Arts and Theatre
Browse through upcoming arts and theater events in Asheville, NC, including Broadway shows, musicals, plays, operas, and more.
Our first show in our new location, 101 Cherry Street, will emphasize how we have adapted to “Making Changes”. Growth occurs when we make changes. When something is deconstructed and recreated with new energy and life, it’s an opportunity to evolve and transform. In this process, some aspects are left behind while new concepts take their place. Growth is universal and can be planned or spontaneous, inclusive or exclusive, material, spiritual, or social. Take this challenge to break from old constructs and explore the previously unknown – the unawakened. “If we don’t change, we don’t grow. If we don’t grow, we aren’t really living.” — Gail Sheehy. All mediums are welcome.
The Village Potters Clay Center is pleased to announce our first Featured Artist Exhibit for 2024 will be for Caroline Renée Woolard. The exhibit opened March 20 and runs through the end of May in the Feature Gallery at The Village Potters Clay Center.
Caroline Renée Woolard creates functional pottery with the intention of nurturing those who use it in their daily rituals, uplifting their spirits and homes as it invites them to find gratitude in the present moment. Her work explores movement through various textures on the surface with slip and carving, while finding stability and structure within the form. Each surface design is a unique expression of the energy of the moment that she creates it, and as she works with clay, she finds it to be a grounding process that reminds her of the importance of being centered and present.
The exhibit will include some of Caroline’s most popular forms like her mushroom mugs and vessels, her curvaceous lady forms, and her slipped vessels adorned with horsehair. She will also be creating new, larger pieces as she continues to explore the new directions her forms and textures are leading her, and we are all very excited to be along on her journey!
Caroline will also be taking part in the annual Multi-Kiln Opening Celebration at The Village Potters Clay Center on Saturday, May 4, where she will be demonstrating some of her surface design techniques and available throughout the day for questions and discussion about her work.
20 Days of Sip & Shop
20 Raffles
20 Door Prices
20% off Entire purchase 10:30 until 1:00 daily*
20% off one item per purchase*
*Excluding yard art and new garden benches
The park is full of spring blooms and signs of the season to come. Break out your cameras and share your best snapshots of whatever spring views you come across and you could win prizes! See contest details below.
GREAT PRIZES WILL BE AWARDED TO 3 WINNING ENTRIES
1st Prize: The winning photo will be our Facebook cover photo for two weeks, and the photographer will receive two annual passes to Chimney Rock State Park and lunch for four at the Old Rock Café.
2nd Prize: After the first place photo, the second place photo will be our Facebook cover photo for one week. The photographer will receive one annual pass to Chimney Rock State Park and lunch for two at the Old Rock Café.
3rd Prize: The third place photographer will receive two adult day passes (or one family pack of day passes) to Chimney Rock State Park and lunch for two at the Old Rock Café.
CONTEST RULES:
- There is no fee to enter the contest. All photographs must be taken of Chimney Rock at Chimney Rock State Park only in areas accessible to guests between April 1, 2024– May 31, 2024.
The contest is open to amateur and professional photographers. - Up to three photos per person can be submitted via any of the following ways to be eligible to win:
- Facebook: First, like the Chimney Rock at Chimney Rock State Park page. Next, send us a private message including your contact information specified in rule #3.
- E-mail: If you don’t have access to social media, you may email your digital photo with your contact information specified in rule #3 to [email protected].
- Every entry should be clearly labeled with the photographer’s name, city & state, a brief photo caption, an email address and the best phone number to reach you.
- Photos should be available at a minimum resolution of 1200 x 1600 pixels (1 MB minimum) to be eligible to win. Photos taken via smart phones, tablets and other mobile devices are welcome if they meet minimum requirements.
- For entries showing human faces, you must list their name(s) and have written permission from any photographed person(s) to use their image.
- Entries should reflect the photographer’s interpretation of the theme. Emphasis will be placed on quality, composition and creativity. All entries may be used in promotions of Chimney Rock and park-related activities.
- Digital images can be optimized but not dramatically altered with photo editing software. Black and white photographs are welcome.
- Winners will be chosen by a team of Chimney Rock staff. Decisions regarding winners are final.
Winners will be notified personally and announced on Chimney Rock’s social media. For more information, call 1-828-625-9611, ext. 1812 or email us at [email protected].
Call for Artists for a New Art Deco Masterpiece –
Part of the Urban Trail
Issue Date: Tuesday, April 16, 2024
Deadline: Monday, May 13, 2024 by 5:00 p.m.
Call Summary:
- The City of Asheville and Public Art and Culture Commission (PACC) seek a qualified artist(s) or designer(s) to submit their qualifications for a piece of public artwork that reimagines and replaces Station #7, the Art Deco Masterpiece, part of Asheville’s Urban Trail.
- Responses to this Call for Artists (CFA) will be reviewed by an Artist Selection Panel and up to three semi-finalists will be asked to submit proposals. Semi-finalists will be paid a $500 honorarium.
- Artwork will be integrated into the existing Outdoor Dining Area in front of the historic S&W Building, located at 56 Patton Avenue, Asheville, NC.
- The budget is $80,000 to engage with community stakeholders, design, fabricate and install the piece.
To Apply:
- More information and the Call for Artists can be found on the City of Asheville’s Bid page at ashevillenc.gov/bids under “Other”.
- Project Number: 298-CFA-ArtDecoRedesign-24
Baker Exhibit Center
In an age of complex environmental challenges, why not look to the ingenuity of nature for solutions? The forms, patterns, and processes found in the natural world—refined by 3.8 billion years of evolution—can inspire our design of everything from clothing to skyscrapers. This approach to innovation, called biomimicry, is becoming increasingly popular.
Nature’s Blueprints is supported in part by The North Carolina Arboretum Society, The Laurel of Asheville, RomanticAsheville.com Travel Guide, and Smoky Mountain Living Magazine.
Short Stories, Linda Gritta Solo Exhibition
Exhibition Dates April 6 – April 30, 2024
Opening Reception April 6th, 5-8pm
Bender Gallery is excited to announce our first exhibition of 2024, Short Stories, a solo exhibition of new paintings by Linda Gritta. We will have the opening reception for Short Stories on April 6th from 5-8pm. Gritta has been hard at work on many new large paintings. All the paintings are an exploration of color with the desire to create a world that allows the viewer a short refuge from reality. These large works are immersive and begging to be explored. Above image: Improv Three, mixed media on canvas, 48 x 60 inches
About The Art Safari
(Our SPRING Art Safari is April 27 & 28, 10AM to 5PM)
The Weaverville Art Safari is one of the longest-running studio tours in Western North Carolina. And, was one of the first in the Asheville area!
Twice-a-year, this juried studio tour takes place the last weekend of April and the first weekend of November. Widely recognized for the quality of the artistry work, our Art Safari also gives guests the unique opportunity to meander through this beautiful area. You’ll enjoy meeting our artists and seeing the spaces where they work and live. The Weaverville Art Safari is a favorite of both locals and visitors; drawing thousands of art lovers to our area each year!
The Weaverville Art Safari appreciates the diversity of human beings and does not discriminate based on race, age, religion, ability, marital status, sexual orientation, sex or gender identity.
Mark your calendars for the 12th Annual Face Jug Show at American Folk Art & Framing! And join us all month long as we celebrate a storied regional tradition: the wild, weird, and culturally iconic Face Jug!
The face jug began to appear in these parts in the very early 1800s. In those days, self-sufficiency ruled and handmade, locally-crafted clayware was common. Our regional soils contain all the elements needed to make hardy clay and our forests plenty of wood for the fueling of kilns. Over the years, popularity of these face vessels has waxed and waned, but the tradition has managed to survive and even thrive. Today, face jugs are an eagerly sought after & widely collected part of our mountain heritage. Wood-fired kilns remain the popular favorite, but there are some who experiment with gas- or electric-fired kilns, either for convenience, curiosity, or to achieve bright colors.
At the heart of our Annual Face Jug Show are traditional creators like Walter Fleming, who at 86 claims the title of the oldest working potter in the state of North Carolina and still hand-digs his clay off his property in the foothills. Wayne Hewell, a 5th generation potter in the mountains of Georgia, creates expressive jugs complete with corn cob stoppers from his own farm. His family’s pottery, still in operation today, began in 1850 and nearly every member of the Hewell clan has worked there for a time.
But what would a show celebrating the Face Jug be without variety? Texan Carl Block takes the Appalachian face jug in a very different direction and incorporates influences from Mexican folk art and his own free-spirited irreverence. 7th generation North Carolina potter Michael Gates creates both historically informed vessels inspired by his ancestors and wildly colorful ‘tattooed’ face jugs that express more of his personal style. Wisconsin potter Joel Huntley puts his own spin on what have commonly been referred to as ‘ugly jugs’ by creating beautifully-refined and delicately-featured face vessels in softly colorful glazes.
“For us, this is the most wonderful time of the year,” says gallery owner Julia L. Mills. “All month long, we get to share this unique pottery tradition with folks that have never encountered it before, and we get to reconnect with many of our most loyal collectors. Opening day is also just an incredible rush; it’s the only day of the year we open the gallery late, because we already know the phone will be ringing off the hook once the clock strikes noon.”
12 potters will be featured in the 2024 Face Jug show, including: Wayne Hewell • Mike Ball • Ben J. North • Michael Gates • Tim Whitten • Carl Block • Vicki Miller • Stacy Lambert • Walter Fleming • Steve Abee • Joel Huntley • Stephen Harrison
Whether you can visit the gallery in person or only online, please join us as we celebrate this storied pottery tradition at American Folk Art. The 12th Annual Face Jug Show will debut on the gallery website: WWW.AMERIFOLK.COM at 11 AM, Wednesday April 10th. For a full hour, the entire show will be available for previewing before phone sales begin promptly at noon. Remaining face jugs will be on view in the gallery from Friday, April 12th through Wednesday, May 1st, 2024
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| Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell. |
The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.
Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.
The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.
In the early 1900s, travel by train and automobile became more accessible in the United States, leading to an increase in tourism and a revitalized interest in landscape painting. The relative ease of transportation, as well as the creation of National Parks, allowed people to experience the breathtaking landscapes of the United States in new ways. Artists traveled along popular routes, recording the terrain they encountered.
This exhibition explores the sublime natural landscapes of the Smokey Mountains of Western North Carolina and Tennessee. While there were several regional schools of painting around this time, this group is largely from the Midwest and many of the artists trained at the Art Institute of Chicago or in New York City. Through their travels, they captured waterfalls, sunsets, thunderstorms, autumn foliage, lush green summers, and snow-covered mountains—elements that were novel for viewers from cities and rural areas. Though some of these paintings include people, they are usually used for scale and painted with little to no detail, highlighting the magnificence of nature.
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| Rudolph F. Ingerle, Mirrored Mountain, not dated, oil on canvas, 28 × 32 inches. Courtesy of Allen & Barry Huffman, Asheville Art Museum. |
Bender Gallery Artists Featured in
Asheville Art Museum Exhibition
The New Salon: A Contemporary View
The Asheville Art Museum will be opening their exhibit, The New Salon: A Contemporary View, on March 8 and it will run until August 19, 2024. The New Salon offers a modern take on the prestigious tradition of the Parisian Salon with the diversity and innovation of today’s art world. Guest-curated by Gabriel Shaffer, the show will include works from Pop Surrealism, Outsider Art, Street Art, and Graffiti genres.
Bender Gallery has been collaborating with the Asheville Art Museum to loan four paintings from three of our artists. The artists are Laine Bachman, Kukula, and Yui Sakamoto. Be sure to check out this special exhibition in downtown Asheville.
Learn More
Kukula, Impossible Voyage, oil on board, 48 x 24 inches
Kukula (b. 1980, Israel)
Nataly Abramovitch, better known in the art world as, Kukula, paints imagined worlds filled with elaborately dressed women in fanciful settings. The artist does extensive research on the layouts of paintings from the Renaissance and Rococo periods. Kukula subverts these images by depicting women characters in place of traditionally male positions and settings. Her characters are powerful, commanding, and have an air of indifference.
Available Work
Yui Sakamoto, Self Portrait, oil on canvas, 63 x 63 inches
Yui Sakamoto (b. 1981, Japan)
Our surrealist artist, Yui Sakamoto, will have two paintings featured including My Soul and Self Portrait. Self Portrait is still available from his recent solo exhibition at Bender Gallery. Standing in front of Self Portrait, one is immersed in the dual-worlds of Sakamoto’s Japanese and Mexican cultures. There is a sense of calm reflected in the repeating rose pattern, mixed with the uneasy realization that the coral, fungi, and otherworldly forms are what makeup the figure.
Available Work
Laine Bachman, Night Bloomers, acrylic on canvas, 18 x 24 inches
Laine Bachman (b. 1974, USA) Our prolific Magical Realism artist, Laine Bachman, makes a feature in the exhibition with her painting, Night Bloomers. She has been hard at work making 17 new pieces for her solo exhibition at the Canton Art Museum in Canton, Ohio. The Canton show opens on April 28 and continues through to July 28, 2024.
Available Work
This high-flying musical has been thrilling audiences of all ages for close to 70 years and is now being brought back to life in a new adaptation by celebrated playwright Larissa FastHorse, directed by Emmy Award-winner Lonny Price and choreography by Lorin Latarro. The adventure begins when PETER PAN and his mischievous fairy sidekick, Tinker Bell, visit the bedroom of the Darling children late one night. With a sprinkle of pixie dust and a few happy thoughts, the children are taken on a magical journey they will never forget. This extraordinary musical full of excitement and adventure features iconic and timeless songs including “I’m Flying”, “I Gotta Crow”, “I Won’t Grow Up” and “Neverland”. PETER PANembraces the child in us all so go on a journey from the second star to the right and straight on ‘til morning – your entire family will be Hooked!
Peter Pan‘s run time is 2 hours including intermission.
By John Logan
Directed by Julie Kinter
Fangmeyer Theatre
Starring Lyn Donley as Sue Mengers
Step into the glitz and glamour of Hollywood’s golden age with I’ll Eat You Last: A Chat with Sue Mengers! This captivating one-woman show, penned by acclaimed writer John Logan, invites you into the opulent world of legendary talent agent Sue Mengers. Set against the backdrop of 1981 Beverly Hills, this intimate and revealing performance offers a front-row seat to Mengers’ life, career, and the tantalizing secrets of the stars she represented. Get ready for an evening of laughter, scandal, and behind-the-scenes tales that will leave you hungry for more. Bette Midler originated the role and now its back on its feet with the one and only Lyn Donley!
Rated PG-13, strong language.
Directed by Philip Kershaw
CAPTIVATING | HISTORICAL | BIODRAMA
From his landmark victory in Brown v. Board of Education to becoming the first African American to serve on the Supreme Court—Thurgood Marshall devoted his life to the pursuit of a more just world. This captivating one-man play explores his work and life with riveting and inspiring storytelling.
“All bio dramas should be as vivid and entertaining as THURGOOD. A story rich in history, humanity and humor.”
–New York Daily News
Content advisory: strong language, use of racial slurs, and descriptions of violence
Immerse yourself in the extraordinary world of Matilda: The Musical, a delightfully imaginative adaptation of Roald Dahl’s beloved children’s book. This Tony Award-winning musical weaves the story of Matilda, a young girl with a sharp wit, unbounded imagination, and psychokinetic powers. Despite the indifference of her shallow parents and the tyranny of the oppressive headmistress Miss Trunchbull, Matilda discovers the strength within herself to change her story. Infused with dark humor, whimsical storytelling, and dazzling performances, Matilda: The Musical is a testament to the power of imagination, resilience, and the transformative magic of learning. A must-see for audiences of all ages who love heartwarming tales of triumph against all odds.
A talkback with the cast & crew of Matilda: The Musical will be held following the performances on April 14th and 21st.
When Nick announces he is being promoted and moving to Seattle, his grandparents are devastated and quickly concoct a series of hilarious schemes to keep Nick from leaving, including introducing him to the woman of his dreams.
THE SPONGEBOB MUSICAL: YOUTH EDITION
Based on the series by Stephen Hillenburg
Directed by Jenny Martin
Music Direction by Courtney Malone
Choreography by Collin Eten
- 2nd and 4th Sundays – check the calendar on our home page
- 4 pm – 6:00 pm
- Mid-Winter English Country Dance Weekend – Feb 2-4, 2024
- There is also an ECD Wednesday evening from 7:00 pm- 9:00 pm; various callers; and recorded music.
- (This is not an OFB activity) For information contact: [email protected]
Teacher: Mike Yow
Class cost: $150
Min students: 6
Max students: 15
Class Dates: Mondays, April 8 – May 13 (6 weeks)
Time: 4:30 pm – 6:00 pm
Ages: 11-17 (Middle and High School students)
Location: Hendersonville Theatre Auditorium
Restrictions/Special Needs: Just comfortable clothing and footwear for light to moderate movement.
Prerequisites: Just a willingness to learn the essentials of being a skilled and entertaining thespian.
Refund Policy: The last day to receive a full refund* is March 4, 2024. After this date, no refund will be issued.
*Refunds are for tuition only and are at the discretion of the Class Teacher and Education Director. All taxes and fees are final and cannot be refunded.
Class Description:
In this class, students will learn the basics of stage (and film) acting, starting from simple stage directions and vocal projection to monologue, cold readings, improv techniques, and more.
For more information and to register, visit www.hendersonvilletheatre.org
Make a new craft each month using your Cricut!
$20 per session, pay instructor at each class
For more information, call 828-350-2058 or email [email protected]
Cricut Kickstart Workshop
Session A: January 10, advance registration at AVLREC.com required by January 3
Session B: April 10, advance registration at AVLREC.com required by April 3
Get your feet wet in the world of all things Cricut as we chat about different machines and their best uses, and tackle the basics of the software, with lots of time for questions. You’ll create your own vinyl design to transfer on to a provided coffee mug.
Valentine’s Day Cards
February 7, advance registration at AVLREC.com required by January 31
Learn how to use your Cricut to make personalized cards. Even if you’re new, you’ll leave with an awesome card in hand.
Easter Banners
March 6, advance registration at AVLREC.com required by February 28
Dive into crafting a cute seasonal banner using the trusty Cricut, twine, and good ol’ clothing pins. We’ll cut out sweet egg shapes and string them up with twine, giving you the perfect excuse to showcase your handmade charm.
Crafting in Progress Sign
May 8, advance registration at AVLREC.com required by May 1
Craft a personalized sign proudly declaring that you’re “Crafting in Progress!” A cute loading bar adds a touch of whimsy as a fun nod to the crafting journey.
This high-flying musical has been thrilling audiences of all ages for close to 70 years and is now being brought back to life in a new adaptation by celebrated playwright Larissa FastHorse, directed by Emmy Award-winner Lonny Price and choreography by Lorin Latarro. The adventure begins when PETER PAN and his mischievous fairy sidekick, Tinker Bell, visit the bedroom of the Darling children late one night. With a sprinkle of pixie dust and a few happy thoughts, the children are taken on a magical journey they will never forget. This extraordinary musical full of excitement and adventure features iconic and timeless songs including “I’m Flying”, “I Gotta Crow”, “I Won’t Grow Up” and “Neverland”. PETER PANembraces the child in us all so go on a journey from the second star to the right and straight on ‘til morning – your entire family will be Hooked!
Peter Pan‘s run time is 2 hours including intermission
Our student playwrights have written some surreal, moving and hilarious scripts for our 2024 One Act Festival, and our student cast and crew members are standing by to bring them to life on the stage.
The only thing missing is you!
Here’s your chance! Asheville Community Theatre is thrilled to offer you the opportunity to win a magical 4-day Disney Cruise for four. By purchasing a raffle ticket, not only do you get a shot at an unforgettable family vacation, but you also support the arts in our community.
Prize Details:
- A Dream Cruise: The winner and three guests will embark on a 4-day journey to the Bahamas aboard a Disney Cruise ship. You’ll stay in a Veranda Cabin with breathtaking views and top-notch amenities.
- Customized Experience: Work with our travel agent, David Lloyd of Foothills Travel, to tailor your trip to perfection. Whether it’s exciting onboard activities or exploring the ports, your adventure will be exactly what you’ve dreamed of.
- Travel Support: We’ve got you covered with an additional $500 to help with transportation to and from Port Canaveral, ensuring a smooth start and end to your magical journey.
- Complete Assistance: From the moment you win to the end of your cruise, you’ll have personalized support to ensure your trip is seamless and unforgettable.
- Tickets are just $50 each, making this the perfect opportunity to potentially win a trip valued at $8,800, while supporting Asheville Community Theatre’s mission to enrich our community through the arts.
Don’t miss out on this chance to create lasting memories with your loved ones. Get your tickets now!
Click here to view the complete set of rules.
Call for Artists for a New Art Deco Masterpiece –
Part of the Urban Trail
Issue Date: Tuesday, April 16, 2024
Deadline: Monday, May 13, 2024 by 5:00 p.m.
Call Summary:
- The City of Asheville and Public Art and Culture Commission (PACC) seek a qualified artist(s) or designer(s) to submit their qualifications for a piece of public artwork that reimagines and replaces Station #7, the Art Deco Masterpiece, part of Asheville’s Urban Trail.
- Responses to this Call for Artists (CFA) will be reviewed by an Artist Selection Panel and up to three semi-finalists will be asked to submit proposals. Semi-finalists will be paid a $500 honorarium.
- Artwork will be integrated into the existing Outdoor Dining Area in front of the historic S&W Building, located at 56 Patton Avenue, Asheville, NC.
- The budget is $80,000 to engage with community stakeholders, design, fabricate and install the piece.
To Apply:
- More information and the Call for Artists can be found on the City of Asheville’s Bid page at ashevillenc.gov/bids under “Other”.
- Project Number: 298-CFA-ArtDecoRedesign-24
Baker Exhibit Center
In an age of complex environmental challenges, why not look to the ingenuity of nature for solutions? The forms, patterns, and processes found in the natural world—refined by 3.8 billion years of evolution—can inspire our design of everything from clothing to skyscrapers. This approach to innovation, called biomimicry, is becoming increasingly popular.
Nature’s Blueprints is supported in part by The North Carolina Arboretum Society, The Laurel of Asheville, RomanticAsheville.com Travel Guide, and Smoky Mountain Living Magazine.
Historians estimate that skilled Black artisans outnumbered their white counterparts in the antebellum South by a margin of five to one. However, despite their presence and prevalence in all corners of the pre-industrial trade and craft fields, the stories of these skilled workers go largely unacknowledged.
Borrowing its title from a Black culture and politics magazine of the same name, Hammer and Hope celebrates the life and labor of Black chairmakers in early America. Featuring the work of two contemporary furniture makers – Robell Awake and Charlie Ryland – the pieces in this exhibition are based on the artists’ research into ladderback chairs created by the Poynors, a multigenerational family of free and enslaved craftspeople working in central Tennessee between the early nineteenth and early twentieth centuries.
Through the objects featured in Hammer and Hope, Awake and Ryland explore, reinterpret, and reimagine what the field of furniture-making today would look like had the history and legacy of the Poynors – and countless others that have been subject to a similar pattern of erasure – been celebrated rather than hidden. Hammer and Hope represents Awake and Ryland’s attempts, in their own words, “at fighting erasure by making objects that engage with these long-suppressed stories.”
Robell Awake and Charlie Ryland are recipients of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.
Preservers, Innovators, and Rescuers of Culture in Chiapas features eleven textiles by acclaimed Indigenous artisanas (artists) from Chiapas, Mexico commissioned by US-based fiber artists and activist Aram Han Sifuentes. As part of their 2022 Craft Research Fund Artist Fellowship, Han Sifuentes traveled to Chiapas to understand the function of garments and textiles within the social and cultural context of the area and to learn the traditional practice of backstrap weaving. Through the works on view, combined with a series of interviews Han Sifuentes conducted during her research, visitors learn about the artisanas and their role as preservers, rescuers, and innovators of culture and as protectors of Mayan ancestral knowledge. Together, these works present an approach to connecting and learning about culture through craft practices.
Han Sifuentes is interested in backstrap weaving because it is one of the oldest forms used across cultures. The vibrant hues and elaborate designs of each textile express the artisanas identities and medium to tell their stories. To understand how these values manifested in textiles made in Chiapas, Han Sifuentes invited the artisanas to create whatever weaving they desired over the course of three months. This is unique because most textiles in the area are created to meet tourist-driven and marketplace demands. Incorporating traditional backstrap weaving and natural dye techniques, some artisans created textiles to rescue or reintroduce weaving practices that are almost or completely lost in their communities, while others were created through material and conceptual experimentation. This range of approaches reflects how artistanas are constantly innovating while at the same time honoring and keeping to tradition.
Preservers, Innovators, and Rescuers of Culture in Chiapas is on view from November 17, 2023 to July 13, 2024.
Aram Han Sifuentes is a recipient of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.
The featured artisanas include: Juana Victoria Hernandez Gomez from San Juan Cancuc, Maria Josefina Gómez Sanchez and Maria de Jesus Gómez Sanchez from Oxchujk (Oxchuc), Marcela Gómez Diaz and Cecilia Gómez Diaz from San Andrés Larráinzar, Rosa Margarita Enríquez Bolóm from Huixtán, Cristina García Pérez from Chalchihuitán, Susana Maria Gómez Gonzalez, Maria Gonzalez Guillén, and Anastacia Juana Gómez Gonzalez from Zinacantán, Angelica Leticia Gómez Santiz from Pantelhó, and Susana Guadalupe Méndez Santiz from Aldama
Recommended for grades 1-5. Performance duration: 60 min.
Comics go comically off the rails in this musical adaptation of Dav Pilkey’s hilarious book series.
Cat Kid and Molly Pollywog have started an epic club to teach 21 rambunctious baby frogs how to make their own comics! Their fishy father Flippy is overjoyed that his kids will learn to unleash their creativity, but when the frogs’ constant bickering and outrageous imaginations send their comics comically off the rails, Flippy flips out! Will the club survive? Will the frogs ever get along? And will creativity finally save the day? All will be answered in this madcap musical based on Dav Pilkey’s irreverently hilarious book series.
Cat Kid Comic Club: The Musical is written by Kevin Del Aguila and Brad Alexander – the team that brought you DOG MAN: THE MUSICAL!
Reservations for individuals (10 people or less): $12 each. To reserve, complete the Student Series Reservation Form, call the box office at 828-257-4530 ext. 1, or email [email protected].
Reservations for groups (11 people or more): $11 each. To reserve, complete the Student Series Reservation Form. Please note that all group reservations require a deposit of $1 per ticket. Please contact the box office if you have questions.
Mark your calendars for the 12th Annual Face Jug Show at American Folk Art & Framing! And join us all month long as we celebrate a storied regional tradition: the wild, weird, and culturally iconic Face Jug!
The face jug began to appear in these parts in the very early 1800s. In those days, self-sufficiency ruled and handmade, locally-crafted clayware was common. Our regional soils contain all the elements needed to make hardy clay and our forests plenty of wood for the fueling of kilns. Over the years, popularity of these face vessels has waxed and waned, but the tradition has managed to survive and even thrive. Today, face jugs are an eagerly sought after & widely collected part of our mountain heritage. Wood-fired kilns remain the popular favorite, but there are some who experiment with gas- or electric-fired kilns, either for convenience, curiosity, or to achieve bright colors.
At the heart of our Annual Face Jug Show are traditional creators like Walter Fleming, who at 86 claims the title of the oldest working potter in the state of North Carolina and still hand-digs his clay off his property in the foothills. Wayne Hewell, a 5th generation potter in the mountains of Georgia, creates expressive jugs complete with corn cob stoppers from his own farm. His family’s pottery, still in operation today, began in 1850 and nearly every member of the Hewell clan has worked there for a time.
But what would a show celebrating the Face Jug be without variety? Texan Carl Block takes the Appalachian face jug in a very different direction and incorporates influences from Mexican folk art and his own free-spirited irreverence. 7th generation North Carolina potter Michael Gates creates both historically informed vessels inspired by his ancestors and wildly colorful ‘tattooed’ face jugs that express more of his personal style. Wisconsin potter Joel Huntley puts his own spin on what have commonly been referred to as ‘ugly jugs’ by creating beautifully-refined and delicately-featured face vessels in softly colorful glazes.
“For us, this is the most wonderful time of the year,” says gallery owner Julia L. Mills. “All month long, we get to share this unique pottery tradition with folks that have never encountered it before, and we get to reconnect with many of our most loyal collectors. Opening day is also just an incredible rush; it’s the only day of the year we open the gallery late, because we already know the phone will be ringing off the hook once the clock strikes noon.”
12 potters will be featured in the 2024 Face Jug show, including: Wayne Hewell • Mike Ball • Ben J. North • Michael Gates • Tim Whitten • Carl Block • Vicki Miller • Stacy Lambert • Walter Fleming • Steve Abee • Joel Huntley • Stephen Harrison
Whether you can visit the gallery in person or only online, please join us as we celebrate this storied pottery tradition at American Folk Art. The 12th Annual Face Jug Show will debut on the gallery website: WWW.AMERIFOLK.COM at 11 AM, Wednesday April 10th. For a full hour, the entire show will be available for previewing before phone sales begin promptly at noon. Remaining face jugs will be on view in the gallery from Friday, April 12th through Wednesday, May 1st, 2024