Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

The idea that music plays a part in shaping our moods and emotions stretches back to the Doctrine of Affections of ancient Greece. Contemporary film score composers know they have the power to heighten the senses of the audience through harmonies, rhythms, and timbres. Fantasias of the Renaissance and Baroque period allowed for musical forms more fluid than allowed by structured compositions such as canzonas and sonatas. Composers over the past century have called upon instruments to create sounds previously unimaginable, adding even more magic to the listener’s experience. Oboist Alicia Chapman joins Kelly Brzozowski, Rosalind Buda, Sarah Dietriech, and Jody Miller for this Fantastic Voyage.

$20 suggested general admission; $10 suggested for students, seniors; no one turned away for inability to donate.

Vivian Leva & Riley Calcagno play old-soul roots music, fluidly melding a backbone of Appalachian traditional music with fresh iconic melodies and the tightly wound vocal harmonies of indie folk.

 A bittersweet nostalgia lies at the heart of Imaginary People, the new album from Viv & Riley, coming September 15, 2023 on Free Dirt Records. Over ten tracks, the pair applies an indie roots sheen to newly composed pop gems. Rooted originally in the folk tradition, the pair reframe the production into experimental territory, crafting songs that speak to finding a path forward into adulthood in an uncertain world. Gifted songwriters and multi-instrumentalists, Vivian Leva and Riley Calcagno’s first album under the name Viv & Riley is a subtle masterpiece of thought and reflection. The album brings a reflectiveness to summertime jams that speak of uninhibited joy and creative camaraderie. Coming on the heels of their acclaimed earlier albums that showed preternaturally talented songwriting from such young artists, now the songs have caught up with their lives. Now in their mid-20s, the two are building a life together, creating a supportive community, and looking back on everything they’ve been through. Based out of Durham, North Carolina, they’ve tapped into the area’s eclectic and collaborative music scene, recruiting Alex Bingham of Hiss Golden Messenger to produce the album. Bingham brings a sunny, lush sound to Viv & Riley’s music, moving beyond their earlier country roots and toward a layered sound and sonic experimentation. The songwriting has evolved as well, from the world-weary, stripped-down country songs they’re known for to indie songwriting at turns sweetly sad and gently sardonic. Ultimately, Imaginary People is about carrying and honoring our pasts, about letting that inform our new steps forward. No matter how much we might cling to where we are, sometimes we need to uproot and take a leap of faith, to open ourselves up to new experiences and ideas in order to grow and blossom.

All Ages – under 12 requires venue approval

A new documentary film shines a light on four behind-
the-scenes L.A. musicians who were responsible for helping make much of the

era’s best music. A special January 8 screening of Immediate Family is the latest
entry in the popular Music Movie Mondays series hosted by author and music
journalist at Grail Moviehouse.
In the early 1970s music scene of Southern California, you couldn’t get a better bunch
of players than the four musicians who wold come to be known collectively as The
Section. Together and on their own, guitarists Danny “Kootch” Kortchmar and Waddy
Wachtel, bassist Leland Sklar and drummer extraordinaire Russ Kunkel played on a
staggering number of recordings made in that era. And an astounding number of those
songs would become hits.
Playing for and with the likes of Carole King, James Taylor, Stevie Nicks, Don
Henley, Keith Richards, Linda Ronstadt, Stevie Nicks and other well-known names,
that tightly-knit group of musicians would be responsible for the sound of an era. And today those four are the core of a popular
recording and performing unit, the Immediate Family.
Filmmaker Denny Tedesco (The Wrecking Crew) has dug into the collective history of these important musicians, and the result
is a new motion picture documentary, Immediate Family. Drawing from archival footage and contemporary interview with the
musicians (and the artists for whom they provided their expertise), Immediate Family fills in the blanks of an important – yet
often overlooked part of American popular music history.
And a post-screening discussion led by author and music journalist Bill Kopp provides an opportunity to share thoughts and
insight on the film.
As part of the Music Movie Mondays series, Grail Movie House in Asheville hosts a special one-night-only showing of the
film. Presented by Asheville-based speaker, author and music journalist Bill Kopp, the evening will include a screening of the
film followed by an interactive discussion.

Mini-grant applications are available three times during the 2023-2024 school year. You may apply one time during this cycle. Mini-grants must be used within a year after receiving the funding. 

Applications due by:

• November 30, 2023
• January 30, 2024
• March 30, 2024

If you have questions about your eligibility to apply for funding, please email us at [email protected] before submitting your application. We are unable to provide mini-grants to schools located outside of our 23-county service area or to folks who have received a grant from us within the past year. Learn more and apply here!

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

Mini-grant applications are available three times during the 2023-2024 school year. You may apply one time during this cycle. Mini-grants must be used within a year after receiving the funding. 

Applications due by:

• November 30, 2023
• January 30, 2024
• March 30, 2024

If you have questions about your eligibility to apply for funding, please email us at [email protected] before submitting your application. We are unable to provide mini-grants to schools located outside of our 23-county service area or to folks who have received a grant from us within the past year. Learn more and apply here!

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

Sing with our Choir at a progressive church

Come join us! Contact Mark Acker for more information ([email protected]).

Rehearsals on Wednesday’s, 3:30-4:45

This is a great opportunity for community-based organizations to glean more in-depth information about Buncombe County’s nine Community Investment Grant programs, as well as the Open Space Bond and Affordable Housing Bond RFPs. This event is meant for community-based organizations and not for private businesses or individuals seeking grants.

Read more to see if the following opportunities might be right for your organization. Explore www.buncombecounty.org/grants for more in-depth information about these grant opportunities.

Affordable Housing Services Program 

Affordable Housing funding is intended to ensure comprehensive opportunities for affordable and safe housing as a foundation for healthy and thriving families and neighborhoods. Goals include: increasing the supply of Affordable Housing for rent; Increasing the supply of Affordable Housing for homeownership, especially for BIPOC households; Preserving the supply of Naturally Occurring Affordable Housing (NOAH); Supporting activities that achieve functional zero homelessness; Supporting activities that encourage the use of all vouchers. Applications open Dec. 11, with an application deadline of January 26, 2024. Click here for more details.

Aging Services Funding 

The Aging Services grants are made in alignment with the Buncombe County’s Age-Friendly Action Plan, which reflects the vision of an age-friendly community where older adults are safe, well, and engaged. While the 2024 Action Plan is under development the committee will  continue to review applications in connection to the 2018-2023 Action Plan goals which are to: prevent abuse, neglect, and exploitation of older adults; prevent financial fraud and scams; improve health and wellbeing among older adults; improve and support financial wellbeing among older adults; improve and support caregiver wellbeing; increase older adults’ access to transportation; improve older adults’ access to services and supports; and increase age-friendly capability of Buncombe County. Funding includes State/Federal Home and Community Care Block Grant as well as local County dollars. Applications open Jan. 16, 2024 with an application deadline of Feb. 23, 2024.

Clean Water Fund 

The Clean Water Fund provides funding to nonprofit and government organizations working to improve water quality in Buncombe County. This fund supports Buncombe County’s strategic plan vision of “high quality air, water, farmland and renewable energy for future generations.” Funding is available for new construction, repair, restoration, plantings, etc. Construction drawings and engineering studies are eligible for funding; however, shovel ready projects are preferred. The application deadline is January 29, 2024. 

Community Recreation Grants  

The purpose of the Buncombe County Parks and Recreation Grants Program is to provide funding to qualified organizations within Buncombe County interested in partnering to carry out our mission through the promotion of recreational fitness, health and wellness initiatives as well as community-based activities and capital improvements that increase recreational opportunities for the communities served. Grant awards will build momentum for long-term change in the community in alignment with the Buncombe 2025 plan. Applications open Feb. 5, 2024 with an application deadline March 29, 2024. 

Early Childhood Fund

The overall goal of the fund is to ensure that every child in Buncombe County has an equal opportunity to thrive during their first 2,000 days including access to quality early childhood education. Funding is earmarked to support early care and education for children birth through kindergarten, including infants/toddlers, preschoolers, and pre-kindergarteners. Funding will be allocated for projects working toward increasing slots for enrollment, increasing quality, developing/diversifying the early childhood workforce, supporting families, and enhancing the effectiveness of the overall system of early care and education. Applications open Dec. 18, with an application deadline of Feb. 9, 2024.

Juvenile Crime Prevention Program 

The North Carolina Department of Public Safety’s Division of Juvenile Justice partners with Juvenile Crime Prevention Councils in each county to galvanize community leaders, locally and statewide, to reduce and prevent youth involvement with the juvenile justice system. The intent is to provide community-based alternatives to youth development centers and to provide community-based programming, treatment, counseling or rehabilitation services for youth involved in, or at risk of becoming involved with the juvenile justice system. Applications open January 2024 (exact dates TBD).

Strategic Partnership Grants

Strategic Partnership Grants fund nonprofit organizations with programs that promote a healthy, safe, well-educated, and thriving community with a sustainable quality of life. Funded projects must align with Buncombe 2025 Strategic Plan focus areas: Educated & Capable Community; Environmental & Energy Stewardship; Resident Well-Being; and a Vibrant Economy. Applications open Dec. 18, with an application deadline of Feb. 9, 2024.

Tipping Point Grants 

These are small grants to help amplify community efforts. These grants will either fuel what is already happening or allow the development of local projects. The idea is that by onloading positive factors and offloading negative factors, the scales can tip toward greater community resiliency. Projects should be led by a nonprofit, connected to a specific neighborhood or geography or underserved population, and grounded in cultural identity and sense of place. Applications open Dec. 18, with an application deadline of Feb. 9, 2024. 

Visit www.buncombecounty.org/grants for full details including application information, previously funded projects, performance reporting, and funding committee materials.

Join us for this educational and fun guided drum session. This class is super fun and no drumming experience is needed. In this hour long session we will establish the foundations of rhythm and experiment with various concepts from there.

Weekly mountain music JAM with
players in a round, where the session is focused on regional fiddle tunes and songs, You are welcome to come and listen or to
learn and join in. This event supports the Henderson County Junior Appalachian Musician (JAM) Kids Program, Free but
donations are accepted.

Mini-grant applications are available three times during the 2023-2024 school year. You may apply one time during this cycle. Mini-grants must be used within a year after receiving the funding. 

Applications due by:

• November 30, 2023
• January 30, 2024
• March 30, 2024

If you have questions about your eligibility to apply for funding, please email us at [email protected] before submitting your application. We are unable to provide mini-grants to schools located outside of our 23-county service area or to folks who have received a grant from us within the past year. Learn more and apply here!

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

Join us for Jazz Jam Thursday every Thursday from 7-10. There is a suggested donation of $10 and local craft beer and wine for sale. Come as you are or bring an instrument! Open jam starts at 8 after a House Band set guaranteed to fill your soul with groove and joy.
Public parking is available at Marjorie Street, across from Packs Tavern.

– ALL AGES
– STANDING ROOM ONLY

HEX WIZARD
Coming out of Asheville, North Carolina, Hex Wizard brings the party with their high energy rock-n-roll, along with the entrancing psychedelic melodies that scream “rock is not dead!” Formed in the late summer of 2022, Hex Wizard is an original power trio comprised of front performer Michael Seng (guitar & vocals), Casey Willis (bass & visual effects), and Lee Rubenstein (percussion). Hex Wizard will always bring more music to your ears, and less dead space between songs in a live setting.  “Heady shredders from Asheville with a melodic, funky yet decidedly heavy take on psych rock. Recommended if you like Jimi Hendrix, Black Sabbath, All Them Witches.” – Compass/Blank Newspaper, Knoxville TN

THE BEARD CULT
The Beard Cult based out of Asheville NC deliver a unique blend of stoner rock that pulls the listener in.  With Shawn McCoy on lead guitar and vocals, Brett Spivey on bass and backing vocals, Brad Justice on rhythm guitar and Papillon DeBoer (Poppy) on drums. Let them take you on a journey into altered states with their churning and chugging riffs and melodic vocals. Feel the massive thunder clap of sound these 4 emit from the stage. Let them help you find your inner heavy.

Mini-grant applications are available three times during the 2023-2024 school year. You may apply one time during this cycle. Mini-grants must be used within a year after receiving the funding. 

Applications due by:

• November 30, 2023
• January 30, 2024
• March 30, 2024

If you have questions about your eligibility to apply for funding, please email us at [email protected] before submitting your application. We are unable to provide mini-grants to schools located outside of our 23-county service area or to folks who have received a grant from us within the past year. Learn more and apply here!

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

– ALL AGES
– SEATED SHOW
– LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE

JASON CARTER
In Lloyd, Kentucky, on U.S. 23, there’s a sign on the Country Music Highway dedicated to renowned fiddler Jason Carter. It was placed there because of his other accomplishments—the Grammy awards, the worldwide tours, and the many other accolades he’s earned through his music. But for Carter, joining the legendary names honored on that stretch of highway just might mean the most. “There’s a certain sound that’s up there that you just don’t hear anywhere else,” he says. “I think that played a big part in how I sound today.”

True to those Kentucky roots, Carter continues to pour all he has back into bluegrass. For thirty years, he has been the fiddle player for the Del McCoury Band—the most awarded group in bluegrass history. He’s won three Grammy awards, including 2018’s “Best Bluegrass Album” with the Travelin’ McCourys, of which he is a founding member. And he’s taken home five IBMAs for “Fiddle Player of the Year,” a staggering number that isn’t quite so crazy once you realize just how many bluegrass greats have turned to Carter for collaboration.

As a fiddler, Carter has been featured on albums by Steve Earle, Ricky Skaggs, Dierks Bentley, Charlie Daniels, Vince Gill, Asleep at the Wheel, and many more, all in addition to his tireless touring and recording with Del as well as the Travelin’ McCourys. On Carter’s forthcoming solo album, Lowdown Hoedown, listeners may recognize instrumental contributions from such legends as Jerry Douglas or Sam Bush alongside vocals from young trailblazers like Sarah Jarosz or Billy Strings. This time, though, Carter is singing lead.

Scattered across the album, too, are hints of the influences that have shaped Carter’s sound throughout his life. A guitar player since childhood and a fiddler since 15 (the age when he swore that someday he’d play in the Del McCoury Band), Carter inherited his love for bluegrass from his father, a musician himself, and grew up playing at jams, festivals, and campgrounds across Kentucky. After he graduated high school, he took his talent as a fiddler on the road professionally: first with the Goins Brothers, then at 19 with the Del McCoury Band, and later with the Travelin’ McCourys.

In the decades since, he’s seen the bluegrass community evolve and expand.  “The bluegrass fans, they’re pretty loyal,” he says, noting that he’s found a similar kinship sharing stages with jam bands like Phish and Leftover Salmon, too. “They stick behind you, they’re there for you.” Carter mirrors that loyalty with his own—loyalty to his craft, loyalty to the road, and loyalty to the career path he’s dreamt of since childhood. With Lowdown Hoedown, Carter shares the fruits of decades’ worth of on-the-road experience, spectacular musical sensibility, and genuine excitement for what bluegrass can be.

Writing songs imbued with the humor, vibrant imagery and drama of the rugged west coast of Ireland, this award-winning artist is fast becoming a household name and a firm fixture on the folk and songwriter scene. With storytelling and wit at the heart of all she does — tied together with an inimitable, dreamy voice — Emma’s music is “frothing with melodic charm and lyrical intrigue.” (Folk Radio UK)