Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Bright Star Music, Book, & Story by Steve Martin; Music, Lyrics, & Story by Edie Brickell
Directed by: Mark Jones
DIRECTOR SEEKS: A large cast ages 20s-60s. All races and ethnicities are encouraged to audition.
-Please sign up for an audition time slot on this Audition Form. (Walk-ups are welcome but will be asked to fill out the audition form on-site and will need to wait until the next available time slot.)
AUDITION MATERIAL: Prepare 90 seconds of a song in the style of the show. An accompanist will be provided. Please note that sheet music is required. Bring or wear comfortable clothing and shoes as you may be taught a short dance combination. You may be asked to read from the script (see website for sides).
READERS THEATRE SHOWCASE
Hay Fever
By Noel Coward; Directed by Marianne Lyon
AUDITION DATE: Tuesday, February 21, 2023; 10:30 am-2:30 pm on the Mainstage
PRODUCTION DATES: March 17-19, 2023; All performances at 2:30 pm; Friday and Saturday performances at Asheville Community Theatre, Sunday performance at the Reuter Center on the campus of UNCA
REHEARSALS: Tuesdays & Thursdays February 28, March 2, 7, 9, 14, and 16, 2023; 10:30 am-2:30 pm
DIRECTOR SEEKS: Cast of 9: 4M, 5W
The first show of our 2023 Season!
The Montford Park Players, North Carolina’s longest running Shakespeare theatre is pleased to announce auditions for the first show of our 51st Season – “Wendy and Peter”, a Peter Pan story, written and directed by Skyler Goff. Audition Dates:
YOUTH ONLY
March 5th 3-6pm
March 6th 5:30-8:30pm (If needed)
March 7th 5:30-8:30pm (CALLBACKS)ADULTS ONLY
March 8th 5:30-8:30pm
March 9th 5:30-8:30pm(If needed)CALLBACKS (ADULTS and CAST YOUTH)
March 10th 5:30-8:30pmROLES FOR YOUTH (Ages 8-18)
WENDY: Age: 11-18 (Role will require singing, dancing, jumping and combat. SWING NEEDED)
PETER PAN: Age: 11-18(Role will require jumping dancing and combat.SWING NEEDED)
JOHN: Age: 10-16 (Role will require jumping, dancing, and combat.Potential SWING NEEDED)
MICHAEL: Age: 8-13(Role will require jumping, dancing, and combat)
TOOTLES: Age: 8-13 (Role will require jumping, dancing, and combat)
NIBS: Age: 8-15 (Role will require jumping, dancing, and combat)
SLIGHTLY: Age: 8-16(Role will require jumping, dancing, and combat)
TWIN 1: Age: 8-15 (Role will require jumping, dancing, and combat)
TWIN 2: Age: 8-15 (Role will require jumping, dancing, and combat)
CURLY: Age: 8-15 (Role will require jumping, dancing, and combat)
TIGER LILY: Age: 11-18 (Role will require jumping, dancing, and combat)ROLES FOR ADULTS (Ages 18+)
NURSE WENDY: Age: 25-36(Role will require singing and running)
MR. DARLING: Age: 30-55(Based on casting, Hook/Panther Protea requirements apply)
MRS. DARLING: Age: 30-55(Based on casting, Hook/Panther Protea requirements apply)
NANA: Age: 18-60+ (Role will require use of puppet. NO DIALOGUE)
TINKER BELL: Age: 18-55 (Role will require use of puppet, dancing, jumping and combat.NO DIALOGUE)
HOOK: Age: 30-55 (Role will require singing, dancing,and combat. SWING NEEDED)
SMEE: Age: 18-60+(Role will require singing, dancing,and combat)
STARKEY: Age: 18-60+ (Role will require singing, dancing,and combat)
CECCO: Age: 18-60+(Role will require singing, dancing,and combat)
JUKES: Age: 18-60+ (Role will require singing, dancing,and combat)
FLINT: Age: 18-60+ (Role will require singing, dancing,and combat)
COOKSON: Age: 18-60+ (Role will require singing, dancing,and combat)
PANTHER PROTEA: Age: 30-55 (Role will require dancing, percussion, and combat)
Various Druids:Age: 18-60+ (Role will require dancing,percussion, and combat)
Mermaids: Age: 18-60+ (Role may require use of puppet and singing.)NOTE: ALL ACTORS should prepare a monologue on any theme, memorized, and no longer then one minute.
NOTE: All actors must fill out the following Google Forms, located HERE :
- MPP 2023 Season Audition Form (the role of swings is explained in the Audition Form)
- Wendy & Peter Audition Signups
NOTE: This 2023 Season Audition Form will be used for all our productions this year. Note that this season we will NOT be requiring video audition submissions.
Note to Selected Actors and parents: Early Rehearsals will prioritize getting all actors below the age of 18 out no later than 8pm without parent/guardian consent. Adults may be asked to arrive later and leave no later than 9:30pm.
We hope you’ll join us for the beginning of a spectacular season of theatre!
Skyler Goff, Playwright and Director
John Russell, Executive Director
|
The first show of our 2023 Season!
|
The Montford Park Players, North Carolina’s longest running Shakespeare theatre is pleased to announce auditions for the first show of our 51st Season – “Wendy and Peter”, a Peter Pan story, written and directed by Skyler Goff.
Audition Dates: ADULTS ONLY CALLBACKS (ADULTS and CAST YOUTH) ROLES FOR YOUTH (Ages 8-18) ROLES FOR ADULTS (Ages 18+) NOTE: ALL ACTORS should prepare a monologue on any theme, memorized, and no longer then one minute. NOTE: All actors must fill out the following Google Forms, located HERE :
NOTE: This 2023 Season Audition Form will be used for all our productions this year. Note that this season we will NOT be requiring video audition submissions. Note to Selected Actors and parents: Early Rehearsals will prioritize getting all actors below the age of 18 out no later than 8pm without parent/guardian consent. Adults may be asked to arrive later and leave no later than 9:30pm. We hope you’ll join us for the beginning of a spectacular season of theatre! Skyler Goff, Playwright and Director |
The first show of our 2023 Season!
|
The Montford Park Players, North Carolina’s longest running Shakespeare theatre is pleased to announce auditions for the first show of our 51st Season – “Wendy and Peter”, a Peter Pan story, written and directed by Skyler Goff.
Audition Dates: ADULTS ONLY CALLBACKS (ADULTS and CAST YOUTH) ROLES FOR YOUTH (Ages 8-18) ROLES FOR ADULTS (Ages 18+) NOTE: ALL ACTORS should prepare a monologue on any theme, memorized, and no longer then one minute. NOTE: All actors must fill out the following Google Forms, located HERE :
NOTE: This 2023 Season Audition Form will be used for all our productions this year. Note that this season we will NOT be requiring video audition submissions. Note to Selected Actors and parents: Early Rehearsals will prioritize getting all actors below the age of 18 out no later than 8pm without parent/guardian consent. Adults may be asked to arrive later and leave no later than 9:30pm. We hope you’ll join us for the beginning of a spectacular season of theatre! Skyler Goff, Playwright and Director |
The Good, The Bad and The Guilty: A Trio of One-Acts
The Rising of the Moon by Lady Gregory
Trifles by Susan Glaspell
In the Shadow of the Glen by J.M. Synge
Directed by Margaret Crowell
AUDITION DATE: Tuesday, March 21, 2023; 10:30 am-2:30 pm on the Mainstage
PRODUCTION DATES: April 14-16, 2023; All performances at 2:30 pm; Friday and Saturday performances at Asheville Community Theatre, Sunday performance at the Reuter Center on the campus of UNCA
REHEARSALS: Tuesdays & Thursdays March 28, 30, April 4, 6, 11, and 13, 2023; 10:30 am-2:30 pm
DIRECTOR SEEKS:
The Rising of the Moon – 4M
Trifles – 3M, 2W
In the Shadow of the Glen – 3M, 1W
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
For musical auditions, see specifics below for each show. In general, please prepare 16 bars of music and bring your sheet music to the audition in the key in which you will be singing. We will provide an accompanist. No one may sing along to a CD or other recording.
MAINSTAGE
Bat Boy: The Musical
Musical
Book by: Keythe Farley and Brian Flemming; Music and Lyrics by: Laurence O’Keefe
Directed by: Stephanie Hickling Beckman
AUDITION DATES: The evenings of Monday April 24 & Tuesday April 25, 2023. Sign up here for your audition slot.
PRODUCTION SCHEDULE:
Read-Thru MAY 19 6:30-9:30 pm
Rehearsals 2-4 nights per week beginning May 23 6:30-9:30.
Performance Dates: Friday-Sun July 21-August 6 Fri-Sat 7:30 pm and Sundays at 2:30 pm
DIRECTOR SEEKS: All actors over 17 will be considered for all roles with no limitation on gender or race.
CHARACTERS (17)
NON DOUBLING
Bat Boy
Meredith Parker
Dr. Thomas Parker
Shelley Parker
Sheriff Taylor
DOUBLING ENSEMBLE
Rick, Lorraine, Mr. Dillon
Ron Taylor, Maggie, Clem
Ruthie Taylor, Ned
Mrs, Taylor, Roy
Rev. Billie Hightower, Institute Man, Bud
Daisy, Pan, Doctor
Crowd/ Chorus 4M 2F
AUDITION MATERIAL: Audition sides from the play will be provided, and available on the ACT website prior to auditions. Memorization is not expected. This is a rock musical. Please prepare one song selection, in the style of the show, of no more than 45 seconds. Please do not prepare songs from the play itself.
An audition accompanist will not be provided. A speaker will be provided in lieu of live accompaniment. We will have a laptop and aux cord to accommodate your digital backing track (mp3 file, youtube karaoke track, etc.).
AUDITION SIDES:
Bat Boy: Pg 80-81 – Hightower
Bat Boy: Pg 83 – Batboy
Bat Boy: Pg 86-87 – Parker
Bat Boy: Pg 92 – Sheriff
Bat Boy: Pg 15 – Sheriff
Bat Boy: Pg 27 – Rick
Bat Boy: Pg 20 – Meredith and Shelley
THE STORY: Based on a story in The Weekly World News, BAT BOY: THE MUSICAL is a rock musical comedy/horror show about a half boy/half bat creature who is discovered in a cave near Hope Falls, West Virginia. For lack of a better solution, the local sheriff brings Bat Boy to the home of the town veterinarian, Dr. Parker, where he is eventually accepted as a member of the family and taught to act like a “normal” boy by the veterinarian’s wife, Meredith, and teenage daughter, Shelley. Bat Boy is happy with his new life, but when he naively tries to fit in with the narrow-minded people of Hope Falls, they turn on him, prodded by the machinations of Dr. Parker, who secretly despises Bat Boy. Shelley and Bat Boy, who have fallen in love, run away together from the ignorant townfolk and have a blissful coupling in the woods, but their happiness is shattered when Meredith arrives and reveals a secret. Soon the entire town arrives and hears the shocking story of Bat Boy’s origin.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
For musical auditions, see specifics below for each show. In general, please prepare 16 bars of music and bring your sheet music to the audition in the key in which you will be singing. We will provide an accompanist. No one may sing along to a CD or other recording.
MAINSTAGE
Bat Boy: The Musical
Musical
Book by: Keythe Farley and Brian Flemming; Music and Lyrics by: Laurence O’Keefe
Directed by: Stephanie Hickling Beckman
AUDITION DATES: The evenings of Monday April 24 & Tuesday April 25, 2023. Sign up here for your audition slot.
PRODUCTION SCHEDULE:
Read-Thru MAY 19 6:30-9:30 pm
Rehearsals 2-4 nights per week beginning May 23 6:30-9:30.
Performance Dates: Friday-Sun July 21-August 6 Fri-Sat 7:30 pm and Sundays at 2:30 pm
DIRECTOR SEEKS: All actors over 17 will be considered for all roles with no limitation on gender or race.
CHARACTERS (17)
NON DOUBLING
Bat Boy
Meredith Parker
Dr. Thomas Parker
Shelley Parker
Sheriff Taylor
DOUBLING ENSEMBLE
Rick, Lorraine, Mr. Dillon
Ron Taylor, Maggie, Clem
Ruthie Taylor, Ned
Mrs, Taylor, Roy
Rev. Billie Hightower, Institute Man, Bud
Daisy, Pan, Doctor
Crowd/ Chorus 4M 2F
AUDITION MATERIAL: Audition sides from the play will be provided, and available on the ACT website prior to auditions. Memorization is not expected. This is a rock musical. Please prepare one song selection, in the style of the show, of no more than 45 seconds. Please do not prepare songs from the play itself.
An audition accompanist will not be provided. A speaker will be provided in lieu of live accompaniment. We will have a laptop and aux cord to accommodate your digital backing track (mp3 file, youtube karaoke track, etc.).
AUDITION SIDES:
Bat Boy: Pg 80-81 – Hightower
Bat Boy: Pg 83 – Batboy
Bat Boy: Pg 86-87 – Parker
Bat Boy: Pg 92 – Sheriff
Bat Boy: Pg 15 – Sheriff
Bat Boy: Pg 27 – Rick
Bat Boy: Pg 20 – Meredith and Shelley
THE STORY: Based on a story in The Weekly World News, BAT BOY: THE MUSICAL is a rock musical comedy/horror show about a half boy/half bat creature who is discovered in a cave near Hope Falls, West Virginia. For lack of a better solution, the local sheriff brings Bat Boy to the home of the town veterinarian, Dr. Parker, where he is eventually accepted as a member of the family and taught to act like a “normal” boy by the veterinarian’s wife, Meredith, and teenage daughter, Shelley. Bat Boy is happy with his new life, but when he naively tries to fit in with the narrow-minded people of Hope Falls, they turn on him, prodded by the machinations of Dr. Parker, who secretly despises Bat Boy. Shelley and Bat Boy, who have fallen in love, run away together from the ignorant townfolk and have a blissful coupling in the woods, but their happiness is shattered when Meredith arrives and reveals a secret. Soon the entire town arrives and hears the shocking story of Bat Boy’s origin.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.