics Circle Award in Criticism and has been translated into seven languages; and “Body Work: The Radical Power of Personal Narrative.” Her fifth book, “The Dry Season,” is forthcoming from Alfred A. Knopf. Her work has recently appeared in The Paris Review, The New Yorker, The Sun, The New York Times Magazine, The Best American Essays, Vogue, and New York Review of Books. Febos is a professor at the University of Iowa.

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community. The first weekly Coffee is Saturday, August 20 at 9 am. No RSVP needed, just drop by! Free parking available on Melrose Avenue, behind and alongside TFAC.

Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community. The first weekly Coffee is Saturday, August 20 at 9 am. No RSVP needed, just drop by! Free parking available on Melrose Avenue, behind and alongside TFAC.

Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community. The first weekly Coffee is Saturday, August 20 at 9 am. No RSVP needed, just drop by! Free parking available on Melrose Avenue, behind and alongside TFAC.

Join the Community Reparations Commission, the City of Asheville, Buncombe County Government, and UNC Asheville’s Department of Education and Africana Studies program for a Community Reparations Summit.

Monday, October 2nd: Screening of Black in Asheville, followed by a Q&A with the Filmmaker, Todd Gragg. Hosted at the Mullen & James Humanities Hall, UNC Asheville from 5:00 – 8:30 pm. Locally black-owned food trucks will be available to attendees from 5:00-6:15 pm. Not all food trucks accept card payments, so please remember to bring some cash if you’re interested in food at this event. Doors open at 5:45 pm. Parking is available at no charge.

Thursday, October 5th: Screening of The Big Payback. Hosted at the Mullen & James Humanities Hall, UNC Asheville from 5:00 – 8:15 pm. Locally black-owned food trucks will be available to attendees from 5:00-6:15 pm. Not all food trucks accept card payments, so please remember to bring some cash if you’re interested in food at this event. Doors open at 5:45 pm. Parking is available at no charge.

Saturday, October 7th: The Community Reparations Summit program features attorney George Fatheree who helped return Bruce’s Beach, a property in Manhattan Beach (California), to the Black family who owned and lost it in the 1920s. Summit attendees will hear updates from the Community Reparations Commission’s Impact Focus Areas and in turn, provide feedback on their proposed recommendations. Attendance is limited, and registration is required. Breakfast and lunch will be provided to attendees, and parking is available at no charge. The Summit will be hosted at the Sherrill Center and Kimmel Arena, UNC Asheville Campus from 10:00 am – 3:00 pm. Doors open at 9:00 am.

Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.

Join the Community Reparations Commission, the City of Asheville, Buncombe County Government, and UNC Asheville’s Department of Education and Africana Studies program for a Community Reparations Summit.

Monday, October 2nd: Screening of Black in Asheville, followed by a Q&A with the Filmmaker, Todd Gragg. Hosted at the Mullen & James Humanities Hall, UNC Asheville from 5:00 – 8:30 pm. Locally black-owned food trucks will be available to attendees from 5:00-6:15 pm. Not all food trucks accept card payments, so please remember to bring some cash if you’re interested in food at this event. Doors open at 5:45 pm. Parking is available at no charge.

Thursday, October 5th: Screening of The Big Payback. Hosted at the Mullen & James Humanities Hall, UNC Asheville from 5:00 – 8:15 pm. Locally black-owned food trucks will be available to attendees from 5:00-6:15 pm. Not all food trucks accept card payments, so please remember to bring some cash if you’re interested in food at this event. Doors open at 5:45 pm. Parking is available at no charge.

Saturday, October 7th: The Community Reparations Summit program features attorney George Fatheree who helped return Bruce’s Beach, a property in Manhattan Beach (California), to the Black family who owned and lost it in the 1920s. Summit attendees will hear updates from the Community Reparations Commission’s Impact Focus Areas and in turn, provide feedback on their proposed recommendations. Attendance is limited, and registration is required. Breakfast and lunch will be provided to attendees, and parking is available at no charge. The Summit will be hosted at the Sherrill Center and Kimmel Arena, UNC Asheville Campus from 10:00 am – 3:00 pm. Doors open at 9:00 am.