Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
The Asheville Art Museum is proud to present Asheville Strong: Celebrating Art and Community After Hurricane Helene, a poignant and inspiring exhibition on view February 13–May 5, 2025, in the Appleby Foundation Exhibition Hall. This non-juried exhibition
showcases the works of artists from the Helene-affected Appalachia region, celebrating their
resilience, creativity, and strength while highlighting the power of art to inspire and bring communities
together.
This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.
24th Asheville Orchid Festival “Orchid Arcadia”
March 28, 2025 4:00 – 7:30 p.m.
March 29 – 30, 2025 9:00 a.m. – 5:00 p.m.
Education Center
The Western North Carolina Orchid Society (WNCOS) and The North Carolina Arboretum will once again host one of Western North Carolina’s greatest annual plant shows: the 24th Asheville Orchid Festival “Orchid Arcadia” from March 28-30, 2025. This will be an American Orchid Society sanctioned judging event.
World-class orchid growers and breeders along with regional orchid societies will exhibit at the annual festival, with hundreds of orchids presented in carefully crafted displays.
Admission to the Asheville Orchid Festival is $5.00 for everyone over the age of 12 years old, and free for Western North Carolina Orchid Society members. A regular parking fee for The North Carolina Arboretum applies for all attendees with the exception of Arboretum Members.
Thousands of orchids will be for sale by vendors from Ecuador and across the United States. There will be something for all orchid lovers, and attendees should expect rare species and cutting-edge hybrids. All orchid exhibits, orchid programs, and educational lectures are included with the admission fee and children 12 and under can enter free. All admission proceeds benefit WNCOS, a registered 501(c)(3) non-profit organization, and help expand the society’s mission of “sharing the excitement and joy of cultivating orchids and promoting orchid conservation
For more information, please visit wncos.org
The Great Smoky Mountains Railroad welcomes back the Bunny Hopper Express Easter Train, March 29 & 30! This 4 and half-hour round trip special event train departs the historic Bryson City Depot at 11:00 am and will travel through the Smoky Mountains to our picturesque layover destination for Easter-themed activities and Egg Hunt.
Passengers will be on the lookout for those train-hopping bunnies who have snuck on to take a free ride! Festivities include an Easter egg hunt with prizes, a give-away bag with activities to enjoy during the train ride, and a yummy Easter treat for our junior railroaders to enjoy at the layover. There will also be plenty of opportunities for pictures with our bunny hoppers, so do not forget your camera!
24th Asheville Orchid Festival “Orchid Arcadia”
March 28, 2025 4:00 – 7:30 p.m.
March 29 – 30, 2025 9:00 a.m. – 5:00 p.m.
Education Center
The Western North Carolina Orchid Society (WNCOS) and The North Carolina Arboretum will once again host one of Western North Carolina’s greatest annual plant shows: the 24th Asheville Orchid Festival “Orchid Arcadia” from March 28-30, 2025. This will be an American Orchid Society sanctioned judging event.
World-class orchid growers and breeders along with regional orchid societies will exhibit at the annual festival, with hundreds of orchids presented in carefully crafted displays.
Admission to the Asheville Orchid Festival is $5.00 for everyone over the age of 12 years old, and free for Western North Carolina Orchid Society members. A regular parking fee for The North Carolina Arboretum applies for all attendees with the exception of Arboretum Members.
Thousands of orchids will be for sale by vendors from Ecuador and across the United States. There will be something for all orchid lovers, and attendees should expect rare species and cutting-edge hybrids. All orchid exhibits, orchid programs, and educational lectures are included with the admission fee and children 12 and under can enter free. All admission proceeds benefit WNCOS, a registered 501(c)(3) non-profit organization, and help expand the society’s mission of “sharing the excitement and joy of cultivating orchids and promoting orchid conservation
For more information, please visit wncos
Pieces made from nylon fabric ripstop, which keeps tears from spreading, invite viewers into created, fantastical worlds, only to highlight the complex—even impossible—architectures of their construction. Before the pandemic, Adrian primarily focused on personal experiences and interrogations of queerness, identity, and sexuality. Since then, the work has zoomed out in its scope, still centering identity but placed in larger infrastructure and surveillance systems that mediate, manipulate, and control desire.
Adrian counts queer fiber art, BDSM and kink culture, theatre, camp horror, puppetry, and drag among his many influences. Works in RIPSTOP, like the modernist bounce house sculpture A Fallible Complex (2021), evoke spaces for play, beckoning visitors in through their alluring aesthetic and then blocking their entrance or revealing structural instabilities, like missing floors. Others, like The Sensational Inflatable Furry Divines (2017-19), use sensual materials, like faux fur, spandex, and pleather, which connect to theatrical performance and counterculture. The materials “play on people’s initial associations and serve as a gateway into greater conversations about identity construction, performance, desire, and technology,” he shares.Pieces also nod to the history of quilting, including the AIDS Memorial Quilt, another influence on Adrian’s work. “Even when pieces aren’t explicitly making quilt references, I want the history of quilting and sewing-based craft to be part of the conversation of the work,” he says. “Craft is so much about the processes and histories behind materials. It’s about connecting with communities of people who practice those techniques. It’s about material and technique being a doorway into a greater relationship with an object.”
Themes of transformation—of structures, identities, and bodies—run throughout the show. “What I love about drag and puppetry is the sense of transformation and play, specifically with bodies,” Adrian says. “Within these art forms, a body can become mutable and capable of performing and becoming in unexpected states.” The sculptures also transform throughout viewers’ experiences, going through stages of inflation and deflation and existing in many different states.
RIPSTOP’s constant interplay between surface and depth, assumption and reality, are all a part of what Adrian describes as “looking behind the curtain,” which they trace back to the theatre. “When I’m thinking about systems, and the systems desire fits into, I’m thinking of stage construction, the backstage, the things that go on behind the show, and performance of our desires,” they explain.
As a craft artist, Adrian’s philosophy “comes down to having an intentional relationship with material, process, and technique,” he says. “Those aspects of art making are just as – if not more – important than an intellectualized concept being illustrated by an artwork.”
“Broadened definitions of craft that highlight communities of practice are foundational for the Center for Craft’s new strategic direction,” explains Executive Director Stephanie Moore. “Max Adrian’s work in RIPSTOP exemplifies the expansive and meaningful forms craft can take.” The Center for Craft is an institution Adrian credits for their professional growth. “The Center for Craft has felt like such a supporting institution for me specifically and for so many other craft artists I know,” they note. “To be able to bring this amount of work to Asheville is pretty cool.”
See Max Adrian: RIPSTOP at the Center for Craft Beginning July 26. A reception will be held on August 15. RIPSTOP is organized by Houston Center for Contemporary Craft and curated by Sarah Darro.
The Asheville Art Museum is proud to present Asheville Strong: Celebrating Art and Community After Hurricane Helene, a poignant and inspiring exhibition on view February 13–May 5, 2025, in the Appleby Foundation Exhibition Hall. This non-juried exhibition
showcases the works of artists from the Helene-affected Appalachia region, celebrating their
resilience, creativity, and strength while highlighting the power of art to inspire and bring communities
together.
This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.
Spring Ephemeral Wildflowers with Alexandra Holland
ON-SITE | Saturday, March 29 | 1 – 3 pm
Spring is here, and the natural world is waking from its winter rest! Naturalist and botanist Alexandra Holland leads this wildflower walk at the Arboretum, pointing out the array of spring wildflowers emerging and in bloom. Learn some basics of wildflower ecology and identification while taking in the beauty of spring.
This program takes place outdoors. Please come prepared to walk on gentle, yet uneven terrain, and dress appropriately for the weather.
The Great Smoky Mountains Railroad welcomes back the Bunny Hopper Express Easter Train, March 29 & 30! This 4 and half-hour round trip special event train departs the historic Bryson City Depot at 11:00 am and will travel through the Smoky Mountains to our picturesque layover destination for Easter-themed activities and Egg Hunt.
Passengers will be on the lookout for those train-hopping bunnies who have snuck on to take a free ride! Festivities include an Easter egg hunt with prizes, a give-away bag with activities to enjoy during the train ride, and a yummy Easter treat for our junior railroaders to enjoy at the layover. There will also be plenty of opportunities for pictures with our bunny hoppers, so do not forget your camera!
24th Asheville Orchid Festival “Orchid Arcadia”
March 28, 2025 4:00 – 7:30 p.m.
March 29 – 30, 2025 9:00 a.m. – 5:00 p.m.
Education Center
The Western North Carolina Orchid Society (WNCOS) and The North Carolina Arboretum will once again host one of Western North Carolina’s greatest annual plant shows: the 24th Asheville Orchid Festival “Orchid Arcadia” from March 28-30, 2025. This will be an American Orchid Society sanctioned judging event.
World-class orchid growers and breeders along with regional orchid societies will exhibit at the annual festival, with hundreds of orchids presented in carefully crafted displays.
Admission to the Asheville Orchid Festival is $5.00 for everyone over the age of 12 years old, and free for Western North Carolina Orchid Society members. A regular parking fee for The North Carolina Arboretum applies for all attendees with the exception of Arboretum Members.
Thousands of orchids will be for sale by vendors from Ecuador and across the United States. There will be something for all orchid lovers, and attendees should expect rare species and cutting-edge hybrids. All orchid exhibits, orchid programs, and educational lectures are included with the admission fee and children 12 and under can enter free. All admission proceeds benefit WNCOS, a registered 501(c)(3) non-profit organization, and help expand the society’s mission of “sharing the excitement and joy of cultivating orchids and promoting orchid conservation
For more information, please visit wncos
Early Spring Tree ID with Lauren Lampley
ON-SITE | Sunday, March 30 | 10 am – 1 pm
Each tree species grows their new leaves in unique ways and each spring we are reminded of that fact as the tiny leaves emerge from their buds. The timing of the spring “leaf-out” depends on many different factors and the weather plays an important role in if those first leaves survive to the summer or if they are burned by a late frost or snow. In this class we will look at which trees are leafing out first and how those leaves compare to the summer leaves we know. We will also discuss how to identify different tree species based on their new leaves and their bark.
This program takes place outdoors. Please come prepared to walk on gentle, yet uneven terrain, and dress appropriately for the weather.
The Asheville Art Museum is proud to present Asheville Strong: Celebrating Art and Community After Hurricane Helene, a poignant and inspiring exhibition on view February 13–May 5, 2025, in the Appleby Foundation Exhibition Hall. This non-juried exhibition
showcases the works of artists from the Helene-affected Appalachia region, celebrating their
resilience, creativity, and strength while highlighting the power of art to inspire and bring communities
together.
This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.
Birding for Beginners with Lauren Lampley
ON-SITE | Tuesday, April 1 | 9 – 10:30am
Join us on this birding walk around the NC Arboretum gardens and trails in search of a very common year round resident of North Carolina: Carolina Chickadee. We will take an in-depth look at these common feeder birds and also look for other early spring migrants. Bring your own binoculars but if you do not have a pair we have some loaner binoculars available to use during the program.
This program will take place outside and will follow easy trails and paved walkways. Dress for the weather and prepare to be outside for the entire program time.
Natural History Interpretation (3 sessions) with Brad Daniel
Tuesdays, March 25, April 1 + 8 | 12 – 4 pm
Natural history interpreters provoke interest and curiosity in our natural and cultural heritage. This course will introduce the basic principles of environmental interpretation and is designed for Blue Ridge Naturalists who will be leading nature walks, teaching natural history to adults or children, and delivering talks to community groups. Participants will learn how to create nature education talks or walks that are purposeful, enjoyable, informative and organized. Students will be given an opportunity to develop their own programs and practice their presentation and communication skills. This class fulfills a Capstone Core requirement for the Blue Ridge Naturalist Certificate and should be completed near the end of a student’s studies in the program.
Bullington Gardens is known for our expansive collection of dahlias. Each year our volunteer dahlia crew work tirelessly to ensure we have the best crop possible. These amazing plants take quite a bit of work to be successful, and it starts with dividing your tuber. Join Kim Biggerstaff and Isaac Wyatt as we walk through the culture of dahlias. We will also have a tuber dividing demo after the class. Participants will get a chance to divide a clump of tubers and take one home!
April 1, 2025, 1:00-3:00 pm. Fee: $30.00
The Asheville Art Museum is proud to present Asheville Strong: Celebrating Art and Community After Hurricane Helene, a poignant and inspiring exhibition on view February 13–May 5, 2025, in the Appleby Foundation Exhibition Hall. This non-juried exhibition
showcases the works of artists from the Helene-affected Appalachia region, celebrating their
resilience, creativity, and strength while highlighting the power of art to inspire and bring communities
together.
This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.
The Asheville Art Museum is proud to present Asheville Strong: Celebrating Art and Community After Hurricane Helene, a poignant and inspiring exhibition on view February 13–May 5, 2025, in the Appleby Foundation Exhibition Hall. This non-juried exhibition
showcases the works of artists from the Helene-affected Appalachia region, celebrating their
resilience, creativity, and strength while highlighting the power of art to inspire and bring communities
together.
This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.
The Asheville Art Museum is proud to present Asheville Strong: Celebrating Art and Community After Hurricane Helene, a poignant and inspiring exhibition on view February 13–May 5, 2025, in the Appleby Foundation Exhibition Hall. This non-juried exhibition
showcases the works of artists from the Helene-affected Appalachia region, celebrating their
resilience, creativity, and strength while highlighting the power of art to inspire and bring communities
together.
This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.
viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.
Beginning Botany with Alexandra Holland
Friday, April 4 | 1 – 4pm
It’s a tough life for a plant: make dinner, create and nurture offspring, fight off predators, deal with the neighbors. In Beginning Botany we’ll explore how plants handle these daily challenges using and modifying only leaves, stems, and roots. We’ll cover the basics of plant structure and function.
The Asheville Art Museum is proud to present Asheville Strong: Celebrating Art and Community After Hurricane Helene, a poignant and inspiring exhibition on view February 13–May 5, 2025, in the Appleby Foundation Exhibition Hall. This non-juried exhibition
showcases the works of artists from the Helene-affected Appalachia region, celebrating their
resilience, creativity, and strength while highlighting the power of art to inspire and bring communities
together.
This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.
viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.
Southern Appalachian Birds Through the Seasons with Carlton Burke
Saturday, April 5 | 12 – 4 pm
Since birds are capable of long distance flights and many engage in annual migration rituals, their presence in our area often changes in relation to the seasons of the year. In this class we will discuss the seasonal patterns of southern Appalachian birds and focus on some of the major species and their annual life cycles. As part of this program, there will be a “lab” portion where students will be able to meet some live birds and participate in other hands-on components to deepen the learning.
Edible Wild Weeds with Abby Artemisia
Sunday, April 6 | 10 am – 1 pm
Appalachia is a hotbed of biodiversity and our weeds are no different! Except weeds are the most sustainable to harvest! Abby will give you some basic introductory botany tips for identification, along with sustainable harvest and processing tips. This will demystify the often but unnecessary complications of learning Botany and even make it fun! Bring your field guides!
This program takes place in the classroom and outdoors. Please come prepared to walk on gentle, yet uneven terrain, and dress appropriately for the weather.