Calendar of Events

Star Wars Night

A storytelling show about the audience, The Campfireball is created spontaneously out of whatever stories and lives happen to be gathered together at that moment in time. Workshopped and developed over two years in the master’s program for storytelling at East Tennessee State University and showcased at the 2023 Asheville Fringe Festival, host Cory Howard blends intimacy and absurdity in an effort to shepherd the audience through unique yet reverent ways of drawing out their life experiences. Never possible to know what’s coming next, each Campfireball slowly begins to reveal surprises, connections, and communitas as the space transforms from a room of strangers to a room of neighbors. Worth noting, some people think the premise of The Campfireball sounds “like their worst nightmare”, but participation is never required, the show is just as much fun to sit back and watch unfold as it is to play along, so don’t be afraid to take a risk! Come on out for a night of storytelling you will literally never be able to experience again.

The January Campfireball theme is the ‘First Timers Club’, a night to celebrate all the various firsts in our lives—for better or worse—these moments shaped who we were to become, and are still becoming; first loves, first heartbreaks, first tries, first failures, first time you ever shared a story at The Campfireball, its all fair game in this fast paced ridiculous yet authentic experiment in collective storytelling.

– ALL AGES
– STANDING ROOM ONLY

HEX WIZARD
Coming out of Asheville, North Carolina, Hex Wizard brings the party with their high energy rock-n-roll, along with the entrancing psychedelic melodies that scream “rock is not dead!” Formed in the late summer of 2022, Hex Wizard is an original power trio comprised of front performer Michael Seng (guitar & vocals), Casey Willis (bass & visual effects), and Lee Rubenstein (percussion). Hex Wizard will always bring more music to your ears, and less dead space between songs in a live setting.  “Heady shredders from Asheville with a melodic, funky yet decidedly heavy take on psych rock. Recommended if you like Jimi Hendrix, Black Sabbath, All Them Witches.” – Compass/Blank Newspaper, Knoxville TN

THE BEARD CULT
The Beard Cult based out of Asheville NC deliver a unique blend of stoner rock that pulls the listener in.  With Shawn McCoy on lead guitar and vocals, Brett Spivey on bass and backing vocals, Brad Justice on rhythm guitar and Papillon DeBoer (Poppy) on drums. Let them take you on a journey into altered states with their churning and chugging riffs and melodic vocals. Feel the massive thunder clap of sound these 4 emit from the stage. Let them help you find your inner heavy.

Buncombe County’s residents, especially those living in and at the edge of poverty, have been able to access valuable, life-saving emergency assistance benefits through Eblen Charities. For many years now, Eblen Charities has partnered with Buncombe County Health and Human Services (BCHHS) to administer the Emergency Assistance, Crisis Intervention, and Low Income Energy Assistance programs. Due to an increase in need from our neighbors and challenges with processing benefits between state and partner agency systems, BCHHS transitioned the administration of these programs from Eblen Charities to the County on November 13, 2023.

We recognize that this a change for our community as Eblen Charities has provided this assistance for many years and has been a vital resource for our neighbors in crisis. BCHHS began answering calls and processing online applications on November 13, 2023. Beginning December 1, 2023, with the start of Low Income Energy Assistance application processing, BCHHS will start taking in-person requests at 40 Coxe Ave. in downtown Asheville.

Low Income Energy Assistance provides a one-time annual vendor payment to help eligible families pay their heating expense. Households containing a person age 60 or older or disabled receiving services can apply starting December 1, 2023. All households can apply starting January 1, 2024. Low Income Energy Assistance applications are accepted until March 31, 2024 or until funds are exhausted.

To qualify for the Low Income Energy Assistance Program, households that meet the following criteria may be eligible:

• Have at least one U.S. citizen or non-citizen who meets the eligibility criteria.
• Meet income requirements.
• Be responsible for its heating costs.

The Crisis Intervention Program serves individuals and families who are experiencing or are in danger of experiencing a heating- or cooling-related crisis.

To qualify for the Crisis Intervention Program, households that meet the following criteria may be eligible:

• Have at least one U.S. citizen or non-citizen who meets the eligibility criteria.
• Meet the income requirements.
• Have an energy related crisis.
• Have a utility statement that shows how much is owed to alleviate the crisis.

For those who have previously received Low Income Energy Assistance Program assistance, the North Carolina Department of Health and Human Services will begin notifying eligible households by mail beginning November 19, 2023. Households will have 10 days to report any changes to their household. Applicants can report changes by contacting the BCHHS office or by making changes to the form that was mailed to you and return it to BCHHS, located at 40 Coxe Ave. in Downtown Asheville. If no changes are reported, the information from last year will be used to process this year’s automated Low Income Energy Assistance payment.

If you are interested in applying for these Energy Assistance benefits, you can quickly apply online at www.epass.nc.gov. If you would like to apply over the phone, have general questions about energy assistance, or need to check on the status of your case, please call us at (828) 250-6330. Beginning December 1, 2023, you may also visit us in person at 40 Coxe Ave. in downtown Asheville. Please bring your parking ticket with you inside of the building for free parking.

Buncombe County also will administer Emergency Assistance, which Buncombe County Social Work Services distributes as funds become available to our community. To apply for Emergency Assistance, go online to epass.nc.gov, call Buncombe County at 828-250-6330, or apply in person at 40 Coxe Ave.

BCHHS will continue to partner with Eblen Charities to assist families and individuals in our community during times of crisis and hardship. For more information on the services that are available in our community, visit www.buncombecounty.org/hhs.

Mini-grant applications are available three times during the 2023-2024 school year. You may apply one time during this cycle. Mini-grants must be used within a year after receiving the funding. 

Applications due by:

• November 30, 2023
• January 30, 2024
• March 30, 2024

If you have questions about your eligibility to apply for funding, please email us at [email protected] before submitting your application. We are unable to provide mini-grants to schools located outside of our 23-county service area or to folks who have received a grant from us within the past year. Learn more and apply here!

Rise and shine and make your morning the catalyst to AMP UP your business!

Jumpstart your morning with a burst of productivity as you mingle with prospective customers. This monthly event is your gateway to discovering strong referral sources, finding new vendors, meeting the perfect client, or establishing connections that can open doors for future interactions!

Whether you’re an early bird, or can’t make it to our after-hours, AM Power Hour is your go-to for a dynamic and energizing start to the day!

2024 AM Power Hours are Presented by We Sell WNC!

January’s Host is Mini Batch Bakery!

Food Scraps Drop Off

The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in two locations for all Buncombe County residents.  This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.

Register for Food Scraps Drop Off

Need a handy kitchen countertop food scrap bin?  Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.

Locations Holidays call for hours

Buncombe County Landfill – Convenience Center

85 Panther Branch Road, Alexander

• • Monday-Friday, 8 a.m. – 4:30 p.m.
  • Saturday, 8 a.m. – 12:30 pm

Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot

749 Fairview Road, Asheville

• • Dawn – Dusk

Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot

30 Washington Carver Avenue, Asheville

• • Monday – Friday, 7 a.m. – 6 p.m.
  • Saturday, 8 a.m. – 2 p.m.
  • Sunday, 12 – 4 p.m.

West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building

942 Haywood Road, Asheville

• • Library open hours

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

Historians estimate that skilled Black artisans outnumbered their white counterparts in the antebellum South by a margin of five to one. However, despite their presence and prevalence in all corners of the pre-industrial trade and craft fields, the stories of these skilled workers go largely unacknowledged.

Borrowing its title from a Black culture and politics magazine of the same name, Hammer and Hope celebrates the life and labor of Black chairmakers in early America. Featuring the work of two contemporary furniture makers – Robell Awake and Charlie Ryland – the pieces in this exhibition are based on the artists’ research into ladderback chairs created by the Poynors, a multigenerational family of free and enslaved craftspeople working in central Tennessee between the early nineteenth and early twentieth centuries.

Through the objects featured in Hammer and Hope, Awake and Ryland explore, reinterpret, and reimagine what the field of furniture-making today would look like had the history and legacy of the Poynors – and countless others that have been subject to a similar pattern of erasure – been celebrated rather than hidden. Hammer and Hope represents Awake and Ryland’s attempts, in their own words,  “at fighting erasure by making objects that engage with these long-suppressed stories.”‍

Robell Awake and Charlie Ryland are recipients of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.

Start 2024 with a clean slate! Haul out your half-done quilts and barely-started cross-stitch samplers. We’re swapping UFOs (Unfinished Objects) at the Weaverville Library this January. Bring unfinished craft projects or craft supplies to the Weaverville Library to trade or donate. Declutter or refresh your material stash with fellow crafters. The swap is free for everyone and available anytime during Library hours from Dec.30-Jan. 13.

HOURS:

Tuesday
10:00 a.m. – 8:00 p.m.

Wednesday
10:00 a.m. – 6:00 p.m.

Thursday
10:00 a.m. – 6:00 p.m.

Friday
10:00 a.m. – 6:00 p.m.

Saturday
10:00 am – 5:00 pm

Guests visiting the WNC Nature Center this spring and summer have seen many new animals! Over the past six months, 19 animals representing seven species have been born or brought to the Nature Center.

Come and See

In late April, the WNC Nature Center announced the birth of a large litter of critically endangered red wolf puppies. Six females (Babs, Bonnie, Ruby, Rufina, Sienna, and Toto)and one male (Tony) have grown up in front of guests and visitors and are now almost indistinguishable in size from their parents, Gloria and Oak. The WNC Nature Center anticipates that the red wolf pups will remain in Asheville for the next two years.

On the heels of the red wolf births came two coyote pups, Cal and Walker. They were also born in April and came to the Nature Center in late July from Izzie’s Pond Sanctuary in South Carolina. While Cal and Walker are not biological brothers, they were introduced to each other at a very young age, so they have bonded and will be companions. These coyotes are incredibly shy and are usually spotted by guests behind their open den shelter.

Quickly becoming a guest-favorite, bobcat kitten Tufts joined the Nature Center in early August. He came from the May Wildlife Rehabilitation Center in Banner Elk, North Carolina, and was named after Edgar Tufts, the founder of Lees-McRae College. The latest bobcat addition was Kohana in late November, a female bobcat who was found in the wild by the West Virginia Department of Natural Resources, she was born around the same time as Tufts, and the two will
be non-breeding companions.

Raccoons Grace and Frankie came to the WNC Nature Center in late September from Appalachian Wildlife Refuge. These kits have acclimated quickly with their curious behaviors and tactile foraging skills.

In our Care

To say the least, animal keepers and the veterinary care team at the WNC Nature Center have been busy keeping up with vaccines and immunizations, introducing the animals to their new habitats, and encouraging behaviors that will help with their care as they grow into adulthood.
“When you visit and see our animals, it’s important to understand why they are here with us,” says Erin Oldread. Animal Curator at the Nature Center. “Sometimes they were born under human care, like our red wolves. Other animals were permanently injured in the wild and need ongoing veterinary care. In the case of our new coyotes, bobcats, and raccoons, they were found to be unreleasable by the sanctuaries who received them. Oftentimes when you are rehabilitating a very young animal and feeding them from a bottle, they very quickly become dependent on and overly comfortable around humans. It can be harmful to them and humans if they were released back into the wild, so the WNC Nature Center is happy to give them a home.”

In the case of WNC Nature Center’s last collection of baby animals, sometimes the Center serves as a holding ground as animals develop and prepare to be released back into the wild. Appalachian Station, the Nature Center’s indoor exhibit for reptiles and amphibians, is currently housing two baby box turtles and two baby snapping turtles, all four of which are overwintering and will be released in spring 2024.

Also joining the WNC Nature Center this year are adult animals, Suli the Black Vulture and Morticia the Turkey Vulture. Suli was born in the wild but came under human care after a wing injury. She came to the Nature Center in late March from the NC Aquarium at Pine Knolls Shores. Morticia arrived from Hershey Park Zoo/Zoo America in October and joined the habitat next to Buzz, the longest living resident at the Nature Center at 33 years, in December.

Great time for a visit

Typically, the WNC Nature Center sees less crowds as Asheville enters the colder weather seasons. However, the animals who call the Nature Center home are generally more active during this time of year, and visitors can enjoy watching all the new additions encounter their first winter in Western North Carolina.

Check out the WNC Nature Center’s holiday gift guide at wildwnc.org/gift-guide to see all the ways you can support the animals who call the Nature Center home, including symbolic adoptions and purchasing items from the Animal Wishlist and Holiday Giving Tree.

About the Friends
The Friends of the WNC Nature Center are a vital partner with the WNC Nature Center. With their donors and members, the Friends enrich the Nature Center’s mission to connect people with the plants and animals of the Southern Appalachian Mountains. As a conservation organization, the Friends inspires a passion to know more, care more, and do more for the wildlife of the Southern Appalachian Mountains. They advance the critical work of the WNC Nature Center by supporting its growth and development through fundraising, membership, outreach education, marketing, and volunteer services.

About the WNC Nature Center
The Nature Center connects people of all ages with the plants and animals of the Southern Appalachian Mountains. Asheville’s wildlife park is located on 42 acres and is home to more than 60 species of animals, including red pandas, river otters, black bears, red and gray wolves, and bobcats. For more information, please visit www.wildwnc.org.

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

These early literacy programs for kids and their caregivers are designed to develop a joy for learning through books, songs, and activities.

Story time takes place in our library community room. This is not a ticketed event.

Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell.

The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.

Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.

The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.

Throughout the history of painting from the mid-19th century forward, artists have used an endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process. Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel, bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world. This multigenerational survey demonstrates how the 35-mm camera, and later technological advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be. “Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.” Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant. This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan. This exhibition is sponsored in part by Jim and Julia Calkins Peterson.

Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.

Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.

“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”

Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”

This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.

Mammo on the Go, a Department of Pardee Hospital, offers on-site convenience and state-of-the-art 3D breast imaging with quality care from our expert team of female technologists. Pardee’s mobile mammography unit will be on-site at this location and is currently accepting appointments.

To schedule your appointment, visit MammoOnTheGo.com

Patient requirements for mammogram screenings include:
Must be 40 years of age or older
Must have a referring provider to accept results
Must not be pregnant or currently breastfeeding
Must not have any new breast problems or concerns
Must not have had a mammogram in the last 12 months
Must be able to get on and off the bus independently

Mammograms are covered by most health insurance plans. Check with your insurance provider for exact coverage. Financial assistance is available for those who qualify. Call (828) 698-7306 for more information.

Join us at the Greenville Convention Center for the Greenville Remodeling Expo on Jan 12th-14th! This comprehensive home show brings together homeowners and many of the most knowledgeable and experienced remodeling and building experts. Every aspect of the home can be explored, from the smallest design detail to the largest house addition. Professionals will be on-hand to share their valuable knowledge to bring your ideas to life or inspire you with new ones.

Admission:

Adults: $4

Children under 18: FREE

For more information click here: Greenville Show: Remodeling Expo | L&L shows (homeshowcenter.com)

Try Pickleball is a four week series of classes for adult beginner pickleball players.

All classes are taught by HRC Pickleball Pros.  Try Pickleball starts January 9th on either Tuesdays 2-3 or Fridays 6-7 indoors. The cost is $120 for the five weeks and includes four hours of instruction, a Paddletek pickleball paddle and a pickleball.

“Pickleball is the latest racquet sport craze. It combines elements of several racquet sports including: tennis, ping pong and badminton. It intensifies hand coordination and increases volley abilities. ALL WHILE HAVING FUN!” stated Certified Pickleball Professional Cre Still.

All classes are taught by certified pickleball professionals and will be held on HRC’s indoor courts.  Limited spots are available so early registration is encouraged.  To register or for more info go to www.hvillerc.com or contact 693-0040 or e-mail [email protected].

Hendersonville Racquet Club is a six acre complex that includes 5 dedicated outdoor pickleball courts, 6 outdoor tennis courts, 3 indoor tennis courts, four racquetball courts, an outdoor swimming pool, fitness center, group fitness room and outdoor leisure area by Shaw’s Creek and pond.

Every Friday Modelface Comedy brings you the best comedians from all over the country. This week we bring you Winston Hodges and Matilda Epstein from Washington D.C.

Winston Hodges is from DC by way of Richmond. He’s toured all over the east coast showcasing his southern charm and edgy wit. His clips have been viewed a combined 4 million times! His award winning special Grieving Productively is available on YouTube and his label debut album Already Aware is available on Apple/Spotify/Amazon.

Winston has opened for Demetri Martin, Brian Regan, and Dave Attell to name a few.

Featuring Matilda Epstein and Kali Passafiume

ages 18+
Doors at 6:30, show at 7pm

A new performance work, titled “Redemption/TIME,” brings together acclaimed poet Jimmy Santiago Baca and jazz violin virtuoso Christian Howes in a unique multimedia collaboration under the direction of Dr. David Gonzalez. The project aims to inspire a new generation through the hard-won life lessons of Santiago-Baca and Howes, and to bring their powerful voices to a wide audience through live performances and streaming services.

In “Redemption/TIME,” Baca’s poetic genius intertwines with Howes’ soulful musicality, along with compelling video design, to create a performance work that aims to “inspire, educate, and motivate audiences across the country,” according to Gonzalez.

Both Baca and Howes have powerful stories to tell, with the former having overcome illiteracy and incarceration to become an award-winning poet, while the latter learned valuable life lessons during his time in prison. Their collaboration is a testament to the power of transformation, resilience, and art.

– ALL AGES
– SEATED SHOW
– LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE

JASON CARTER
In Lloyd, Kentucky, on U.S. 23, there’s a sign on the Country Music Highway dedicated to renowned fiddler Jason Carter. It was placed there because of his other accomplishments—the Grammy awards, the worldwide tours, and the many other accolades he’s earned through his music. But for Carter, joining the legendary names honored on that stretch of highway just might mean the most. “There’s a certain sound that’s up there that you just don’t hear anywhere else,” he says. “I think that played a big part in how I sound today.”

True to those Kentucky roots, Carter continues to pour all he has back into bluegrass. For thirty years, he has been the fiddle player for the Del McCoury Band—the most awarded group in bluegrass history. He’s won three Grammy awards, including 2018’s “Best Bluegrass Album” with the Travelin’ McCourys, of which he is a founding member. And he’s taken home five IBMAs for “Fiddle Player of the Year,” a staggering number that isn’t quite so crazy once you realize just how many bluegrass greats have turned to Carter for collaboration.

As a fiddler, Carter has been featured on albums by Steve Earle, Ricky Skaggs, Dierks Bentley, Charlie Daniels, Vince Gill, Asleep at the Wheel, and many more, all in addition to his tireless touring and recording with Del as well as the Travelin’ McCourys. On Carter’s forthcoming solo album, Lowdown Hoedown, listeners may recognize instrumental contributions from such legends as Jerry Douglas or Sam Bush alongside vocals from young trailblazers like Sarah Jarosz or Billy Strings. This time, though, Carter is singing lead.

Scattered across the album, too, are hints of the influences that have shaped Carter’s sound throughout his life. A guitar player since childhood and a fiddler since 15 (the age when he swore that someday he’d play in the Del McCoury Band), Carter inherited his love for bluegrass from his father, a musician himself, and grew up playing at jams, festivals, and campgrounds across Kentucky. After he graduated high school, he took his talent as a fiddler on the road professionally: first with the Goins Brothers, then at 19 with the Del McCoury Band, and later with the Travelin’ McCourys.

In the decades since, he’s seen the bluegrass community evolve and expand.  “The bluegrass fans, they’re pretty loyal,” he says, noting that he’s found a similar kinship sharing stages with jam bands like Phish and Leftover Salmon, too. “They stick behind you, they’re there for you.” Carter mirrors that loyalty with his own—loyalty to his craft, loyalty to the road, and loyalty to the career path he’s dreamt of since childhood. With Lowdown Hoedown, Carter shares the fruits of decades’ worth of on-the-road experience, spectacular musical sensibility, and genuine excitement for what bluegrass can be.

Writing songs imbued with the humor, vibrant imagery and drama of the rugged west coast of Ireland, this award-winning artist is fast becoming a household name and a firm fixture on the folk and songwriter scene. With storytelling and wit at the heart of all she does — tied together with an inimitable, dreamy voice — Emma’s music is “frothing with melodic charm and lyrical intrigue.” (Folk Radio UK)

Every Friday evening Modelface Comedy brings you the best comedians from all over the country

“Where Ya From?” is a crowd work show (like the instagram clips y’all love so much). Come out to Catawba Brewing for a late night crowd work comedy showcase. This is your one chance to talk during the show and you don’t want to miss out

featuring Jess Cooley, Julia Macias, Matilda Epstein, Winston Hodges and more!

ages 18+
doors at 8:45pm, show at 9:15pm